I’m back from my fantastic, amazing, intense week-long portrait workshop with Rose Frantzen, the best teacher I’ve ever had, in Scottsdale, Arizona. I will share my experiences once I have fully processed them and recovered my blogging mojo.
Meanwhile, I’m going through caffeine withdrawal again. After months with zero caffeine I needed extra energy to paint 8 hours a day on little sleep for a week. First it was just a morning cup of green tea, then black tea, then an afternoon diet Coke, and by the last day, a morning cup of bad coffee AND the diet Coke in the afternoon. Now, after two days of withdrawal migraines, hopefully I’m over the worst of it. And it was worth it.
Self portrait with grey sweatshirt, ink & watercolor, 7x5"
I felt like sketching and the mirror was handy so why not draw myself, cozy in my gray sweats. My grandma Gertie had a “house dress” she wore all the time at home and out back to hang her laundry. Just a yellow cotton smock that snapped up the front. I have my “house sweats” that I wear when I’m at home. So comfy and warm.
End of Journal Self-Portrait #1, ink & watercolor, 7x5"
I finished my Sock Monkey Journal on New Years Eve by doing my usual end of journal self-portraits, drawing directly in ink. I did several, trying again and again to get a likeness. Each of them had bits of me, either in feeling or appearance, but none got a real likeness. This was my favorite, above.
Trying a profile (again and again), 7x5", ink
Since I only had a few pages left in the book I did all the starts above on one page. It’s tricky drawing a profile view in a mirror. You look, then draw, then look, then draw. It’s also rather painful looking so closely and seeing the effects of another year of gravity. But better than the alternative!
Worst one, ink & watercolor, 7x5"
I think the one above is the worst of the bunch. At this point I realized that I needed some serious studying and practice at drawing heads which I began doing the next day.
Self portrait with ponytail
Had I not added all the stupid ink to try to make shadows before painting it, this one might have been OK. Instead of using a mirror for this one, I took a photo with my iPad propped on the window sill while looking away from it and then worked from the photo.
Since I did these, I’ve already learned a lot about drawing heads from the Loomis book, “Drawing the Head and Hands.” I’ll be posting my practice from that book soon.
End of Journal Self Portrait, colored pencils, 7x5"
As I complete each journal I draw a self-portrait for the last page. I really liked the ink drawing I made for this one but then totally messed it up when I was painting it and tried to “fix” something. The more I tried, the worse it became. So I scanned the sketch and used Photoshop to remove all the color, leaving me with just the original line drawing below.
Line drawing for self-portrait scanned from bad watercolor sketch
From Photoshop I printed the line drawing onto a piece of the same watercolor paper I use in my journals. Since the ink from my inkjet printer is water-soluble (darn) I couldn’t add watercolor. I used Faber-Castell POLYCHROMOS colored pencils instead and tried to keep a light touch after having overworked the original.
I cut out the sketch to fit into the journal (and cover the yucky sketch), and glued it down with a glue stick. The completed journal is pictured below, covered with a piece of an old tablecloth that lost its “oil cloth” coating when I washed it years ago.
Completed tablecloth-covered journal
It’s so interesting to me how these end of journal sketches turn out. I’d had a rare and unusually good night’s sleep and was in a good mood when I drew this one. What they say about beauty sleep seems to be true, even in sketches — I definitely look more youthful and pretty in this sketch than some of the others I did under less optimal circumstances.
You can see previous end of journal self portraits at this link.
Along with an end of journal self-portrait, I always put an “If Found” notice and silly self-portrait at the beginning of each book (phone number erased for privacy). I started doodling something I was carrying under my arm that turned into a very fat cat (or is it a pig?) And yes, I do wear Pippi braids and bright green shirts sometimes.
Newly bound journal; cover from old tablecloth
Above is my new journal, covered in a piece of cloth cut from an old tablecloth, stacked on top of the last journal, now complete. I temporarily added the silly butterfly sticker as a reminder of what I intended as the front and bottom of the book. And then in my usual Jana way, I accidentally ignored it and started sketching from the opposite direction. And it doesn’t make a bit of difference.
