Tag: Gouache

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Art Drawing Faces Gouache Painting Portrait Sktchy Sktchy

Librarian (?) in Gouache with Zorn Palette

Stacy D from Sktchy in Gouache using Zorn Palette, 10x7 inches
Stacy D from Sktchy in Gouache using Zorn Palette, 10×7 inches

I dramatically changed the setting of this portrait from a graffiti-covered wall (photo at bottom) to a library. There was something about her expression and clothing that made me think judgmental librarian, not the hip artist she appears to be in her photo feed on Sktchy. (Not that librarians can’t be hip artists! I was thinking of the mean school librarian who was always shushing us and glaring if we giggled.)

This was the last lesson in Mike Creighton’s Sktchy class on gouache portrait painting and color mixing. This lesson was about the Zorn palette: white, yellow ochre, cadmium red light and black. I’m really enjoying playing with limited palettes and discovering all the varieties of color possible with them.

In my initial sketch below, I hadn’t decided on the background yet.

Stacy D. from Sktchy, initial sketch on Xerox paper
Stacy D. from Sktchy, initial sketch on Xerox paper

When I decided to change the background from the wall in the reference photo below, to a library I did a quick internet search and found the photo below, right, which I used as inspiration.

Reference photo of Stacy D from Sktchy
Reference photo of Stacy D from Sktchy
Internet photo for library photo reference
Internet photo for library photo reference
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Art Drawing Gouache People Portrait Sktchy Sktchy

Triadic Color Scheme in Gouache

Jennifer L. from Sktchy, weird 3-color gouache triadic color scheme, 10x8 inches
Jennifer L. from Sktchy, weird 3-color gouache triadic color scheme, 10×8 inches

A triadic color scheme is one in which three colors are chosen for the palette that are equal distance apart on the color wheel. For example, either the three primaries (red, yellow, blue) or three secondaries (orange, purple, green) or tertiaries like red-orange, blue-green, etc. The colors I chose were a little weird: Linden Green, a greenish yellow because I wanted to capture the brilliant greens in the garden, plus Ultramarine Blue and Cadmium Red Light.

I thought the Linden Green and Cad Red Light made some interesting skin tones.

Mixing experiments with triad of Linden Green, Cad Red Light and Ultramarine Blue

Like all of the reference photos that Mike Creighton chose for his Sktchy gouache and color class, I wasn’t particularly attracted to paint this reference photo (at bottom of post). So I tried to think of it not as a portrait but a puzzle to play with color mixing plus a chance to practice my drawing.

In my initial sketch below, her hand and fingers were the most fun and most challenging.

Initial Sketch on Xerox paper
Reference photo

Overall I’m not thrilled with this one. I don’t really like looking at it. But the puzzle process and mixing experiment was really fun.

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Art Art theory Faces Gouache People Portrait Sktchy

Complimentary: All the Colors in Just Two

América GS from Sktchy in just two colors, 10x8 inches on watercolor paper
América GS from Sktchy in just two colors, 10×8 inches on watercolor paper

In the past when I experimented with limited palettes and color schemes I missed the point. I thought the idea was to compose with just the chosen colors, rather than to discover how many different colors could be made by mixing them together. I hadn’t yet discovered the beauty of neutrals made by mixing two very different colors together. For this portrait, the challenge was to use complimentary colors (colors that are opposite each other on the color wheel).

I chose just two pigments: Winsor Newton Cobalt Turquoise Light and M. Graham Cadmium Red Light; basically a blue-green and a red-orange. I focused on making the lights cool and the shadows warm and was thrilled to discover the wonderful range of colors and neutrals I could make with just these two pigments and white.

First pass with color

Of course the colors are nothing like the actual colors in the reference photo (below), another photo I wouldn’t have chosen to paint myself, which removed the investment to capture it perfectly.

Reference photo of America S from Sktchy
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Art Art theory Drawing Gouache Painting People Portrait Sktchy Sktchy

Alexander’s Analogous Bathroom Selfie in Lavender

Alexander H from his bathroom selfie on Sktchy, 8x8" on watercolor paper
Alexander H from his bathroom selfie on Sktchy, 9×8″ on watercolor paper

Analogous colors sit beside each other on the color wheel. For this gouache experiment with analogous colors, I chose Dioxazine Purple, Quinacridone Magenta, and Pyrole Red; basically a violet, a red-violet and a red. Plus white of course. My favorite gouache paints are M. Graham, especially their white, which is so wonderfully creamy.

Normally when I paint I try to match the colors I see, so painting with arbitrary colors is a very different approach for me, one that requires focusing more on value and warm/cool relationships. There was no way I’d get “normal” skin colors with this combo of colors. Below is my original sketch on Xerox paper which I then transferred to watercolor paper.

Initial sketch
Initial sketch

One funny thing about this Sktchy gouache class is that the teacher seems to pick reference photos of people I never would have chosen. The photo reference for this lesson: a guy seemingly looking in his bathroom mirror when he woke up in the morning. It didn’t inspire me, but maybe the combination of a non-interesting photo and the experiment with color took the pressure off so I could just play. I had so much fun with this one!

Photo reference from Sktchy
Photo reference from Sktchy
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Art Gouache Portrait

A Beauty and a Gloomy Gouache

Olivia McRae in gouache, 10×8 inches

I had so much fun with the painting above and was really happy how it turned out. I’m (slowly) working my way through the Sktchy “30 Faces in 30 Days” gouache and watercolor class, though at the rate I’m going it’s probably going to take me 300 days, not 30 to finish it.

For the painting above, I followed along with Cecile Yadro’s demo. Her style felt very congruent to the way I like to work. You can see the reference photo for this painting on Sktchy here and download Cecile’s free gouache ebook here.

