Tag: Plein Air

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Bay Area Parks Drawing Flower Art Ink and watercolor wash Landscape Outdoors/Landscape Painting Places Plants Plein Air Sketchbook Pages

Tilden Botanical Garden Sketches

Pacific May Lilly at Tilden Botanical Garden, ink & watercolor, 4x6"
Pacific May Lilly at Tilden Botanical Garden, ink & watercolor, 4x6"

My plein air group met at Tilden Regional Parks Botanical Garden this cold and foggy morning. Since I wasn’t familiar with the park I explored a bit and then decided to sketch instead of trying to drag my painting gear around the hilly, pebbly paths. Since I only had my large Moleskine and a Micron Pigma .01 pen with me, I added watercolor later at home. The May Lilly above was so sweetly but delicately scented that drawing beside it was like breathing in a dessert.

Bridge & Creek, ink & watercolor, 5x7"
Bridge & Creek, ink & watercolor, 5x7"

This bridge and creek was the first thing I sketched when I arrived, still arguing with myself about whether to go get my painting cart, whether to go home because it was too cold, whether to go home because I arrived late, how I should have brought my watercolors, how the scene was so complicated and so maybe I should just go home.

But as I drew,  I started noticing interesting details, how dark and light shapes lined up,  where one puzzle piece fit against the next, the design the water was making as it poured over rocks and down the creek, the sound of frogs and birds, and before I knew it that busy, chattering mind had shut off and I was having fun.

Manzanita Tree, Ink & watercolor, 5x16"
Manzanita Tree, Ink & watercolor, 5x16"

As I sketched this spectacular Manzanita, I began noticing how much like strong lean muscles the branches were, with their smooth, polished red surface. Then I found other human attributes: the knotholes looked like eyes while the bends in the branches looked just like elbows. This led me to consider the oneness of all things and I felt very connected to all the nature around me. During our critique at the end of the paint-out, we each take a turn showing our work and talking about our process. When I shared these thoughts someone laughingly asked what I’d eaten for breakfast! I was high on drawing, not Cheerios!

Cat Napping in the Buckwheat, rev2, Ink and watercolor
Cat Napping in the Buckwheat, Ink & watercolor, 4x6"

Walking to our critique, I spotted this garden kittie, having a nice nap in the buckwheat section of the garden and had to stop and sketch it. Nothing bothered this plump pussy who slept amidst the plants, little signs, wood chips and stones near the garden entrance. I added the whiskers with white gel pen.

Categories
Bay Area Parks Landscape Oil Painting Outdoors/Landscape Painting Places Plein Air

Martinez Waterfront Park Plein Air Step by Step

6. Martinez Waterfront Final version
6. Martinez Waterfront, oil, 8x8"

When my plein air group at Martinez Waterfront Park last Saturday I really enjoyed the painting process despite getting a late start. Then I tinkered in the studio, never one to leave well enough alone. Above is the final version and below are the steps I took to get there, recorded just for fun. First is the thumbnail sketch/value study:

1. Thumbnail, pencil
1. Thumbnail/value study

Then I blocked in the colors using really thin paint at the average color of each of the large shapes and planes or puzzle pieces as I like to think of them.  I was pleased to see I did the drawing pretty well, and was able to fit everything on the square panel in about the same proportions as I saw them and as in my thumbnail sketch.

Continue reading “Martinez Waterfront Park Plein Air Step by Step”
Categories
Berkeley Flower Art Plants Sketchbook Pages Watercolor

Wisteria in Cathy’s Garden

Cathy's Wisteria, watercolor, 5.5x6"
Cathy's Wisteria, watercolor, 5.5x6"

My plein air painting buddy Cathy,  invited me over to sketch her wisteria which was blooming in her beautiful, backyard Zen garden.

Cathy is a graphic designer and her wonderful design sense is apparent throughout her home and garden. I loved being in the presence of the quiet empty spaces, balanced with beautifully designed sculptural installations of plantings, ceramics,  orchids and bonsais; and Japanese style fences, stones used to simulate streams and landscape features.

