Emeryville Marina Chevy's Sign at Sunset, ink & watercolor
(Apologies for posting twice–forgot to include all three images the first time).
I noticed this palm tree-lined street when I was exiting Highway 80 in Emeryville and suggested it as a place for our Urban Sketchers group to meet. I guess the directions I provided to the spot weren’t very good because everyone else went down to the end of the marina and I sketched alone all evening.
Photo of sketch before I painted it
I knew we’d meet at Chevy’s Mexican Restaurant at 8:30 so I wasn’t worried. This was one of those really fun drawings where I started by deciding what I most wanted to fit on the page (the lamp post, palm trees, Chevy’s sign and water). I started with the lamp post because I could use it to figure out where other things lined up to it. And then I just kept seeing and drawing more and more until it was all in there.
photo of the scene (slightly different angle)
I painted the sketch just as the sunset was at its brightest and everything looked so pretty, pink and yellow. It’s such a lovely spot, and yet so urban, within a couple blocks of two major freeways and the entrance to the Bay Bridge. You can see Cathy’s sketches of the bay bridge and the freeway on our Urban Sketchers Bay Area blog.
I took my two favorite 12-year-old girls to Tilden Park for a Friday afternoon outing on a rare sunny day in this horrible summer of fog and wind. My plan was to relax and read on the beach while the girls played in the water and then take them to the carousel and the Little Farm Nature Area.
Sketchy people, Lake Anza
After a little picnic the girls gleefully headed into the water, I reached for my book and discovered I’d forgotten it. Fortunately I had my journal so instead of reading a book I drew in one.
Wrong lifeguard stand and more sketchy people
My first attempt at drawing the lifeguard stand got the perspective all wrong so I used that page for more sketches of people.
The girls were having so much fun in the water, swimming, chatting, and fooling around that I couldn’t get them out until 5:00. I promised that if we have another sunny Friday this summer I’ll take them again. But this time I will remember my book and, if it’s warm enough, my bathing suit!
“Here Comes the Fog” is an all too common saying around here. It can be a hot, sunny day like this one at Linda Mar Beach in Pacifica. Then the fog comes rolling in, the sun disappears, and you need your jacket instead of your bathing suit. It was one of the first things I learned when I moved to the Bay Area: never leave home without a jacket, no matter what. (Painting available here).
Watercolor & Gouache preliminary study
This was a quick study in my sketchbook from the photo I took when I visited the beach in June. I used watercolor and gouache to ease back into that day at the beach.
View north from Peet's Coffee, El Cerrito, ink & watercolor, 7x5"
At first glance, the corner of San Pablo Avenue and Carlson in El Cerrito is boring, boring, boring: a wide busy avenue with boxy buildings. But when viewed on a lovely summer day from a cafe table outside Peet’s Coffee with pen in hand, it transforms itself into a sketching delight full of fun details and color.
View South down San Pablo Ave. Wells Fargo, El Cerrito, ink & watercolor, 5x7"
Looking the other way down San Pablo, the Wells Fargo Bank building holds little hope for drawing inspiration. But start sketching and it too transforms itself. There are trees of all kinds and colors. A cerulean sky with only a hint of clouds, a pink apartment building and a gold dentist office. Sun, shadows, banners.
Not boring! I don’t think I’ve ever felt bored when I was sketching. Years ago a friend told me that when I was sketching I looked like I was roller-skating. Whee! Let’s skate!
Conservatory of Flowers, Golden Gate Park, ink & watercolor, 5x7"
When Laura Frankstone of Laurelines was in San Francisco for a long weekend I had the great pleasure of joining her for an afternoon of sketching in Golden Gate Park. Laura and I had corresponded and participated together in many art blogging activities since 2006, but this was the first time we met in person. She is a brilliant artist, a delightful person and great fun to sketch with.
Below are our sketches of the Conservatory. I added watercolor to mine (above) in the studio later since it was windy, foggy and cold sitting on the grass and so were ready to go explore the (way too hot) conservatory.
Laura's on left, Jana's on right (click to enlarge)Photo of the Conservatory with my sketch
After getting all steamy inside the Conservatory of Flowers’ jungle-like atmosphere, and touring the Wicked Plants exhibit, we came back out to sketch people on the lawn.
Girls Picnic in Golden Gate Park, ink & watercolor, 7x5"
We agreed to paint these later too, since time was short and we wanted to keep moving. Below are our two sketches.
Girls in the Park; Laura's above, Jana's below
If you click the image above to enlarge it you can see how Laura even captured the girl on the left’s cheek bulging with her snack.
Our last stop was the Tea House in the Japanese Tea Garden. The garden is an absolutely beautiful place with incredible plantings, sculptures, buildings, ponds, trees, moon bridges and more. I wanted to live there.
View from Teahouse in Japanese Tea Garden, ink & watercolor, 5x7"
While our tea was the most delicious jasmine tea we’ve ever had, our experience was not exactly the “meditative cup of tea overlooking the peaceful waters of the garden” because men were doing construction and running a small but loud and smelly bulldozer back and forth on the path behind what I sketched above. The combination of noise and exhaust were less than ideal but unlike me, Laura didn’t complain once.
Moments after we sat down in the Teahouse another woman sat down beside us and pulled out a sketchbook (before we had ours out). She was an art history student visiting from Boston and we all sketched happily together. The waitresses kept coming over to praise our drawings. I said, “You must see people sketching here all the time.” She said no, we were the first she’d seen.