Although it wasn’t mentioned in her lesson, I was especially happy about how I was able to maintain the (high key) value structure while varying the colors and color temperatures within her face, something that clicked for me for the first time.

On the other hand, the next lesson was by Russian artist Nicolai Gánichev and his approach, techniques and final painting didn’t appeal to me at all (see his painting below).

Painting by Nicolai Gánichev 
Photo Reference from lesson

There seems to be a trend in contemporary art of destructing portraits, smearing paint across the subjects face or wiping off their eyes or mouth. Are the artists just bored with their facility in making portraits and have to show their contempt for skill or for the subject? I don’t get it. Also, the reference photo seemed dark and gloomy to me. I tried it anyway.

My sketch
First painting attempt, ugly and gloomy

I sketched her on Xerox paper and then transferred the drawing to watercolor paper. I tried following along with Nicolai but disliked his process so went off on my own. I ended up hating my first painting (above) so I transferred the drawing again, lightened the photo and discovered she actually might have red hair. I wasn’t having fun so I gave up after the second attempt below and moved on.

My final, still unpleasant, attempt at painting her

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Art Gouache Portrait Sktchy Sktchy

Trying Gouache Again

Gouache portrait, 10×8 inches on Arches CP Watercolor paper

I’ve studied gouache before as in this post with color charts and several other times over the years. This month I’ve been participating in the “Sktchy 30 Faces in 30 Days – Gouache and Watercolor” challenge with a different artist demonstrating their way of painting a portrait in either watercolor or gouache each day.

The first gouache demo was presented by Jordan M. Rhodes (@jmr_art on Instagram) who I’ve been following on IG for a long time. I tried to paint along with him but kept on struggling. I ended up taking much longer, painting multiple layers until I was able complete it with some degree of satisfaction. And of course it took me several hours just to get the drawing right-ish first.

My preliminary drawing
Reference photo

I had hoped that doing this 30 day challenge would force me to work faster, but nope. It wasn’t until I got to the next gouache class that I picked up the insights that have given me much more confidence and better skills, which I’ll write about when I share the next portrait.

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Art Faces Gouache Painting People Portrait Sktchy

Back to Sktchy, a Gouache Portrait

Portrait of Dennis J. from Sktchy, Gouache, 12x9 inches
Portrait of Dennis J. from Sktchy, Gouache, 12×9 inches

I’m returning to using Sktchy for my reference photos of people for portrait practice since there is such a wide range to choose from. I’m not abandoning my series of “people Facebook thinks I should know,” but those are less useful for portrait practice, which I’m wanting to do right now.

Can you tell those splotches on his face are light coming in from a window through maybe lace curtains? I can’t post the original Sktchy reference photo off that site, but you can see it by clicking or swiping on my Sktchy painting on Sktchy here if you’re interested.

One thing I love about gouache is that it limits me to working on a painting for only one or two sessions. Unlike oils that can go on being repainted forever, gouache fairly quickly says, “Sorry, no more paint, no more layers, you’re done.” It teaches me to get the drawing down, go for the values and then lay down brush strokes of color and let them be.

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Art

Guy with Big Fish: People Facebook Thinks I Should Know #6

Guy with Big Fish: People Facebook Thinks I Should Know #6” Gouache, 8x8 inches
“Guy with Big Fish: People Facebook Thinks I Should Know #6” Gouache, 8×8 inches

Now this was fun to paint and everything actually went pretty well. I’m starting to make friends with gouache and enjoying recollecting and putting to use some old watercolor skills.

I left off his fishing pole and some other fishing tools because I wanted to focus on the fish. I LOVED painting this fish and I’m thinking about buying some fish to paint. I’ve painted fish before, but only when standing at the fish counter at the local Ranch Market 99 and sketching these.

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Art facebook people Faces Gouache People Portrait

Cute Grandma and Baby: People Facebook Thinks I Should Know #5

Cute Grandma and Baby: People Facebook Says I Should Know #5.” Gouache, 6.5 x 6.5 inches
Cute Grandma and Baby: People Facebook Says I Should Know #5.” Gouache, 6.5 x 6.5 inches

Unlike with oil paints, there’s a point with gouache where it just gets nasty if you try to add one more layer or brush stroke. The positive side to that is that it encourages me to try to get the color and value right as quickly as possible; to put a stroke down and leave it, not thinking “close enough, I’ll fix it later” like I tend to do in oils (a lazy, bad habit).

On this painting I passed the point of no return on the woman’s face and have to admit I did a wee bit of softening/smudging in Procreate before I posted this to fix the lumps too many layers of paint made on her nose. Even so I didn’t do justice to how cute both she and the baby actually are in their photo.

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facebook people Gouache People Portrait

Guy with Giant Chicken: People Facebook Thinks I Should Know #4

Guy with Giant Chicken: People Who Facebook Says I Should Know #4.” Gouache, 8x8 inches.
Guy with Giant Chicken: People Who Facebook Says I Should Know #4.” Gouache, 8×8 inches.

Another mystery photo! Is he an artist who builds giant chicken statues or perhaps a chicken rancher with his trademark chicken? 

I noticed that when I paint with gouache on cold press watercolor paper I end up with little white spots in dark areas so this time I tried a different gouache technique. I covered the whole sketch first with thin washes. It wasn’t that helpful. I learned that for that to work it’s necessary to get the values right in the underpainting, making darks really dark.

Below is the sketch and in progress photos.

Giant chicken guy sketch with first thinned gouache underpainting
Sketch with first thinned gouache underpainting
Giant chicken guy sketch with finished thinned gouache underpainting
Finished thinned gouache underpainting