Categories
Drawing Ink and watercolor wash Landscape Outdoors/Landscape Painting Places Sketchbook Pages Urban Sketchers

Roof Garden Lunch at the Cathedral, Oakland

 

Lunch in the Cathedral Garden, ink & watercolor
Lunch in the Cathedral Garden, ink & watercolor

 

Every now and then I manage to get out of the office at lunch time long enough to eat and even sketch for a few minutes. Across the street from our office building is a huge modern cathedral that looks more like a concrete prison with an upside down glass ship on the roof.

Their roof garden follows the concrete theme, with a sort of maze of square concrete planters with benches that force you to sit straight upright on them. But there are trees, shrubbery, and perfectly maintained grass (a delightful treat to pull off sandals and enjoy on bare feet).

I keep wondering why I never see any birds in the roof garden even though it is across the street from Lake Merritt which is a bird refuge, full of pigeons, waterfowl, pelicans, egrets and more. And it is kitty-corner from Snow Park favored by huge flocks of Canadian geese and pigeons (and always covered in big slimy goose turds). Do the guards chase the birds away? Are pigeons Catholic?

Update: I wrote to the Cathedral’s contact person and she explained why there are no birds: “With regard to the birds, I think the main reason for the lack thereof is the cleanliness of the facility. Birds will congregate wherever there is food. Our janitorial staff is always sweeping and keeping the grounds neat and clean.” It’s true, the place is very clean.

Categories
Art supplies Landscape Oil Painting Outdoors/Landscape Painting Places

Early Morning at Kaiser Garden, Oil Painting

Early Morning Garden, oil on canvas, 20x16"
Early Morning at Kaiser Garden, oil on canvas, 20x16"

I think I’ve finished this painting (but then I thought that several times before). The last time I thought I was finished, I looked back at the notes I’d written opposite my journal sketch about what interested me in the scene and my goals for the painting. I saw I’d missed a point or two and worked on it some more.

Now I’d really appreciate some honest feedback:

Do you think it’s finished or does it still need something, and if so, what do you suggest to improve it?

This was painted with Holbein Aqua Duo water-soluble oil paints. It’s such a joy to oil paint without odor, to thin paint to a wash without solvents, and to mix water instead of turpentine with the Duo linseed oil to make painting medium. The pigment quality, drying time and consistency is identical to regular oils.

Categories
Drawing Ink and watercolor wash Places Sketchbook Pages

Just Can’t Settle Down: Lake Merritt Sketches

Lake Merritt, ink & watercolor pencil
Lake Merritt, ink & watercolor pencil

After work Tuesday night we met to sketch at Lake Merritt which is across the street from my office. I guess I drank too much coffee that day because I couldn’t settle down and focus. There was a fascinating parade of people walking by, all talking to each other or on cellphones, leaving bits of conversation in their wake.

Warmup sketches
Warmup sketches

I warmed up with some sketches of the local seabirds and passing people, noting a few conversation snippets. That’s an old Chinese lady with a pole over her shoulders carrying huge garbage bags on either side that were bigger than she was. I assume she was gathering cans to recycle for a few dollars.

Lake Merritt apartments, mixed media
Lake Merritt apartments, mixed media

When it got cold and windy we headed up to my office on the 25th floor and drew the view out the window. I liked my sketch of the building and tall trees at the bottom of the page but instead of stopping there, I kept drawing until the page was full. I didn’t like that so tried various ways to hide the rest and finally pasted ruled tracing paper over it.

Categories
Animals Drawing Ink and watercolor wash Painting Sketchbook Pages

Happy Birthday Parrot for Robin

Birthday Parrot, ink & watercolor
Birthday Parrot, ink & watercolor

Today is my son Robin’s birthday so I painted this cheery parrot to print on a birthday card for him. I brought the card to his party tonight at Pier 23 in San Francisco, a waterfront “roadhouse pub” where we celebrated on their back deck right on the bay. It got pretty cold out there after the sun went down but their steamed mussels and clams were warm and delicious.

I originally downloaded the photo from MorgueFile.com (a great site for finding copyright-free images) when a student asked for a demo of bird painting and we did some planning for the painting.

Drawing the bird was fun and interesting. I’d never looked that closely at a parrot (or any bird) before and made so many discoveries, from his long, segmented “fingers” to his funny tongue and the varied shapes and colors of his feathers.

I have a friend with an Amazon parrot and I think it’s time for a visit and some sketching in person!

Categories
Art theory Painting Sketchbook Pages Watercolor

Watercolor Class: Remnants & August Class Registration

Watercolor Glazing Exercise
Watercolor Glazing Study, 10 x 5"

My Sunday morning watercolor class focused on glazing this week. Glazing is applying a transparent layer of paint over painted or unpainted areas. Like a piece of colored glass, a glaze won’t hide what’s below it but will change the way it appears.