Benicia Waterfront Street Light, ink and watercolor,7x5"
I accidentally overslept so when I finally arrived at our Benicia paintout at 11:00 I was an hour late. I didn’t see any other artists around. The wind was blowing so hard that I sat in my car to sketch, listening to NPR on the radio. Everything was going great, I was drawing with my favorite Lamy Safari Extra Fine Fountain pen and then painted with my watercolors set up on the passenger seat.
Benicia Waterfront, Ink and Watercolor, 5x7"
I turned to draw a different view, but when I reached for my pen it was gone. I searched everywhere, inside the car, under the car, nearby on the ground. No pen. I retraced my path when I’d gotten out of the car to look around and take photos. Nothing. I asked people walking by but nobody had seen my pen. I returned to the car and searched every nook and cranny again, twice.
An hour later I gave up and used a Pitt Artist Pen to do the drawing and added watercolor. I was so sad. I’d really come to love that pen. When I finished the sketch I used my iPhone to look up and call all the stationary and art stores in the Bay Area, but nobody had a Lamy with an Extra Fine nib.
Just then fellow painters Carol and Ling drove up and I told them what happened. They insisted on helping me find the pen despite my whining, “It’s hopeless, it’s just gone.” Carol checked under the seats and in the driver’s side door pocket. She told me to check the passenger’s door pocket. It was the one place I hadn’t looked (why I hadn’t looked there I can’t explain) and there it was! Yay! Joy!
I went from a sad loser to a happy finder and now every time I use my pen I get that happy feeling again. Definitely a keeper.
Last Saturday my plein air group met at Borges Ranch in Walnut Creek’s Shell Ridge Open Space. It’s a beautiful place that feels far away out in the country, and is surrounded by strange, tall hills covered in a hundred shades of green.
While I was painting I kept hearing the strangest sounds: yips, yelps, squeals and howls. I ruled out the sheep, goats, pigs and roosters and decided it was either the world’s most annoying beagle or a coyote. Later I asked the ranger who confirmed that there were three coyote families in the three nearby hills. He said they all have pups in their dens and are very talkative now. Want to hear a coyote? Click here to go to a site with a coyote sound clip.
To see wonderful photos and stories about life with an adopted coyote who was orphaned at 10 days old when his parents were shot for killing sheep, please visit The Daily Coyote blog, “a story of love, survival and trust.”
Now back to the painting–I tried to simplify, avoid details and focus on color, light and big shapes. The sky was completely covered in a thick layer of clouds and I noticed a painting “rule” in action: cool light creates warm shadows (and vice versa). Although the heavy cloud cover meant there weren’t obvious shadows, I could see how darker areas leaned toward red while areas in light were cooler (e.g. lemon yellow, not an orange-yellow).
When I got home I broke my rule of not touching up plein air studies and fussed with it, eventually ruining it and throwing it in the trash. I’m glad I took a photo first…and that I had the joy of painting to a coyote soundtrack!
Pointing the Way To...? Mountain View Cemetery, ink & watercolor
I had planned to oil paint with my plein air group at Mountain View Cemetery but there were just too many interesting sights to explore to plant myself in one spot with an easel. I switched to ink and watercolor which is so much more portable. I wonder what the statue above is supposed to be pointing towards?
Mountain View Cemetery Entrance, ink & watercolor
The entrance and central plaza is planted with thousands (?) of tulips. I hoped they would be in bloom but I only spotted one early bird. This cemetery is such a beautiful and historic place (as you can see in this photo slide show).
Weeping Willow and Pond, Ink & watercolor
This pond and little waterfall beneath a gigantic weeping willow tree (above) is one of my favorite spots in the cemetery, hidden just behind the entrance gate. I’ve tried to paint it before and have yet to get it right. Maybe next time.
Mountain View Cemetery Statues, ink and watercolor
After the group left I stayed behind to draw a couple more of the statues. The life-sized angel on the left was bunching up her robes, looking off into the distance. The one on the right is yet another female statue pointing at something in the distance.
I’m curious about how people chose or designed their statues in the 1800s. Were they built to order or were there standard designs they could buy? Why are they almost all women? I suppose in death, like birth, a mother watching over us is comforting, even if she’s looking or pointing at something else.
Capetown Company Gardens, South Africa, oil on panel, 9x12"
During a very rainy week it’s been wonderful to have this sunny view to paint from Google Street View for Virtual Paintout‘s March location of Cape Town, South Africa. It will be interesting to see how (and hopefully if) my winter practice with landscape painting in oil carries over to painting real landscapes outdoors. Now that the rainy season seems at last to be over I will soon find out!
A note about the color in the photo: despite my best efforts, I couldn’t get the foreground shadow on the path to perfectly match the color in the painting which is a little more purple and a little less bright.
Here’s the original Google Streetview image:
Google Streetview image: Capetown
If you’re interested in the actual location, just click here for the map. And if you’d like to purchase this painting for $100, just click here.
Table Mountain View, Cape Town. Oil on 5x7" panel.
This month’s Virtual Paintout is in Cape Town, South Africa. What a beautiful country! I needed a project I could complete in an hour or two so I chose a simple scene and a small panel to paint on (5×7″).
But I think I spent as much time tooling around South Africa on Google Streetview than I did painting. And tonight I had such a hard time getting the color right in the photo (the sky in the painting isn’t turquoise, it’s a warmer blue) that I’ve probably spent an equal amount of time trying to fix the photo and get this blog post finished!
So I will let it be. As my boss always says, “…good enough for jazz!” She knows I can be a perfectionist and has taught me that little mantra so that I don’t get stuck finessing one little thing while all the other work stacks up.