Cathy Sketching at Bateau Ivre, Sepia pen and watercolor, 8x5"
We had a wonderful Tuesday evening sketching and dining at Le Bateau Ivre (The Drunken Boat) in Berkeley. The ambiance and food are fantastic. We sat in the dining room with lovely brick walls and a fireplace. When we sketched there last year we sat in the café area which is equally charming.
International Sketchcrawl 35is Saturday, April 21!
Here is a link to the Sketchcrawl website where you can find out if there is a group sketching near you (or start a location yourself).
San Francisco looks to be a particularly juicy sketchcrawl, starting in North Beach and ending at a free Burlesque Queens sketching marathon at a hotel at Fisherman’s Wharf, hosted by Dr. Sketchy’s Anti-Art School. The burlesque performers are in town for the Tease-O-Rama, a “showcase and convention dedicated to the thriving neo-burlesque revival.”
Unfinished sketch of random stuff on table with bits of business card
I loved Downton Abbey and I’m missing it now that it’s over but at least I have these sketches I made while watching the shown on TV.
Only Mr. Bates is semi-recognizable on the right
Poor Mr. Bates. I hope he’s doing ok in prison. Do you think he really murdered his terrible wife?
Lord Grantham, bottom right
I was so fond of Lord Grantham. In looking him up on the Masterpiece Theater website, I noticed they have a character likability scale and chart of all the characters and the actors who played them, and full episodes available to watch online.
More Downton DoodlesAnna Smith, Head Housemaid (R) and another maid
Poor Anna Smith. But wasn’t Mr. Bates rather too old for her anyway? I liked him in a sweet British series, Lark Rise to Candleford, where he played a similarly earnest and good man and every show has a happy ending.
Another good British series I enjoyed was Bramwell, starring Jemma Redgrave as Dr. Eleanor Bramwell, a headstrong woman doctor during the late Victorian era who fights for the right to practice medicine and opens a free clinic for the poor.
By the date on this sketch at Saul’s Deli you can see how behind I am in posting. I have just a bit more organizing to do in the studio. Once that’s done I will share pictures of the studio and then can not only catch up on posting but also on sketching and painting.
Actual Cafe: Bike Hangs From Ceiling, Ink & watercolor, 8x5"
We had a great Tuesday sketch night at the Actual Cafe in Oakland. It’s an interesting place with a huge mural on the wall, a lending library, bicycles hanging from the ceiling, and regularly scheduled art events. They host bingo games to benefit non-profits and, being a bike-friendly establishment, use an old bike rigged up to spin a bingo cage and send bingo balls down the chute.
Whew! As soon as I returned from my workshop in Arizona last month, the work on my house and studio began. Then over the past couple weeks I’ve devoted all of my free time to getting the new studio set up and moving in there, while completely ignoring my blog. At last I’m nearly finished with the work (even got to paint in the new studio today) and can begin to catch up here.
I almost didn’t make it to the airport (sketched above) because my usually reliable sister not only forgot she was driving me to the airport, but spent the night at my niece’s and left her cellphone at home. Returning from a nice walk the next morning, and just in the nick of time, my brilliant niece Sophie said, “Hey, aren’t you supposed to drive Jana to the airport this morning?” Yikes!
Superbowl at the Scottsdale Holiday Inn, ink & watercolor, 5x16"
When I arrived at my hotel, the Holiday Inn Express in Old Town Scottsdale, the Superbowl was on TV in the lounge. They served a big free breakfast there every morning and hosted happy hour from 5-7 every evening, with free beer, wine, chile, nachos, and just for the Superbowl, free Subway sandwiches.
I sipped my beer, ate some chile and had fun drawing the people who sat still. There was some kind of betting game going on that I found incomprehensible, but the woman in blue sitting on a bar stool at the tall table won $20 from the nice men sitting at tables near me.
I’m back from my fantastic, amazing, intense week-long portrait workshop with Rose Frantzen, the best teacher I’ve ever had, in Scottsdale, Arizona. I will share my experiences once I have fully processed them and recovered my blogging mojo.
Meanwhile, I’m going through caffeine withdrawal again. After months with zero caffeine I needed extra energy to paint 8 hours a day on little sleep for a week. First it was just a morning cup of green tea, then black tea, then an afternoon diet Coke, and by the last day, a morning cup of bad coffee AND the diet Coke in the afternoon. Now, after two days of withdrawal migraines, hopefully I’m over the worst of it. And it was worth it.
Self portrait with grey sweatshirt, ink & watercolor, 7x5"
I felt like sketching and the mirror was handy so why not draw myself, cozy in my gray sweats. My grandma Gertie had a “house dress” she wore all the time at home and out back to hang her laundry. Just a yellow cotton smock that snapped up the front. I have my “house sweats” that I wear when I’m at home. So comfy and warm.
Golden Globes: Gervais, Depp, Banderas, Plummer, ink & watercolor 8x6"
It was fun watching the Golden Globes and sketching the people. It took much longer because I kept pausing the TiVo when I saw someone I wanted to sketch.
Four (failed) attempts at Laura Dern
I was surprised to actually catch likenesses of some (but definitely not all) of the people. Laura Dern and Rob Lowe alluded me.
Julianne Moore, 2 bad Rob Lowes, Downton Abbey Producer
I wasn’t sure if it was just my TV or the angle of the cameras that filmed the show, but it seemed like all the movie stars had extra long heads. I doubt it was the camera that made all the female stars look soooo skinny. How sad it must be to have your art form require that you don’t get to eat.