With a fountain tinkling, bees visiting the wisteria and hummingbirds sipping from the fuchsia while we sat in the shade sketching, it was a wonderful way to end the day feeling relaxed and at peace.

Categories
Albany Ink and watercolor wash Landscape Life in general Outdoors/Landscape Painting Places Plein Air Sketchbook Pages

Creek by 99 Ranch Market, Albany

Ranch Market Creek, ink & watercolor in Moleskine 7x5 wc sketchbook
Creek, ink & watercolor in Moleskine 7x5

I thought I was bringing my car in for an oil change, but the service manager told me it was way overdue for its 3 year/30,000 mile major maintenance (about 3 years overdue, as a matter of fact). I take public transit or walk whenever I can so my 2002 Toyota RAV 4 has less than 26,000 miles on it. I thought I could wait until 30,000 but he said no because the kind of short trips I take are harder on the car than lots of regular driving .

So I left it with him to do the full boogie on the car, feeling a bit sheepish at my car abuse. Despite the offer of a ride, I decided to walk the two miles home, hoping I’d find something fun to draw on the way. Sure enough a mile into the walk, I found this beautiful creek I never knew existed, half in the shade and half brilliantly lit with spring greenery all around.

As I was sketching and painting, an elderly Asian woman (99 Ranch Market is an Asian shopping center) showed me the bag of bread she was bringing for the resident ducks and then wandered off down the path, hoping to find them.

When I got home I realized I’d left all of my keys with the service manager. Oops…. But fortunately I have a “Plan B” for my keys, having locked myself out one too many times in the past.

And now my car seems so much perkier and happier with all new fresh fluids and the nice car wash they gave it. I’m very fond of my car, it’s always been totally reliable, and I really should treat it better.

Categories
Drawing Flower Art Gardening Gouache Outdoors/Landscape Painting Photos Plants Sketchbook Pages

Botanical Sketches: Proteus

Proteus in Bloom, ink & gouache, Moleskine 5x7 sketchbook
Proteus in Bloom, ink & gouache, Moleskine 5x7 sketchbook

When I was walking to BART last week I ran into Fletch who had just finished shooting photos of an amazing Proteus  a few blocks from my house. I must have walked by this stunning plant a hundred times and never noticed it until he pointed it out to me. I couldn’t stop to sketch that morning but finally got back there this afternoon.

I got as close as I could without trespassing and sketched with my Micron Pigma .01 pen, trying to capture the many different forms the blossoms take along the way to fully blooming. Then I used my mini gouache palette and a tiny brush to paint the details.  Gouache seemed like a perfect medium for doing this kind of detailed botanical sketching.

I also took a bunch of photos of these amazing and diverse flowers. Here are a couple of them:

Photo of Proteus blossom
Photo of Proteus blossom
Proteus in bloom, photo
Proteus in bloom, photo

Note to self: Find proteus at a nursery and plant them! But first I want to do some larger botanical illustrations from my photos (or from life if I can convince the woman who owns the plant to allow me to take some cuttings). Fletch told me she reluctantly allowed him to take one.

And here’s a bit of etymological (word origin) trivia about theProteus:

The Proteus got its name because of its amazing diversity of form: It was named after the Greek sea god, Proteus, who was able to change his appearance at will.  From this comes the adjective “protean,” which means “versatile”, “mutable”, “capable of assuming many forms.” “Protean” has positive connotations of flexibility, versatility and adaptability.

Categories
Art theory Landscape Oil Painting Outdoors/Landscape Painting Places Plein Air

Now I Am Having Fun!

View from Old Borges Ranch; Plein air, Oil on panel, 9x12"
View from Old Borges Ranch; Plein air, Oil on panel, 9x12"

I’m celebrating a bit of progress I saw today when I painted plein air at Old Borges Ranch in Walnut Creek. I painted at this site a year ago and had a terrible time, titling the post of the awful painting I did that day, “Am I Having Fun Yet? Uh…no!”