I used the study above to demonstrate glazing with gradations. To make the design I printed the word “HAPPY” in big capital letters and then playfully added more pencil lines between and around letters to make more shapes.

Then I glazed each shape individually, adding more glazed layers in various areas until it felt done. I used only transparent primary colors, so that they combined to create secondary colors.  You can also use glazing to make colors appear brighter, duller, darker, warmer, cooler or in shadow or to unify an entire painting or a section of it.

Journal parrot feather spread
Parrot painting strategy sheet, converted to journal entry use

A student who takes individual classes asked for help with painting birds so I used the journal spread above to demonstrate doing a pre-painting strategy session. I tried out various techniques and pigments as I thought about how I might paint the parrot whose photo we downloaded from Morguefile.com (where you are allowed to “copy, distribute, transmit and adapt” the copyright-free photos). Doing this bit of preparation and note-taking really helps to avoid some (but certainly not all) mistakes and corrections during the painting process. LATER I used the spread to write a journal entry (which I’ve blurred here for privacy), right over the feather and color experiments.

I still have these “cheat sheets” for many of my paintings. Recently I came across the one for Cheerios with Strawberries and saw that I’d used a wash of cobalt violet light (a favorite color but very expensive) to make the milk look just like the non-fat that I’d had in that bowl of cereal.

Flat and gradated wash demo
Flat and gradated wash demo

I loved the colors so much on this demo for flat and gradated washes from the previous week that I hung it on my wall as if it was a finished painting (my own mini Rothko).

Watercolor Class Registration
My next 4-week class session begins Sunday August 8. You can register and get more information on my website here. It looks like this session will fill so be sure to sign up soon if you want to join in. I am also planning a new “independent studies” class for people wanting to paint with ongoing coaching. If you’re interested, send me a note to get on the list.

Categories
Animals Art theory Landscape Outdoors/Landscape Painting Photos Places Sketchbook Pages Watercolor

Watercolor Study & Watercolor Class Openings

Study for Kaiser Garden II, watercolor, 6.5" x 4.5"
Study for Kaiser Garden II, watercolor, 6.5" x 4.5"

There are still openings in my watercolor class starting Sunday, June 27; click here for all the information. Ok, business done, now on to the painting above, another study from photos I took at the Kaiser garden.

I learned the hard way to do a study first, after time and again putting hours, days or weeks into a painting that was doomed from the start.

No matter how skillful the painting technique is, if the composition is bad (the viewer’s eye goes to a bright corner and then right off the painting), or you’re trying to work from a photo that doesn’t have enough information, or your colors or values are uninteresting, the painting isn’t likely to succeed. Sketching exactly what you see is great fun, but sometimes nature requires editing to make it a painting.

What made me want to paint this scene was the water feature and the bird sculpture but when I looked at my photo I saw big problems with the composition:

Original photo, Kaiser garden
Original photo, Kaiser garden

There is way too much going on, the two big succulent plants on the bottom left dominate, a big stem above them leads the eye out of the frame, and the composition seems divided right down the middle, vertically. You barely notice the water.

So I spent some time in Photoshop cropping, rearranging and revising things:

Revised Photo Reference, Kaiser Garden II
Revised Photo Reference, Kaiser Garden II

Before cropping off the left side, I cut out the bird, moved it to the right, tilted it and gave it legs. Then I darkened the remaining succulents on the left and bottom to use them as a frame for the water feature instead of competing with it. When I started sketching the composition in my journal I decided to get rid of the messy tree branches poking in from the right too.

Although Photoshop is great for preparing a photo reference, so are the scissors, glue, sketches and notes that I used pre-Photoshop. Along with learning Photoshop, I’m also trying to become a better photographer and compose more carefully. I can do that with my digital SLR because it has a viewfinder but my carry-everywhere little Panasonic doesn’t. In the bright sun it was impossible to see anything on the LCD screen, so I guess I’m lucky that I got something I could work from at all.

My notes for the painting are in my journal opposite the study, with reminders about colors and things that worked (or didn’t). I’ve transferred the drawing to the canvas and it’s just waiting for its turn at the easel. I have a feeling it’s really meant to be a watercolor, not an acrylic painting, so may do it both ways.

Categories
Animals Berkeley Drawing Gardening Ink and watercolor wash Landscape Outdoors/Landscape Painting Places Plants Sketchbook Pages

Barbara’s Baby Chicks and Garden

Auracana chicks, 9 days old, ink & watercolor
Auracana chicks, 9 days old, ink & watercolor

My best friend Barbara ordered baby chicks by mail. She’d built a little hen house from scrap lumber and had it all ready for them. So she was surprised when the bundle of chirping chicks arrived with instructions to keep them indoors at 90°F for several weeks. Instead of being in the garden when we came to sketch they were living in the upstairs guestroom/studio in a big box with a heat lamp.

