Category: Portrait

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Drawing Faces Other Art Blogs I Read People Portrait Sketchbook Pages Watercolor

More Portrait Swaps: Andy (& Nel again)


Andy

ANDY by JANA
Ink & watercolor, Aquabee sketchbook, 12×9″ (larger)

Andy of “Drawn to Running” emailed me and invited me to do a portrait swap with him. I think he’s quite adorable and looks like someone with a very kind heart. I exaggerated in my sketch of him but had great fun doing the drawing, which was a relief after my struggles in the studio earlier this week.

Here’s his excellent portrait of me: an amazing likeness!:

Andy\'s portrait of me

JANA by ANDY

I’m still working on painting Nel and I’m determined to succeed to capture her image from one particular photo without making her look unattractive, which she most definitely is not! Here is another attempt (3rd of those I did today, the first two not worth posting!).

NEL #6
Ink & watercolor, Aquabee sketchbook, 12×9″ (larger)

Nel 6

Drawing in Sharpie is great fun. You have to move quickly or it starts to bleed; you can’t erase, just have to redraw the lines. I enjoy this kind of “take a chance and go” drawing and quick painting so much more than careful labored work these days.

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Other Art Blogs I Read Painting People Portrait Sketchbook Pages Watercolor

More for the portrait party

Nel 2

Watercolor, 11×7.5″ Nel #1 (larger)

Last week I posted my portraits of Nel and Rita for the Portrait Party blog’s birthday celebration. Today I worked on painting Nel from a different photo. Above is my first attempt.

Nel and Rita both did wonderful portraits of me for the Portrait Party. You can see Rita’s here and Nel’s here. They captured my likeness and a sense of my funny side and joyfulness.

Here’s today’s second version:

Nel 3

Watercolor, 11×7.5″ Nel #2 (larger)

You might notice that the drawing is exactly the same in both paintings. That’s because I did the drawing first and scanned it “just in case” I messed up. Then, when I wanted to do another painting, I printed the drawing out on a piece of watercolor paper and started again.
Nel 4

Watercolor, 11×7.5″ Nel #3 (larger)

I’m not happy with any of these, and I seem to have put my frustration on Nel’s face. Since that seems to be the general theme in my painting this week, maybe it’s time to move on to making color charts, always a good thing to do when the muse is on strike.

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Drawing Faces Other Art Blogs I Read People Portrait Sketchbook Pages Watercolor

Portrait Party Pics Part I

1st Sketch of N.

Nel in Sharpie and watercolor in Aquabee 12×9″ sketchbook (larger)

Two art blogger friends and I are swapping portraits for the Portrait Party‘s Happy Birthday Party. You can see there pictures of me here on Nel’s blog and here on Rita’s Flickr page.
Anyone can join in the drawing fun. Just grab a friend and sketch each other; follow the directions here. To be included in the Happy Birthday Party contest, you need to submit your sketch to the Portrait Party by March 31.

1st Sketch of R.

RITA in Sharpie and watercolor in Aquabee 12×9″ sketchbook (larger)

My painting group met at my studio tonight and we finally caught up with each other after a month of way too much busyness to meet regularly. Lea finished illustrating her latest children’s book (which I think is going to become a classic) and shipped the last of the paintings off to her publisher. Susie shared some beautiful watercolors from her trip to Hawaii. Sharon was working on an abstract watercolor and while she painted, Judith surreptitiously sketched her. To get even, Sharon did a quick watercolor of Judith.

Then we uploaded their portrait swaps (below) to the Portrait Party. On the left is Judith’s sketch of Sharon. Sharon’s quick watercolor of Judith is on the right. They both captured each other’s essences in a powerful way.

2362446255_ed9630a476_o.jpg 2362446327_7fba9dc46b_o.jpg
(click images to enlarge)

It’s been a while since I’ve sketched with those very unforgiving Sharpies and it was fun and somehow liberating to just start drawing and see where I ended up and then loosely add watercolor. I was working from photos I was sent by N. and R. I’ve never met either of them in person but I find it’s often easier drawing someone I don’t know intimately. One of the photos N. sent me was so intriguing that I plan to attempt a more serious portrait from that image later.

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Art theory Faces Figure Drawing Oil Painting Other Art Blogs I Read Painting People Portrait Sketchbook Pages

Figure Painting Workshop Sketches

20080310_0131-Meri

20 Minute Sketch: Oil on panel 12×9″ Larger

I thought I would scrape off and reuse this panel but when I photographed it I found there was something about the rawness that I liked. It was the second sketch of the first day of my “Weekend Warriors” figure painting workshop with Randall Sexton, a talented and kind teacher. The model, Meri, was the best I’ve worked with…beautiful, voluptious, charming and a real professional. She is originally from Argentina and came to the SF Bay Area after working with artists in New York City for 10 years.

Below is another 20 minute sketch from day one. Again, I thought I’d wipe and reuse but since I kind of like the energy in it (and didn’t like the cheapo Aaron Brothers panel — way too smooth a surface) I think I’ll hang onto it. (Which means it joins the big stack of “learning opportunities” in my closet until I’m ready to dump them).

