Tag: Sketchbook Pages

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Bay Area Parks Ink and watercolor wash Landscape Oil Painting Outdoors/Landscape Plein Air Sketchbook Pages

Sunny Landscapes, Summer, Spring, and Smelly

Briones Park, Sunny Afternoon, oil on panel, 10x8"
Briones Park, Sunny Afternoon, oil on panel, 10×8″
Briones Park Sunny Afternoon available for purchase here

I didn’t realize until I saw these two pictures together, that it was easy to tell that I painted one in summer (above) and the other in the spring (below), just by their color palette, even though they were both painted on warm, sunny days. I started the painting above plein air, but only got halfway done before it was time for the group critique. I finished it from memory and a photo but didn’t touch areas I already loved, like the yummy turquoise color in the background.

Briones Park (above) is gorgeous, but dogs are allowed off-leash there so the grasses along this beginning stretch of the trail are littered with stinky dog poo, thanks to irresponsible dog owners. But like bugs, wind and weather, smells are part of the plein air experience too.

Castle Rock Park and Mt. Diablo, Spring, 8x10"
Castle Rock Park and Mt. Diablo, Spring, 8×10″

I painted this watercolor view of Mt. Diablo in my 8×10 Moleskine. I didn’t have time to set up for oils because although we’d planned a day at Borges Ranch we learned on arrival that a 4-H club had reserved the area and we had to leave. The ranger suggested we go to Castle Rock Park down the road.

I parked at the Borges entrance for a while, catching others as they arrived and directing them to Castle Rock. Finally I left a big note on a brown paper bag taped to the Borges entrance sign, hoping latecomers would see it and know where to find us.

After the drive to Castle Rock and a hike to the top of a hill I only had time for a watercolor sketch. The bright yellow-green grassy field was beautifully spotted with lavender wild flowers. In the summer everything would be pretty much the same color of golden brown. This time it didn’t smell like dog poo; it was the pungent odor of the cows that graze there that accompanied the view.

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Faces Ink and watercolor wash Oil Painting Painting People Self Portrait Sketchbook Pages

End of Journal Self Portraits

Self Portrait, Oil on panel, 6x6"
Self Portrait, Oil on panel, 6×6″

I wasn’t satisfied with the two ink and watercolor end-of-journal self-portraits (below) that completed the 8×10″ Moleskine I was working in back in June. Rose Frantzen had told me during my workshop with her that I had wonderful skin to paint and should be doing lots of self-portraits from life in oil. So I decided to give it a try.

I only had couple of hours left in the day for painting so chose a small 6×6″ panel that already had a dark background from wiping off a previous failed painting. I turned off most of the lights in the studio except for one pointing at my face from the left and one overhead light behind me. I clamped a mirror to the easel and started painting. What a surprise: after a couple of hours I’d made my most favorite self-portrait ever.

I know it’s not perfect but I don’t think it calls for perfecting; it’s just a moment in time and a record of a very enjoyable but short painting session.

Below are the two in my sketchbook. I was in a really grumpy mood and struggling with the drawing on the first one and it shows (below):

Grumpy Strained Self-Portrait, ink & watercolor, 10x8"
Grumpy Strained Self-Portrait, ink & watercolor, 10×8″

A few days later I tried again:

Self-Portrait with Birthday Bouquet
Self-Portrait with Birthday Bouquet, ink & watercolor, 10×8″

I was in a much better mood. I put my birthday bouquet on the table between me and the mirror and started drawing. It was confusing trying to combine what was real and what was mirror image. It’s a dorky drawing of me but I like the flowers.

Isn’t it amazing how emotions and mood show in a drawing or painting? It’s like there are two different people in these two sketches: mean, tense, bossy-lady and sweet, flowery, dorky girl.