Today was a lot more fun. I started the painting with a plan (described below) and stuck with it until I started rushing to wrap it up in time for our group critique at 1:00 when I muddied things up a bit since the light had changed in the scene from when I first started at 10:30.

When I put the painting in the line up with the other 14 paintings, I didn’t even cringe or feel embarrassed. It helped too, that I now understand that my plein air paintings are sketches, not finished works of art.

Here are the steps I took that seemed to work for me:

Continue reading “Now I Am Having Fun!”
Categories
Drawing Every Day Matters Ink and watercolor wash Life in general Painting Plein Air Sketchbook Pages Still Life Watercolor

Sketchcrawl of a Day: Racing to Complete Sketchbooks by January 1

Bedside Table Morning
Bedside Table with Coffee & "An Illustrated Life" - Morning
morning walk
DeLuxe Parked - morning walk
Midday
Poodle Waiting at Trader Joes, El Cerrito - Midday
Busby Napping After Dinner
Busby Annoyed, Trying to Nap - After Dinner
Fiona "As Seen on TV" Evening
Fiona "As Seen on TV" (literally) - Evening
Messy Desk - Evening
Messy Desk - Late Evening

I challenged myself to do a sketchcrawl of my day, making a 10 minute drawing (almost) every hour, wherever I was at the moment.  I was surprised by how many times during the day I saw things I’d like to draw. But I waited for my timer to tell me,  “Now!” and then started drawing.  If I was out and about, I added the watercolor at home in the evening.

Reading Danny Gregory’s book, An Illustrated Life,  inspired me to get back to my sketchbooks which I’d been neglecting while I focused on oil painting this past year. As a result of that neglect, I had half a dozen unfinished sketchbooks that I’ve challenged myself to complete by the end of the year. Hence the sketchcrawl above (and more to come as the year draws to a close, or should I say, “as I draw the year (and my sketchbooks) to a close!

More sketching = more fun!

Categories
Drawing Ink and watercolor wash Life in general Other Art Blogs I Read Outdoors/Landscape Painting People Photos Plein Air Sketchbook Pages Watercolor

Sketching with Martha & Shirley (St. Patrick’s San Francisco)

St. Patrick's Church, ink & watercolor 8x6"
St. Patrick's Church, San Francisco, ink & watercolor 8x6"

Shirley (Paper and Threads) was visiting San Francisco this week and Martha (Trumpetvine) and I had the pleasure of spending the afternoon sketching with her in the park. Poor St. Patrick’s Catholic Church isn’t really falling over despite the many earthquakes it has weathered over the years. It’s just my usual wonky drawing. Martha and Shirley will post their drawings on their own blogs eventually but here is a snapshot of our work lined up together.

Shirley's, Jana's and Martha's sketches
Shirley's, Jana's and Martha's sketches

And here we are lined up, with me a head taller and trying to take a photo and holding my iPhone at arm’s length.

Jana, Martha and Shirley
Jana, Martha and Shirley

We were joined virtually on our little art blogger sketchcrawl by phone  from Lisa in Texas and via Facebook (where I posted an update and photo while we were sketching) by Marta (MARTa’s Art) and EJ (Rose-Anglais) .

After sitting on cold concrete steps to sketch we were ready to warm up. We walked back to Shirley’s hotel, and she treated us to a glass of wine on the 39th floor of the Mariott Hotel (also known as the “Jukebox” building because of its unique architecture). Here’s the view from the bar just before sunset.

View from the hotel bar
View from the Marriott Hotel bar

It was such a treat to spend a Friday afternoon with these two very talented and beautiful women.  After the sun set in golds and pinks, and the lights of the city came on, I had to leave while they went off in search of dinner.  I BARTed to Oakland for the monthly Friday night “Art Murmur” gallery walk where my sister and niece had pieces in a show. Walking from BART I passed the grand old Paramount Theatre and set my camera to “burst” mode so I could capture the changing lights of the neon marquis.