Oil on panel, 12×9″ (larger)

20080310_0136-Meri

Oil painting from a live model is sort of like plein air painting: time is limited and there are so many elements that need to be right (drawing, color , value, likeness etc.) for the painting to work. There is so much to see, discover, understand and interpret in 20 minute sprints of painting.

The model’s breaks between poses afford an interesting opportunity to walk around the room and see what others are doing. I was struck by how different each artist’s work was. There were some very accomplished local painters in this weekend class. I had the good fortune of setting up beside Iris Sabre, a local painter whose style and technique I greatly admire.

I started the larger painting below at the end of day one, with two 20 minute sessions. When we returned on Day 2 we had 3 more 20 minute sessions to “finish” up. This is nowhere near finished (but I wish I’d at least gotten around to fixing those giant hands!)

Oil on panel, 20×16″ (larger)

20080310_0125-Meri

This was the 20 minute warm up sketch at the beginning of day two:
Oil on canvas panel, 12×9″ (larger)

20080310_0128-Meri

This was the final painting on day two, about 2 hours and again, not close to being finished and suffering from chalkiness and my exhaustion:
Oil on panel, 20×16″ (larger)

20080310_0121-Meri

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Art theory Dreams Faces Oil Painting Other Art Blogs I Read Painting People Photos Portrait Studio

Dreamt about Jack Nicholson so I painted him

Oil on canvas panel, 12×9″ (Larger)

I had a fun dream that I was on a date with Jack Nicholson so the next day I decided to paint his portrait. (I wouldn’t really want to date him–I think he’s scary but fascinating.) I downloaded some photos from the web, picked this one and set it up on my computer monitor.

In Photoshop I cropped the photo to 12″x9″ to make it the same proportions as my canvas and then set Photoshop’s grid to divided the image into thirds. Then with charcoal I drew the same grid on my canvas panel (dividing it into 9 rectangles). That made it easier to correctly sketch in the shapes that make up the face.

Here’s the set up with the painting nearly done. It so great to be able to work from the monitor instead of a printed photo though it still can’t compare to working from life:
Jack Nicholson portrait in progress
(Larger) (Alison and Pete your artwork is visible on my bulletin board, along with some other inspiring artists’ work)

When I thought I was done, I looked at both images in a mirror and saw a bunch of problems that needed fixing. I flipped the photo 180 degrees in Photoshop and turned the painting upside down too. That made it easier to spot and corrent problems as shapes instead of facial features which is harder. I wasn’t going for a perfect finished portrait, but rather was trying to have fun and continue practicing with oils.

While I was working was listening to a historical novel about Pierre-Auguste Renoir and the making of his famous painting, Luncheon of the Boating Party (my favorite impressionist painting of all time–it made me cry when I saw it in person). I’m enjoying Susan Vreeland’s book of the same name, but I can’t imagine a non-artist enjoying it as much, since it goes into great detail about colors, composition, art theory, and the struggles and joys of painting from life.

Here are a couple of great quotes by Renoir that I really loved:

“I always paint from life and never paint anything I don’t enjoy.”

“I make it a rule never to paint except out of pleasure.”

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Art theory Oil Painting Painting People Portrait

Surveyor Again

Oil on canvas panel, 12″ x 9″ (Larger)

I wasn’t satisfied with the way this painting turned out the first time I declared it done so I worked on him again. I fixed some drawing problems (as much as they could be fixed this far along), lightened the street, darkened the background and the street signs, and worked on his face again. It’s not perfect but it’s enough better that it won’t keep bugging me to finish. Now I can move on to the next painting.

Here’s the way it looked before:

The Surveyor in the Lavender

(Larger)

Before I had a blog I’d work on paintings for a long time, adjusting them until they were as perfect as I could get them. Since blogs require constant feeding, and because I’m trying to do lots of paintings to get more practice, I tend to declare paintings done and ready to post maybe sooner than I should, since I go back and work on them again. Perhaps I should just call them all “works in progress.”

On the hand, since a painting can be worked on endlessly (especially oils), I suppose it would be possible to redo the same painting over and over, learning a little more with each attempt, until you eventually were a skilled painter who’d made ONE really good painting. Certainly authors do that with books: they’re only done when they’re published. I’ve heard artists say that a painting is only finished when someone has bought it and it’s left your studio.

Anyway, this one is done and I’m excited about the next painting. One more to add to my stack of learning opportunities!

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Art theory Landscape Oil Painting Other Art Blogs I Read Outdoors/Landscape Painting Portrait

Watching Painting Videos

Watching Painting Videos

I’ve been renting videos from SmartFlix.com on oil painting landscapes, portraits, and plein air painting and have enjoyed watching most of them, and so has Fiona, pictured above. SmartFlix.com is a website where you can rent videos on any kind of artistic endeavor or just about any other “how-to” — from welding to piloting a helicopter.