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Building Ink and watercolor wash Landscape Outdoors/Landscape Places Sketchbook Pages Sketchcrawl Urban Sketchers

Oakland’s Lake Chalet Plus Drawing Rocks and Milk Cartons

Lake Chalet on Lake Merritt, Oakland. Ink & watercolor, 5x7.5"
Lake Chalet (and Plumbing) on Lake Merritt, Oakland. Ink & watercolor, 5×7.5″

Lake Chalet was originally built over 100 years ago as a high-pressure salt water pumping station for the Oakland Fire Department. In 1913, two wings were added to serve as boathouses. In 2009 the building was transformed into a lively restaurant and bar with outdoor seating on the docks behind it on the lake.

What attracted me to draw this scene wasn’t the lovely building; it was the multiple plumbing features on the grass that slopes down to the restaurant from the sidewalk where I sat to draw. And of course the antique street lights that circle the lake.

Milk at Picante, ink & watercolor, 5x5"
Milk Carton at Picante, ink & watercolor, 5×5″

I struggled trying to draw these two milk cartons so issued a challenge to the other sketchers at my table to draw them too. We all had different views of the cartons set in the middle of the table so it was fun to see the variety of approaches and points of view.

Drawing Rocks Practice on Sculpture at Oakland Museum, ink & watercolor, 5x7x5"
Drawing Rocks Practice on Sculpture at Oakland Museum, ink & watercolor, 5x7x5″

After a workshop on drawing rocks (part of John Muir Laws’ Bay Area Nature Journal Club) Susan and I walked down to the Oakland Museum’s sculpture garden, looking for rocks to practice on. The only rock-like object we could find was this clay sculpture. It’s so helpful to practice new concepts before they slip from my mind, as most things do these days.

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Building Ink and watercolor wash Landscape People Sketchbook Pages Sketchcrawl Urban Sketchers

San Francisco Sketchcrawl Part 2: Ferry Building, Ferries & Ladies Room Lines

Ferry Building Clock Tower, ink & watercolor, 7x5"
Ferry Building Clock Tower, ink & watercolor, 7×5″

While I waited for the Sketchcrawl to begin I started drawing the Ferry Building clock tower. The clocks weren’t really set for different times. It looks that way because I drew what I saw: by the time I got to the right clock it was 7 minutes later.

Sketchers Sketching on the Embarcadero
Sketchers Sketching on the Embarcadero

Next I tried to draw the sketchers on the little plaza across from the Ferry Building (above). My perspective got way wonky on the street on the right. Although there are many hills in San Francisco, this street is actually quite flat.

Marin Ferry, ink & watercolor 5x14"
Marin Ferry, ink & watercolor 5×14″

Behind the Ferry Building I watched the huge Marin ferry arrive. I knew I only had about ten minutes to draw it while passengers got off and on. I nearly finished the drawing before it headed back out so added the colors I remembered afterward.

Standing in Line for the Ferry Building Restrooms, ink & watercolor 7x5"
Standing in Line for the Ferry Building Restrooms, ink & watercolor 7×5″

I’m glad I didn’t wait until the last minute to use the restroom in the Ferry Building. There were 35 women in line for the ladies’ room and only about 3 for the men’s. Why? It was interesting drawing the women right in front of me because of the odd foreshortening I perceived looking down their backsides. Next time you’re waiting in line, try to draw the person right in front of you and you’ll see what I mean.

Later someone gave me a valuable tip I’ll share with you: there’s a little used ladies room on the second floor of the building. I wonder why the Ferry Building management doesn’t include that information in the signage directing people where to stand in line for the downstairs restrooms.

 

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Ink and watercolor wash Landscape Sketchbook Pages Sketchcrawl Urban Sketchers

Sketchcrawl San Francisco Part 1: Coit Tower

Coit Tower, from Levi Plaza, SF Sketchcrawl 40, ink & watercolor 7x5"
Coit Tower, from Levi Plaza, SF Sketchcrawl 40, ink & watercolor 7×5″

The San Francisco Sketchcrawl was so much fun and had a great turnout of around 75 people. It was great seeing old friends and meeting new ones. This was actually my last sketch of the day, finished just before our 4:00 meetup.