Paramount 5
Paramount 1
Paramount 4
Paramount 2
Paramount 3
Paramount 3
Paramount 2
Paramount 4
Categories
Ink and watercolor wash Painting Plein Air Still Life Watercolor

Bananas in a Debbie Meyer Green Bag

Bananas in a Bag, Watercolor & acrylic on hot press paper, 6x8
Bananas in a Bag, Watercolor & acrylic on hot press paper, 6x8"

I’m usually skeptical of anything that says “As Seen on TV” on the label, but I heard someone raving about how “Debbie Meyer Green Bags” keep fruit fresh longer and decided to give them a try. They actually do work. I used them during the summer with tomatoes from my garden and very few of them went rotten. They seemed to last for weeks without putting them in the refrigerator. I used the bags successfully with bananas and peaches too.

They supposedly can be reused 8 to 10 times but I’ve found that each time you reuse the bags they seem to have less potency.  The package says they are “made with a “a natural mineral ‘Oya’ that absorbs and removes the ethylene gases that cause normal deterioration.” Oya is made from zeolite, a kind of clay found in Japanese caves.

You do have to keep the contents of the bags dry and I found putting them in the refrigerator means they get moisture inside and you have to keep wiping the inside of the bag. I hope I don’t find out later

About the watercolor:

I wanted to use masking fluid to preserve the white highlights and shiny spots on the bag but when I opened my bottle of masking fluid I found it had turned into a solid lump of white rubber. So I tried using a white colored pencil as a resist on the white areas, but when I painted over it it didn’t repel the paint. I could have drawn the whole thing out really, really carefully and saved the white areas by painting around them, but I didn’t have the time tonight.

So I just painted, planning to use my white gel pen for the highlights but discovered it too had dried up.  In the end I made the highlights with liquid Golden acrylic, drawing straight from the little squirt bottle of paint, blobs and all.

Debbie Meyer Green Bags
Debbie Meyer Green Bags

P.S. WordPress rolled out it’s new version today with a beautiful, pwerful and simple new user interface that makes blogging a joy! Yay WordPress!

Categories
Art theory Landscape Oil Painting Outdoors/Landscape Painting Plein Air

Plein air painting: What’s it good for?

Lake Temescal Backlit, Oil on panel 9x12"
Lake Temescal Backlit, Oil on panel 9x12

An artist friend once said that in her opinion, the definition of ” plein air” is “bad landscape painting.” While I have seen some really great plein air landscapes, I’m finding that its challenges often lead to results that look clunky and kindergartenish. It takes a lot of practice to be able to successfully capture a scene in the two hour window you have before the light changes and everything looks completely different.

When starting a plein air painting (or any painting for that matter) it is recommended to first simplify the scene down to its most basic elements, the largest shapes of value and color. However, because I love detail so much, something inside me often rebels at simplifying and then I find myself with an incoherent mess.

I like to think of plein air painting as akin to figure drawing, rather than a way to achieve finished works of art: It’s good for you, but not an end in itself. But if I spend my painting time mostly working plein air, I end up with lots of crappy paintings and frustration from working small. And that leads to messing around with  the painting at home instead of leaving it alone.

Painting process

Below is the sketch that I painted at Lake Temescal on Sunday. It was a gorgeous day and although the lake was smooth and reflective and beautiful, the backlit trees along the lake were calling out to be painted. Below is the original version of the scene painted plein air.

Original painted plein air
Original painted plein air

When I brought it home I broke my rule (that I have yet to follow): Leave plein air paintings alone, call them sketches and move on.  Instead, after dinner I started messing with it, using a photo reference.

Today I studied the painting, still dissatisfied, trying to figure out what was wrong. I converted photos of the scene and my painting to “grayscale” in Photoshop and compared them. Immediately I could see that the photo had strong value contrast and that my painting did not. I worked on it some more, adding some dark accents. Here are the photos:

When a painting isn’t working I turn it into a little laboratory for learning, pushing it until it’s total crap or I’ve learned what I was trying to learn, or both. I think I should have just left this one as a happy color study.