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Drawing Food sketch Ink and watercolor wash Life in general Painting People Places Sketchbook Pages

Sketchbook Ate My Sandwich

Two Good Pots, ink & watercolor
Two Good Pots, ink & watercolor

My favorite two sketches the night we met to sketch at Fat Apples Restaurant in El Cerrito were the two “pots” on the left hand page above. The guy was the first thing I drew, the coffee pot the last. I wasn’t in great shape, having had little sleep the night before.  I just couldn’t get into the drawing zone, turn off the inner critic or relax into seeing, drawing, and enjoying the adventure.

Underneath the watercolor apple above are lots of messed up lines and the word “Grrrr” written all over the things that frustrated me. The waitress on the right kept returning to her spot and standing in exactly the same position each time and the counter beside her was even more stationary but I just couldn’t draw it.

Fat Apples BLT, ink & watercolor
Fat Apples BLT, ink & watercolor

When I added m ore watercolor at home to the BLT (left page above) I must have closed the book too soon because the pages glued themselves together. When I tried to separate the pages, part of my sandwich stuck to the other side. Not only did that ruin the sandwich but also a small ink drawing I’d liked on the other page.

I’d repainted the sandwich because when we showed our sketches at the end of the evening and I said it was my dinner, one of the sketchers innocently asked “what was it?” And she was right — it was so loosely drawn and painted that it wasn’t recognizable as a sandwich.

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Berkeley Drawing Food sketch Ink and watercolor wash Interiors Painting Places Sketchbook Pages Urban Sketchers

Sketching at Saul’s Deli

Saul's Deli & their famous pickles, ink & watercolor
Saul's Deli & their famous pickles, ink & watercolor

We always enjoy a visit to Saul’s Deli in Berkeley for sketching and dinner. I got my usual grilled trout dinner but was too hungry to draw it before eating. One of the owners of Sauls, Karen Adelman does the wonderful quirky drawings on their menus and website and always makes us feel welcome to come and sketch there.

More Saul’s sketches from my pals Micaela, Sonia and Cathy on our Urban Sketchers site.

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Drawing Food sketch Ink and watercolor wash Life in general Painting Sketchbook Pages

When Being Behind Is a Good Thing

Slowing Down With a Latte and Mini-Scone at Peets
Slowing Down With a Latte and Mini-Scone at Peets

Falling behind and worrying about catching up can be stressful when it’s about work not accomplished, tasks not completed. But in the case of my blog, being behind on posting is a good thing. It just means I’ve been doing lots of painting and sketching with less time for the computer (a goal for this year).

I did the sketch above on the day I was preparing to leave for a weekend painting workshop. I reminded myself that I was officially on vacation, which allowed me to slow down enough to stop and sketch while out walking to do errands instead of rushing back home to get packed.

This sketch came in handy last week at work, when I wrote and illustrated a blog post for our literacy organization’s blog. My post’s subtitle was: “Two birds with one stone” (intentionally leaving off  “kill”). Our clever editor suggested changing it to “Feed two birds with one scone.”  So then I needed a sketch of a scone to accompany my two birds. Since I always have my sketchbook with me I was able to scan the scone sketch. You can see the result on our Reading Apprenticeship blog here.

And I will get that backlog of artwork posted soon!

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Berkeley Drawing Food sketch Ink and watercolor wash Interiors Painting Places Sketchbook Pages Urban Sketchers

North Beach Pizza in an Old Berkeley IHOP

North Beach Pizza Berkeley, ink & watercolor
North Beach Pizza Berkeley, ink & watercolor

North Beach Pizza in Berkeley is housed in a former International House of Pancakes. Pizza is a sort of large pancake, I suppose, but I wouldn’t want it served with maple syrup. We had a good time eating, chatting and sketching the night away, six of us in one cozy booth.

North Beach Pizza, ink & watercolor
North Beach Pizza, ink & watercolor

I drew the pizza before sharing it with Cathy and Micaela (her sketch is here on our Urban Sketchers site.)

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Art supplies Drawing Food sketch Ink and watercolor wash Painting Still Life Watercolor

Sea Shells: Accidental Watercolor Texture

Shellfish Shells, ink & watercolor, 5x8"
Shellfish Shells, original version, ink & watercolor, 5x8"

A shellfish company saw a previous shell painting of mine and commissioned me to paint one for them to use as a background on their business cards. They shipped me a box of their oyster, clam and mussel shells to use as reference. I created the above sketch in my Moleskine watercolor notebook and sent them the file for their review.