Micaela and I were going to walk the hundreds of stairs up to Coit Tower to draw it but got distracted by all the other events going on along the Embarcadero on our way. We realized there a was a great view of the tower from inside Levi Plaza, a beautiful, somewhat hidden park that I’d like to return to for more sketching.

Categories
Ink and watercolor wash Interiors People Sketchbook Pages Urban Sketchers

The Exotic Loring Cafe and On a Starbucks Bag

Loring Cafe, Oakland, ink & watercolor, 8x10"
Loring Cafe, Oakland, ink & watercolor, 8×10″

Oakland’s Loring Cafe has the most eclectic decor and architecture I’ve ever seen in a restaurant. In addition to the arches, pillars, sculptures, palms and vibrant lighting, the restroom is like a brick-covered Hobbit house with no sink. To wash your hands you step out of the restroom where there is a large, round, stainless steel, multi-user industrial sink with little signs explaining how to turn on the faucets and get soap. Quite a unique washroom experience!

I’m glad I had my jumbo Moleskine watercolor journal with me since there was so much to capture in one drawing (above).

Sketched at Starbucks on Starbucks Pastry Bag
Sketched at Starbucks on Starbucks Pastry Bag

As my note in the sketch above says, I was just recovering from a bad cold and was so tired after my walk to return movies to the video store I had to stop at Starbucks to sit before I could walk back home.  I’m always grateful there are still video stores to provide entertainment during an illness. The only good thing about being sick is the opportunity to catch up on movies. Fortunately I don’t get sick often, and this sketch was done back in April. I think I’m caught up now on old sketches.

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Berkeley Ink and watercolor wash Interiors Sketchbook Pages Urban Sketchers

Swingin’ at Caffe Trieste, Berkeley

Tuesday Night at Cafe Trieste, ink & watercolor, 8x10"
Tuesday Night at Cafe Trieste, ink & watercolor, 8×10″

We’ve been going to Caffe Trieste in Berkeley for our Tuesday night sketching once or twice a year and each time we’ve been lucky to be there when the Randy Craig Trio is playing. I love their assortment of classic jazz and swing with piano, standup base, guitar and two women singers.

They seem to have a regular following because each time we go I see many of the same people in the audience.

Categories
Building Ink and watercolor wash Landscape Places Sketchbook Pages Urban Sketchers

Women’s Work: Rosie the Riveter and Super Wonky Singer Sewing Machine

Craneway Pavillion and Rosie the Riveter Museum, ink & watercolor, 8x10"
Rosie the Riveter Museum (left) and Craneway Pavillion (right), ink & watercolor & National Park rubber stamp, 8×10″

When my plein air group met at the Rosie the Riveter Museum alongside Craneway Pavilion (a former auto factory where “Rosie’s” riveted during WWII) on the San Francisco Bay in Richmond, everyone else painted the bay view on the other side of these buildings.

But as soon as I drove into the parking lot, this industrial backside grabbed me. From the row of street lights to the giant smokestack and thousands of windows, I was sold. I set up, sketched and painted in the parking lot. Then I toured the museum. My mother, RivaLee was a “Rosie” and worked in an airplane factory in L.A. where she was known as “Riv the Riveter.”

Singer Sewing Machine circa early 1900s, ink & watercolor
Singer Sewing Machine circa early 1900s, ink & watercolor & gold pen

I don’t know what happened to my sense of perspective when I sketched this early 1900s Singer sewing machine in a warehouse full of antique industrial equipment. It was very heavy, almost impossible for me to move, so I guarantee it wasn’t lifting off the table or sliding downhill like it looks in my sketch.

As I drew I was struck by the beautiful decoration and the rounded shapes that seemed to echo the curves of the women who used them. What a lovely tool it is compared to the sterile, boxy, plastic computerized sewing machines of today.