The service works well. They charge $10 for each video (theoretically for a week but I’ve kept some two weeks with no problem) They mail them to you with return packaging and postage included. My only complaint is that occasionally, after ordering a video, I find that there will be a wait for it while it comes back from the last member. Usually they’re shipped within a few days. There are no membership or monthly fees. You pay only when you rent a video. Like Amazon, there are user reviews which I found very helpful in making my selections.

Here are the videos I’ve watched so far, with my comments about them. (Please click “Continue Reading” below.)

Continue reading “Watching Painting Videos”
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Art theory Faces Oil Painting Painting People Portrait

Persistence, Acceptance and Freedom

Don and Robin

Oil on panel, 9×12″
Larger

This is a portrait of my son and his grandfather, Don, from a photo taken 30 years ago. I started working on this painting a few days before he died two weeks ago. Although he was afraid of dying he had tremendous acceptance, from years of regular meditation. Visiting him was a very peaceful experience. Even though he was experiencing so much loss, having been an athlete all his life and now watching his body fail, he was incredibly serene. We brought him some photos to look at, including the one from which this picture was made, and they cheered him up and made him laugh.

The reason I titled this post “Persistence, Acceptance and Freedom” is both because of Don, and also because I’ve had to accept that I don’t yet have the skills to make this a good portrait in oil paint, despite my persistence, and that this painting is as far as it’s going to get and it’s time to let it go. And that gives me much needed freedom, after working on this for way too many days. In the beginning it was a wonderful way to remember Don and think about those early days. I was determined to do the best I could but now by accepting that this is as far as I’m willing to take it, I free myself to move on to something else.

I didn’t spend enough time with the initial drawing, the photo I was working from was old and funky, and the color had faded strangely. Initially there were three generations in the picture, my son, his dad, and his grandad. First the two men were great but the baby was a mess. Then the baby got good but I messed up one of the men. After scraping off and redoing all or some of the people many, many times I decided to eliminate my son’s Dad, paint the background and clothes, and call it done. The thing with oil painting is that you can edit forever but I need to stop.

I’ve read it’s better for learning to paint hundreds of one-hour paintings than to spend hundreds of hours on one painting. I’ve tried the later and it’s not fun. I’m ready for the former and excited about doing timed paintings — more like sketches — one hour apiece.

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Art theory Faces Life in general Painting People Portrait Sketchbook Pages Watercolor

Squinting to See the Light (funny story)

Squinting to see the light

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Watercolor in large Moleskine notebook

Today at work, 10 of us were sitting around the table in the lunchroom eating and chatting. I sat across from our director, facing the picture window and our 27th-story view of Oakland, the San Francisco Bay, Mt. Tamalpais and the huge, cloudy sky. I was thinking about what I learned in my painting class last Sunday about the importance of learning to see color temperatures and value. A good way to do that is to close one eye and squint, which helps to blur the details, so that you can see shapes and values. I decided to practice on a blue house and a large brick building that I could see in the distance. I tried one eye and then the other, curious if it made a difference between my left and right eyes.

Suddenly I realized the conversation had stopped, our director was asking me if I was OK, and everyone was staring at me. I burst out laughing realizing that I was sitting there making weird squinty faces and they were all thinking I had an excruciating headache or had suddenly gone mad. I started trying to explain what I was doing and they looked at me perplexed. They finally realized it was an “art thing” and went back to chatting about work and TV shows and travel.

When I got home tonight, I looked in the mirror to see just how funny I looked and had to do this quickie self-portrait in my sketchbook. Amazingly it actually looks like me!

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Faces Other Art Blogs I Read Painting People Portrait Sketchbook Pages Watercolor

Portrait Swap – Ujwala in Watercolor

Ujwala, Watercolor

Watercolor in large Moleskine watercolor sketchbook from color photo
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Ujwala, Monochrome

Watercolor (Ultramarine Blue & Indigo) in large Moleskine watercolor sketchbook from black & white photo
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Forgive me Ujwala; I fear I haven’t done you justice but I thoroughly enjoyed painting your beautiful and expressive face. Thank you for allowing me to draw and paint you.

Update: Casey just posted her drawing of Ujwala too. Check it out here.

Quite awhile ago my friend and fellow art blogger Ujwala in Bangladesh invited me to do a portrait swap with her to be posted on Illustrator Rama Hughes‘ Portrait Party blog but I got sidetracked. She reminded me again recently when I was commenting on the wonderful series of portraits she’s been working on. The Portrait Party blog is really fun. It’s all drawings, paintings, and cartoons done by pairs of artists of each other. Rama recently posted pictures my friend Judith and I did of each other and when Ujwala finishes mine we’ll send them to him. If you want join the portrait party, just follow the instructions on his blog.

When I agreed (again) to do the portrait swap (which just means I paint you and you paint me), she promptly emailed me two great photos. It took me another few weeks to get around to sending her photos. I took pictures of myself at midnight in my old plaid flannel pajamas, holding the camera at arms length under bright light in the studio. The resulting photos showed every wrinkle and magnified my nose since I was holding the camera so close. I decided to forget about vanity and just send her the photos so we could get started.