Accidental texture from working on reverse of page
Close up: Accidental texture caused by painting on reverse page

On the next page in my Moleskine, I sketched a landscape and painted it with juicy washes, something I do on the 140 lb watercolor paper in my hand-bound sketchbooks all the time. Without my noticing, the water seeped through the lighter-weight Moleskine paper, wetting the shell painting on the previous page.

Some of the mussels’ paint lifted, creating the wonderful texture (close up above) that I probably couldn’t have achieved if I had I tried. The only downside to this “technique” is that some of the lifted paint printed on the opposite (fortunately blank) page.

I wasn’t worried about the change in the art for my client because I’d already created a high-resolution file of the original. And as it turned out, they asked me to do another version with two different kinds of oyster shells and more clams, apologizing for changing their directions. I’m happy to paint as many versions as it takes since shells are one of my favorite subjects.

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Art supplies Drawing Food sketch Glass Ink and watercolor wash Life in general Sketchbook Pages Still Life

Ginger for a Tummy Ache: Sketched with Namiki Falcon

Ginger Ale and Saltines, Namiki Falcon pen, Carbon Platinum Ink, and watercolor
Ginger Ale and Saltines Namiki Falcon pen, Carbon Platinum Ink, and watercolor

Today was a bad news, good news day. It started with a migraine that eventually passed enough to work most of the day (despite the internet going down, fixing that and then a little later the electricity went out long enough to shut down the computer with several projects in progress). The migraine left behind a tummy ache. I couldn’t deal with the supermarket so went to the little health food store and bought some natural Ginger Ale, organic saltines and candied ginger (all supposed to be good for tummy aches).

Candied Ginger in an Egg Cup
Candied Ginger in an Egg Cup

The good news is that this morning my reliable but grumpy mailman delivered my new Namiki Falcon fine point fountain pen and this evening I felt well enough to fill it with ink and give it a spin. I LOVE IT! The nib floats like a dream over the page with control and flexibility and a really nice fine line. It’s the best pen I’ve ever used. UPDATE June 2011: After using the pen for a few weeks I discovered that I didn’t really like it that much and sold it. I felt I had too little control of the ink flow, which went to fast for me, even with the extra fine nib. I’ve gone back to my Lamy Safari extra fine point which I LOVE!

The other good news is that with these sketches I finally finished filling the Moleskine watercolor sketch book that I’ve so detested using during the interim between binding sketchbooks. Tomorrow I get to start using the one I bound a couple of weeks ago. Yay!

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Berkeley Drawing Food sketch Ink and watercolor wash Painting Places Sketchbook Pages

The Draw Your Food Diet (at The Junket and The Bread Workshop)

Turkey & Swiss at The Junket, Lamy Safari, Carbon Platinum Ink & watercolor in Moleskine Watercolor
Turkey & Swiss at The Junket, El Cerrito. Lamy Safari pen, Carbon Platinum ink & watercolor in Moleskine

Whenever we meet to sketch at a cafe we always try to sketch our food before we eat it and we always joke about what a great diet it would be to do that at every meal. It not only helps to slow down eating, but it also helps to speed up sketching! This leads to looser, more playful sketches which I think are more fun to make and to see.

Sonia and I met for lunch at The Junket, a deli in El Cerrito Plaza. My Turkey and Swiss Sandwich on a sourdough baguette (sketched above) was the best I’ve had in years. It was my second choice though, as we originally ordered Chicken Dumpling Soup. But when I saw them spooning it into a bowl, it had the consistency of gloppy, yellow gravy. I asked if it was cream-based (Sonia is allergic to dairy) and they said no, they knew it wasn’t because they reconstitute it with water. Um…no thanks. I switched to the half sandwich and Sonia got salad and we were happy.

Grilled Veges & Brown Rice at the Bread Workshop, ink & watercolor in Moleskin
Grilled Veges & Brown Rice at the Bread Workshop. Ink & watercolor in Moleskine

On our next Tuesday night sketch-out we met at the Bread Workshop. They had contacted me the week before to ask if they could use this previous sketch I did there to illustrate a newsletter they are sending to supporters and I gladly said yes. They reserved a large table for us with a view into the bakery so that we could draw the bakers working.

I wasn’t much up to that challenge as it was my first night out after being sick for two weeks and my sketching felt rusty. You can see Micaela’s wonderful sketch here and Sonia’s here and here. The food was fantastic: my grilled veges (above) were so flavorful!

 

Bread and Baker at Bread Workshop, ink & watercolor
Bread and Baker at Bread Workshop, ink & watercolor

This was the extent of my drawing bread and bakers. The Bread Workshop are advocates of sustainable foods and practices and ranked as one of the top ten greenest restaurants in the Bay Area. Everything I’ve had there has been delicious and they were playing great music that night, going from George Benson to Billy Holiday to Tom Waits in succession.

