I painted Kathleen (from the Julia Kay Portrait Party) side by side with the flower below but decided to post them as separate images. I’m loving gouache but really struggling with the way light colors turn so much darker when it dries. I actually lightened the sketch above in Photoshop so that it wouldn’t look so scary.
I found this flower (I think it’s an azalea) growing along the sidewalk in the neighborhood and picked off a blossom to paint. The flower is too dark because of my lack of experience with gouache, but I had fun painting it. Gouache is so much fun and I’m especially loving M. Graham Gouache. Now to just learn to mix colors about 4 shades lighter than they look! I mastered doing the opposite with watercolor so I’m (almost) sure I can do it with gouache too.
I used to start my mornings by drawing images from my dreams but got out of the habit some years back. I got inspired to start again after seeing Nina Johansson’s project of drawing from imagination daily in a Moleskine daily planner. Her strangely beautiful pages are skillfully drawn scenes from a vivid imagination. I loved her idea of using a dated journal so I bought up a pocket-sized yellow Moleskine planner and started drawing my dreams again every morning.
I was pretty rusty at first, but with each drawing I’m feeling more confident about mostly drawing without references or props, and without worrying about accuracy. I’m using a variety of pens including Pitt Artist Brush Pens and their new PITT Artist Pen – White pen that works really well. I’m throwing out all the other yucky white markers I tried before.
The paper in the journal is thin so there is a little show-through from previous pages but the Pitt pens are great at not bleeding.
Sometimes if there are no visuals from the previous night’s dreams or I wake with a migraine, I draw what I’m feeling or something else related to life, like the two above, the migraine image on left and the reminder to eat on time (to help prevent stupid migraines).
Odd, the food items that appear in my dreams, mostly stuff I don’t eat.
From time to time I’ll post my favorite dream sketches here, but if you’d like to see them as I draw them, visit Drawing My Dreams Daily on Tumbler or my Instagram page, which I’m using to keep daily posting simple (no computer, just iPhone shots of the sketch).
Happy Holidays! As Leonardo da Vinci said, “Art is never finished, only abandoned.” That’s especially true of this painting because the reflections, ridges and facets kept changing appearance as I moved or the light changed, and I could have worked on it forever. I’d planned to post it before Christmas but just couldn’t “finish” in time.
This is another painting (available here) in my “Found and Free” series: both the cup and ornaments were found on walks in “free” boxes set out on the curb.
You’ll see in the steps below that I was experimenting with using Panpastels and Sofft Tools to do the initial drawing on my panel. They are amazing: the pastels go on smoothly like paint but are completely erasable with any eraser and disappear into the oil paint so there’s no fixative required.
I spent some time sketching and painting a calla lily that sprouted in my garden and while I was at it, tested a palette of Winsor Newton Cotman paints. Several of my friends have this clever, inexpensive Winsor & Newton Cotman Sketchers Palette and I thought it was worth a try so I ordered one.
I started by testing the colors, listing the pigments to match them to artists’ quality pigments I normally use (click to see larger with pigment numbers) and making notes about which ones to swap out (at that point assuming I’d continue using the others).
I was very frustrated with the results I was getting when painting and in the end, took ALL the Cotman pans out of the palette and replaced them with pans filled with artist quality paints from tubes. I put the Cotman pans in a large jar of water to soak so that I could empty and reuse the empty pans. After dumping and refilling the jar many times I ended up with a jar of tinted water with a lot of white sandy junk at the bottom: the nasty fillers and binders added to the pigments to make it cheap.
I know that for the same $17 that this palette AND crappy paint costs, you can only buy one or two tubes of full strength, high quality paint. But I’d rather have only a few colors than use junk. Most of the following sketches lack vibrancy, richness in color, and paint application was difficult and unattractive. Here they are in reverse order of completion:
I liked the drawing above, but not the grayed colors.
I liked the shape of the leaf above.
I painted over an awful sketch with gouache (above), just loosely trying to get the shape of the flower.
Two previous attempts at the leaf, on 2 other kinds of paper I taped into the 8×10″ Moleskine.
The first sketch. I like the composition but the colors and application were yuck.
I’m still using the Cotman Palette. I think it’s a great for sketching because it’s light, compact and holds enough colors (12). And at $17 I don’t mind the price, even after throwing away the colors it cane with. It’s handy to have the now-empty, extra half-pans which usually cost about 50 cents each. So really, I got the palette for $11, and 12 empty pans for $6. Not too bad.
I had fun with May 6: “Draw a Scented Product.” I sketched two scented “products” — one man-made and one cat-made. The man-made is a lovely (and expensive) room perfume (Vanilla, Bourbon and Mandarin) that I fell in love with at my dentist’s office and unlike most scented products doesn’t give me a headache. It nicely counteracts the scented product my cats produce on a regular basis.
“Draw a pine tree” was the cue for May 5. Easy…found one in my neighborhood bigger than a house and sketched it and painted it sitting in my car on a cold, foggy, windy day.
I’m experimenting with an inexpensive ($13.00) Winsor Newton Cotman watercolor palette. I like the format, size and light weight very much and the way the paint easily re-wets. Although the colors aren’t as intense as their artist’s grade paints they’re all permanent/lightfast. But that might be fine for sketching since it might help me keep the sketches simpler and save fancy washes for real watercolor paper.