Audience, director glasses, Madonna
It seemed like all the male directors and producers were wearing glasses with heavy, square, black frames, the kind that used to be considered nerd glasses and usually sported tape holding them together.
Smiley Skull and Smiley Guy study, HB pencil, 4x6"
In preparation for my Alla Prima Portrait Painting workshop with Rose Frantzen next month, I wanted to work on my drawing skills so I can keep up in class. Although I draw all the time, I discovered I really had no understanding of head and facial construction.
Skulls and Faces in the Same Positions, HB pencil, 11x9"
I usually draw what I see, compare shapes, angles and plumb lines to try to get some accuracy, but I don’t worry about it too much. That wasn’t cutting it when it came to drawing heads.
So I turned to the great book by Andrew Loomis, recently back in print, Drawing the Head and Hands. His books are also available as PDFs here on the web. There is an excellent explanation with clear examples of the Loomis approach here on Stan Propopenko’s blog so I won’t go into it here. All of my drawings in this post started with the Loomis ball divided in thirds with the jaw then added on.
Skulls and Muscles from Loomis book, 11x9"
I worked through the Loomis book and when I came to his skull and muscle drawings in the book I tried copying them (above). I also tried some other books’ methods of constructing heads (using an egg shape, a block, double ovals, etc.) but none worked as well as the Loomis approach.
I wanted to do more than copying sketches so I started drawing skulls and people I found on a Google image search, drawing the people in about the same position as the skulls (the two pics at top of post and the one below).
End of Journal Self-Portrait #1, ink & watercolor, 7x5"
I finished my Sock Monkey Journal on New Years Eve by doing my usual end of journal self-portraits, drawing directly in ink. I did several, trying again and again to get a likeness. Each of them had bits of me, either in feeling or appearance, but none got a real likeness. This was my favorite, above.
Trying a profile (again and again), 7x5", ink
Since I only had a few pages left in the book I did all the starts above on one page. It’s tricky drawing a profile view in a mirror. You look, then draw, then look, then draw. It’s also rather painful looking so closely and seeing the effects of another year of gravity. But better than the alternative!
Worst one, ink & watercolor, 7x5"
I think the one above is the worst of the bunch. At this point I realized that I needed some serious studying and practice at drawing heads which I began doing the next day.
Self portrait with ponytail
Had I not added all the stupid ink to try to make shadows before painting it, this one might have been OK. Instead of using a mirror for this one, I took a photo with my iPad propped on the window sill while looking away from it and then worked from the photo.
Since I did these, I’ve already learned a lot about drawing heads from the Loomis book, “Drawing the Head and Hands.” I’ll be posting my practice from that book soon.
Subway heads on way to work, ink in Small Moleskine sketchbook
It’s appropriate to be posting sketches of heads since mine feels like it might explode if I have to make one more decision! There is so much going on in my little life right now, and so many important and non-important choices to make that my brain wants to go on strike.
Some of the decisions have to do with traveling with oil paints for the first time to the Rose Frantzen 5-day workshop in Arizona in early February (ship supplies by UPS or USPS? risk checking paints in my suitcase? how to get wet paintings home? live-in or drop-by cat sitter while I’m gone? plus all the travel worries a homebody like me can drum up).
Subway heads on way to San Francisco, ink in small Moleskine sketchbook
The guy on the left above was actually standing right above me on the subway and interested in what I had been drawing, posed for me. He was nice enough to say he liked it. I wanted to tell him I’d fallen in love with his chin, but figured that would be stupid.
Subway people waiting, drawing slowly
Other decisions I’m dealing with have to do with some remodeling of my duplex to prepare the back unit (currently my studio) as a rental unit, replacing both kitchen/pantry/laundry room floors, moving my studio out to the new former-garage studio (easier now thanks to space planning help from my sister the amazing interior designer), and lots of sorting and getting rid of stuff to prepare for the moves.
And all the above lead to leaving my half-time day job and getting to paint full-time. But of course there are decisions related to that too, like when to take the leap, currently planned for about a year from now.
I’m grateful these decisions are all about happy, exciting, positive changes. But even happy things can be stressful. There’s even a word for that: eustress.
eustress: noun. Stress that is deemed healthful or giving one the feeling of fulfillment. From Greek: eu ‘well, good’ + stress, modeled on distress
The trick for me is to just make each decision once and not rethink it. Decide. Done. Next. I’m getting there.
Brennan's Bar Decked Out for the Holidays, ink & watercolor, 5x7"
I hope your holidays are full of love and joy (and some sketching too!) The picture above is from Brennan’s Hoffbrau and Sports Bar, one of my favorite indoor places to sketch (and to eat—they have roasted turkey legs all year long!). Although our Tuesday night drawing group spread out to sketch at different tables in the cavernous space (a former train station) we all ended up drawing these same guys at the bar. Micaela did an amazing panorama of the whole joint including me sketching (seen here on our Urban Sketchers blog).
Big Guy and Photo of Prize Steers, ink, 5x7"
The “decor” at Brennan’s includes many old framed photos on the walls of men in suits showing off their prize-winning steers. This guy was as big as a steer and when he got up and left before I could finish drawing him at the table I added the steer photo to complete the picture.
. His books are also available as 
Jana Bouc, Artist 