I watched artist and teacher Mike Creighton draw Zel K. during Sktchy’s free Saturday morning YouTube stream last week and decided to draw him myself. You can see the photo reference of Zel on Sktchy here.
Mike taught a great way to draw glasses at about 22 minutes in on the video.
First draw the rectangle into which they fit, getting the perspective and angles right, then just round off or embellish to match the shape of the glasses. What a game changer!
I loved the photo of this adorable young man looking surprised, with his big wide eyeballs and even his hair seeming to stand on end with shock. It was really fun to draw!
You can see the photo reference of whatTina Wayne says is her “goofball son” on Sktchy here.
I’m really happy with this sketch of Ron McA from Sktchy. I tried to just keep it simple and it worked. I like the mood and the pencil work. If you’d like to see the original photo reference, you can click and swipe on Sktchy here.
These are more of my portrait sketches from the Drawing the Head class I took last summer (doesn’t summer seem so long ago?!) I discovered that starting over is easier than correcting bad starts so I sketched most of them more than once. TJ Smith’s sketch took three tries until I felt like I captured what struck me as his very pleasant expression.
I always like to see how artists interpret their subjects. If you’re like me and want to see the reference photos, just click their names below their images to either go to my Sktchy page (if you have the Sktchy app) or to Sktchy on the web. Then click (PC) or swipe (mobile) my sketch to reveal the reference photo below it.
I’m continuing to work with the Loomis Method, which is really helping me. As you can see below, I got a little closer and her nose and jaw got little smaller each time I tried to draw her.
You can see the model I was working from on Sktchy here. I’ve been working on this project since August but got sidetracked by the election and now that I can concentrate again I’ll be catching up on posting my work over the next week or two.
I recently finished a 4-week class on Sktchy’s Art School, “Drawing the Human Head with Mike Creighton” based on the Loomis method. I highly recommend Mike’s class if you struggle with making people look like actual human people, let alone looking like very specific people.
This was the last portrait sketch I did before beginning on some intensive head drawing study. More about that coming up on my next posts, but wanted to get this one from over a month ago posted first. You can see the reference photo by clicking on my sketch on Sktchy here.
This was one of those paintings that just flowed and was fun from beginning to end. I started with a drawing in pencil (below) on Arches Oil paper and then applied a layer of Golden GAC 100 acrylic sealant over the sketch to make the surface less absorbent and more slippery.
My goal for this painting was to stop as soon as the painting said what I wanted to say and before things got over-worked, overly perfected and I’m pleased to say that’s exactly what I did. Sure, there are many things that could be better but I like it just the way it is.
The images below show the steps in the process, from the graphite drawing, to an umber underpainting, to the block-in and final layer of paint.
After working on this portrait for two months, trying over and over to capture this lovely woman in paint, I have to admit I never truly succeeded. I learned from all the struggles and attempts but it’s about to be a new year and time to start something new so I’m moving on. You can see her reference photo on Sktchy by clicking on the image of my painting here.
Below are two digital sketches in Procreate from Sktchy, done this month while waiting for the paint to dry on the portrait to try once again on a new layer of oil paint to get it right.
You can see the reference photo for the sketch above here and the one below here on Sktchy. Just click my drawing there to see the reference photo beneath it.
I’m returning to using Sktchy for my reference photos of people for portrait practice since there is such a wide range to choose from. I’m not abandoning my series of “people Facebook thinks I should know,” but those are less useful for portrait practice, which I’m wanting to do right now.
Can you tell those splotches on his face are light coming in from a window through maybe lace curtains? I can’t post the original Sktchy reference photo off that site, but you can see it by clicking or swiping on my Sktchy painting on Sktchy here if you’re interested.
One thing I love about gouache is that it limits me to working on a painting for only one or two sessions. Unlike oils that can go on being repainted forever, gouache fairly quickly says, “Sorry, no more paint, no more layers, you’re done.” It teaches me to get the drawing down, go for the values and then lay down brush strokes of color and let them be.
Jana Bouc, Artist 