Even though I’ve gotten the binding process down to a 6-hour project per book (when done one at a time; haven’t tried batching them yet), I was looking for a way to save time and be able to sketch without having to bind my own journals. I have yet to find a store-bought journal I like as much as my own, so I wasn’t considering that option.
I came up with the idea of using an aluminum form holder filled with individual sheets that I could later put in an inexpensive art presentation binder in order, as if in a journal. I liked the idea I could keep different types of paper in the holder and set it up to use with my little watercolor kit.
As used, with sketch on left; palette & water container velcroed on rightClipboard for drawing on left, velcroed spots for palette on rightInterior of section that holds paper
While I like this nifty system, and have used it a few times, it just felt weird not carrying a journal containing a little history of what I’ve been seeing, doing and thinking (I don’t share the “thinking” pages here). So now I’m doing both, always carrying the journal above, and when I want a variety of paper, individual sheets, and/or a convenient surface for sketching and painting, I also bring the lightweight Form Holder. Mine is a small size, but a larger one might be really super as a laptop desk.
Page window template
Above is another nifty tool I had made at my neighborhood Tap Plastics for about $3.00: a little template made of very thin plastic with rounded corners that I trace around with a pencil to pre-draw borders on my journal pages. It helps me to have a window to draw within (which I sometimes ignore or erase if I want to work across the spread). Once I finish a sketch I go over the pencil line with black ink.
I drew the black lines on the template with a wet-erase marker so it can also be used as a viewer to see how and where what I’m looking at “should” fit in the drawing (though I rarely use it for that).
I neither know why, again in typical spatially challenged Jana fashion, I wrote “Top” on the template (why would it matter?), and even more perplexing, why I wrote “Top” at the bottom of the template. But it makes me laugh when I see it so I haven’t wet-erased it.
To put the finishing touches on a completed journal, I make a self-portrait for the last page. Since it was also my birthday, I wanted to incorporate my birthday flowers in the painting. So I hung a mirror with a yellow clip from one of my swing-arm lamps on my drawing table and put the vase of sunflowers between me and the mirror and then drew what I could see in front of me: the flowers in front of the mirror, with me and the flowers reflected in the mirror.
As usual for my end-of-journal self-portraits, I wasn’t willing to measure or try to draw and place features accurately but I think I did capture the feeling of me or the me as I was feeling.
In the next post I’ll show you my new journal and another idea I tried out for sketchbooking minus the sketchbook.
When I finished the journal above I decorated the cover and sketched a self-portrait as I do for the last page of each sketchbook. This journal is called Harlequin (theoretically because of the multi-colored cover–the back is turquoise, the front is lavender with black spine covering). I know the word “harlequin” has nothing to do with patching together leftover bits of bookcloth to make a cover, but I let my sketchbooks name themselves and this one wanted to be called Harlequin.
I used (expensive, oil-based) Sharpie Paint markers for the color on the cover but they didn’t show up at all on the black and required several layers on the lavender. Despite the art store clerk’s recommendation, Sharpie Paint markers are not meant to be used on fabric. Annoyed with the markers, I switched to a gold gel pen for the words and lines.
End of sketchbook self portraits, ink & watercolor
These are the two journal-ending self-portraits sketched on the last spread of the book above. I don’t know why I refuse to try for accuracy when I sketch self-portraits. I just draw and see what happens instead. The first one (on the left) feels like me, even though the proportions are wrong. The one on the right is wrong in so many ways I might as well have been drawing a completely different person.
Newly bound journal
I’d planned to experiment with dying my own bookcloth for the new journal like Shirley does, but when I went to the store to get the Wonder-Under (iron-on stuff to fuse fabric to paper backing) I fell for this linen fabric and used it instead. My adventure on the previous journal was figuring out how to patch the bookcloth together. This one was figuring out how to fuse the fabric to the Thai Mulberry paper per Shirley’s instructions (the hardest part was figuring out how to peel the almost invisible paper backing off the Wonder-Under). Maybe next time I’ll dye fabric.