Categories
Bay Area Parks Blake Gardens Building Gouache Ink and watercolor wash Landscape Martinez Plein Air Sketchbook Pages Watercolor

Spring Into Summer

John Muir Home and Orchard, ink, watercolor & gouache, 8x10"
John Muir Home and Orchard, ink, watercolor & gouache, 8×10″

After I filled the jumbo Moleskine watercolor journal I discovered I forgot to post several pages. From March! So here are a few of those sketches from early spring. Above and below are the John Muir home, with a bit of the fruit tree orchards and redwoods on the property. I sketched and painted these on site, with a little gouache added to the fruit tree blossoms at home.

John Muir Landscape, ink, watercolor & gouache, 10x8"
John Muir Landscape, ink, watercolor & gouache, 10×8″
Spring at Blake Gardens, watercolor, 10x8"
Spring at Blake Gardens, watercolor, 10×8″

Above is another spring sketch, painted directly with watercolor, of  magnolia trees and the pretty little flowers planted around the tree.

Categories
Art supplies Drawing Flower Art Gouache Oil Painting Plants Product Review Sketchbook Pages Watercolor

Loads ‘o Lillies and Winsor Newton Cotman watercolor review

"Lily White on White," oil on Gessobord panel, 8x8"
“Lily White on White,” oil on Gessobord panel, 8×8″
(AVAILABLE on DailyPaintworks Auction: CLICK IMAGE to visit auction)

I spent some time sketching and painting a calla lily that sprouted in my garden and while I was at it, tested a palette of Winsor Newton Cotman paints. Several of my friends have this clever, inexpensive Winsor & Newton Cotman Sketchers Palette and I thought it was worth a try so I ordered one.

I started by testing the colors, listing the pigments to match them to artists’ quality pigments I normally use (click to see larger with pigment numbers) and making notes about which ones to swap out (at that point assuming I’d continue using the others).

Test of WInsor Newton Cotman pan paints (FAIL)
Test of WInsor Newton Cotman pan paints (FAIL)

I was very frustrated with the results I was getting when painting and in the end, took ALL the Cotman pans out of the palette and replaced them with pans filled with artist quality paints from tubes. I put the Cotman pans in a large jar of water to soak so that I could empty and reuse the empty pans. After dumping and refilling the jar many times I ended up with a jar of tinted water with a lot of white sandy junk at the bottom: the nasty fillers and binders added to the pigments to make it cheap.

I know that for the same $17 that this palette AND crappy paint costs, you can only buy one or two tubes of full strength, high quality paint. But I’d rather have only a few colors than use junk. Most of the following sketches lack vibrancy, richness in color, and paint application was difficult and unattractive. Here they are in reverse order of completion:

Lily sketch #6, watercolor, 8x10"
Lily sketch #6, watercolor, 8×10″

I liked the drawing above, but not the grayed colors.

Lily sketch #5, ink & watercolor, 8x10"
Lily sketch #5, ink & watercolor, 8×10″

I liked the shape of the leaf above.

Lily sketch #4?, gouache, 8x10"
Lily sketch #4?, gouache, 8×10″

I painted over an awful sketch with gouache (above), just loosely trying to get the shape of the flower.

Lily sketch #3-4, watercolor, 8x10"
Lily sketch #3-4, watercolor, 8×10″

Two previous attempts at the leaf, on 2 other kinds of paper I taped into the 8×10″ Moleskine.

Lily sketch #1 with Snail, watercolor, 8x10"
Lily sketch #1 with Snail, watercolor, 8×10″

The first sketch. I like the composition but the colors and application were yuck.

I’m still using the Cotman Palette. I think it’s a great for sketching because it’s light,  compact and holds enough colors (12). And at $17 I don’t mind the price, even after throwing away the colors it cane with. It’s handy to have the now-empty, extra half-pans which usually cost about 50 cents each. So really, I got the palette for $11, and 12 empty pans for $6. Not too bad.