 

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Drawing Food sketch Ink and watercolor wash Painting Places Sketchbook Pages

Ranch 99 Asian Market Sketches

Soak Squid on Ice, ink & watercolor
Soak Squid on Ice, ink & watercolor

Ranch 99 Asian Market is a great place to sketch on a dark rainy night. The delicate pink of these cleaned whole squids on crushed ice was the first thing to grab my attention. I Googled “soak squid” to see if it was a variety of squid but from what I read, I think it was pre-soaked in milk or buttermilk for several hours to tenderize it.

Hanging fowl, ink & watercolor
Hanging fowl, ink & watercolor

Even though I’ve sketched their hanging fowl before, there were a greater variety this time including one on the right that I thought looked like a rabbit.

Eggplant and Bitter Melon, ink & watercolor
Eggplant and Bitter Melon, ink & watercolor

I enjoyed the juxtaposition of the similar shapes but different colors piled beside each other. I was running out of time before we were to meet but still tried to draw each individual shape as they appeared rather than generalize.

Dragon fruit, ink & watercolor
Dragon fruit, ink & watercolor

The Dragon Fruit again grabbed my attention and one of these days I’ll get around to eating one. I fought the temptation to shop instead of sketching so didn’t bring anything home this time.

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Animals Drawing Food sketch Ink and watercolor wash Places Sketchbook Pages Urban Sketchers

Sketching at Nong Thon Vietnamese Restaurant

Green Mussels at Nong Thon, ink & watercolor
Green Mussels at Nong Thon, ink & watercolor

We met to sketch at the new Vietnamese restaurant, Nong Thon, on the corner of Central and San Pablo in El Cerrito and we had a great time. The restaurant is large, open and has been completely redesigned. The food was delicious and the service was beyond fantastic.

Ox= FAIL; but some thoughts for next time
Ox= FAIL; but some thoughts for next time

In the entry there is an elegant, life-size statue of an ox standing in real growing grass (below a skylight). My friends made beautiful renditions of the ox but I got all snarled up on its proportions. I’ve saved a page in my sketchbook to go back and give it another try. The waiter told me that in Vietnam boys ride on the ox playing a flute to pass the time, as they till the soil.

I’d called ahead to make sure it was OK for us to come sketch and they generously reserved a whole section of the restaurant for us where we’d have the best views and could move around to sketch different scenes.

You can see some of my friends’ sketches on our Urban Sketchers blog. Micaela is going to India for a wedding soon so her ox looks very “Indian Water Buffalo.” Beth and Sonia both went in the direction of Babe the Blue Ox.

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Art theory Drawing Food sketch Oil Painting Sketchbook Pages Still Life

It’s All About Strong Values

Summer Squash, Tired Carrot, oil on panel, 8x8"
Summer Squash & Tired Carrot in bright light, quick study, oil on board, 8x8"

When I was teaching my last session of watercolor classes I saw my students learning so much and was jealous. I realized that I wanted a teacher too! So I began a search for an oil painting mentor to review my work in progress, give me guidance and help me progress.

Value study 1, ink washes
Value study 1, ink washes

First I tried advertising on Craigslist, describing what I needed. But the artists who responded weren’t a good fit. I wanted a mentor whose work excited and inspired me AND who was a good teacher. Then Rebeca Garcia Gonzalez sent me a postcard announcement for her show of portraits of undocumented immigrants and I fell in love with her paintings. I knew she also taught at a local art school so I emailed her my proposal, we met, and she agreed to mentor me.

Value Study 2, ink wash
Value Study 2, ink wash

At our first meeting she reviewed a dozen recent oil paintings and knew right away what I needed to work on. She said that I needed to focus on my values (the range and contrast of light to dark) and I knew she was exactly right.

Value study 3, ink and wash
Value study 3, ink and wash

She asked me to sketch using ink and diluted ink washes and to start paying close attention to values in everything I see, when I’m out walking, or just looking out the window.

Value study 4, ink & ink wash
Value study 4, ink wash

She suggested I ask myself, “Is this shape darker or lighter than that shape,” noticing the value relationships in everything I see to strengthen that ability.  For example, a black object in bright sunlight might look lighter, relatively, than something white that is in shadow.

So much of learning to paint is learning to see, and so much of learning to see involves a kind of “peeling layers of the onion” off of our eyes to see the relationships, shapes, colors, and values in the current light and atmosphere, which can be shockingly different from what we think they are.