I’ve also updated my file How to Bind a Watercolor Journal (as I do each time I bind a journal and learn more) and it’s available to download on the Comments & Resources page of my website, JanaBouc.com.
Yesterday, despite feeling otherwise perfectly fine, my nose turned into a broken faucet that wouldn’t stop running. I was trying to paint and it was becoming impossible to work for more than a few seconds without sneezing, wiping, or blowing my nose.
Necessity is the mother of invention: the only solution was to stop the flow. So I made little nose “tampons” by tearing a sheet of Kleenex into about thirds and then folded and rolled it into a size that would fit my nostrils and I was set. I could paint for at least 10 minutes before it was time to replace the nose-pons.
Today it’s turned into a real cold with the full range of symptoms which is sad because it’s a rare sunny day and I’d planned to paint outdoors. Instead I’ll be indoors bundled up, drinking tea and chicken soup.
Some day I’ll sketch a flattering self-portrait. Some day I’ll follow the “rules” of portraiture and get features the right sizes in the right places. But not today. Today I just look and draw and see what happens.
I always save the last few pages of my journals to do a self-portrait and look back over the pages and write an index of what they contained. I look in mirrors as little as possible, so it’s weird to spend quality time with my reflection and seeing what’s wrinkled since last time I looked.
FAIL: No Likeness
When I woke up I had a curl standing straight up on top of my head which fell onto my face as the day progressed. That reminded me of this poem my grandmother used to recite to tell this curly-haired, often naughty granddaughter:
There was a little girl who had a little curl
Right in the middle of her forehead;
When she was good, she was very, very good,
And when she was bad she was horrid.
End of Journal Self Portrait #3
The best part of drawing this one was using the Black Pentel Color Brush Pen (not waterproof) for my curls and sketching the puffy down vest. I have tidier eyebrows than I drew but it’s ink so there you go.
Self Portrait with Sketchbooks and Tea, ink & watercolor
When I set up my old mirror to sketch the self-portrait I end each journal with, I could see my sketchbooks on the shelf behind me in the mirror, along with the cup of tea behind the mirror. When I finished the sketch I pasted this photo of my Lady Gaga Makeover on the opposite page:
Me with Lady Gaga Hair
I found Instyle’s Hollywood Makeover website when I was looking for new hairstyle ideas. You upload a photo of your face, line it up, and select a hairstyle (from a huge collection of celebrity photos) which then appears on your face. I haven’t laughed so hard in a long time!
Once you select a hairstyle (and even change the hair color) you can choose face and eye makeup, creating a complete makeover, which I did. If you register on their site you can save and download your makeover photos and it’s all free.
Jennifer Garner Hair Makeover
I brought this more reasonable makeover photo to my hairdresser, who rolled her eyes since the original model (Jennifer Garner) has thick, straight hair and mine isn’t. But with the help of her scissors and blow dryer, I did get something close.
Of course now my hair has gone native again, back to curly, since that’s so much easier than trying to turn it into something it isn’t with gels and blow driers and clips and pins and staying out of the wind and fog.
If you try the makeover site, please share the results! Or at least enjoy the laugh!
At the end of each journal I like to do a self portrait or two and write a little wrap up about my life during the period that journal was active. I blurred some of the writing so I could say what I wanted without worrying about “over sharing” personal stuff.
Self Portrait with Froggie Journal B-2, ink & watercolor
I was inspired by Raena’s wonderful self-portraits to try sketching standing in front of a mirror instead of just sitting down and drawing my face. While I didn’t get a real likeness I did get two images that capture how I felt and saw myself that day. And even better, I was willing to take a chance, draw in ink, leaving the “mistakes” and accept that while my sketches weren’t as “good” as I wanted them to be, I was OK with letting them exist as a point on a journey.
.” I’ll be posting my practice from that book soon.
Jana Bouc, Artist 