We were greeted at the garden gate by Gertie, her big, old, sweet Sharpei/Mutt.

Gertie the Garden Greeter
Gertie the Garden Greeter

I tried to get her to pose for me but she was a bit unclear on the concept.

Garden path with cactus, ink & watercolor
Garden path at sunset with cactus sculpture. Ink & watercolor

Barbara’s garden (photos from previous post) is abundant with flowers, vegetables, fruit trees, wild birds, her ceramic sculptures (the 3′ tall cactus above is actually made of glazed ceramic), her mosaics and the fabulous scent of healthy growing things. It’s a small garden in North Berkeley, but feels like a visit to the country far from urban stress. Her next door neighbors are musicians and so our sunset sketching was accompanied by birdsong and live music playing softly next door.

Elephant, sun/moon plate and potted bamboo
Elephant, sun/moon plate and potted bamboo

One of Barbara’s many garden still lifes. Every few steps in her garden (and in her jewel of a cottage) there is another such treasure, but she is the best treasure of them all!

Categories
Animals Drawing Ink and watercolor wash Landscape Outdoors/Landscape Painting Photos Places Plein Air Sketchbook Pages Walnut Creek

Borges Ranch, Walnut Creek

Borges Ranch Barn, Ink & watercolor, 7x5"
Borges Ranch Barn, Ink & watercolor, 7x5"

After waking up way too early and having loads of extra time before I needed to leave for my plain air painting session today, I somehow managed to get late anyway. When I finally got to our meeting place—Borges Ranch on the Shell Ridge Open Space in Walnut Creek—I decided to leave my easel and acrylics in the car and hike the ridge trail with my sketchbook, watercolor kit and camera.Then when I was heading back for the critique, I stopped at the barn and painted the quick sketch above.

Often when I’m plein air painting I’m jealous of all the people who are enjoying the day by hiking the hills instead of standing in one spot trying to capture all the abundant nature in two dimensions on a little piece of canvas. So this time I joined them and it was heavenly. After exploring for an hour or so I found a spot on the trail beside a large muddy pond where I sat and painted the picture below. It doesn’t make sense as a picture but when I look at it I can hear the buzzing bees (must have been a hive in a nearby tree), the birds chirping, and can feel the warm sun shining on me.

Warm sun, buzzing bees, a pond, a cyclist
Warm sun, buzzing bees, a pond, a cyclist

This was the first sketch in my new journal with the Legion Multimedia paper. It’s a dream to sketch on; the pen slides right along. The paper is nicely sized and while it won’t take the abuse that Arches cold press will, it does hold up pretty well as long as you don’t try to do more than 2 or 3 layers. This slight limitation will hopefully me keep me moving on to the next sketch instead of overworking one to death.

After the critique (and my lunch) it was mealtime for the farm animals and I couldn’t get any of their attention. This guy looked at me like I was really annoying.

Borges sheep chowing down
Borges sheep chowing down

Only the rooster seemed to have places to go and things to do.

Borges Rooster
Borges Rooster
Categories
Animals Ink and watercolor wash Life in general Other Art Blogs I Read Painting Sketchbook Pages

Sketching Parakeets at Petco

Parakeets at Petco, ink & watercolor
Parakeets at Petco, ink & watercolor

After we finished sketching the laundromat, we moved on to Petco. I can’t wait for longer days so we can do our Tuesday night sketchcrawls outdoors again. But it was fun drawing the parakeets. They were holding pretty still, puffing up and preparing for beds. I worried about them, hoping they have happy lives.

Albino Guinea Pig, ink and watercolor
Albino Guinea Pig, ink and watercolor

This little guy was kind of cute in a spooky, red-eyed sort of way, but even on sale I wasn’t tempted. When my sons were young,  I bought an adorable pair of long-haired calico guinea pigs and we had such fun playing with them…for about two weeks. And then there was the years of caring for them….

Medium Male Rat, ink & watercolor
Medium Male Rat, ink & watercolor

He looked way too much like the kind of rodents you do NOT want to see in your house. I’ve seen pet rats that had some charm, but this guy just looked way too big and ratty. My sister had a rat that I babysat when she went on a trip. The rat was in a cage beside my son’s bed and it pulled the wool blanket that was my Grandma’s from the bed into the cage, bit by bit, and chewed off the corners for nesting material.

Then a couple of years ago, when Alison of art blog Scribbles Adagio was creating a multi-media work that included scraps of old blankets, I sent a 12″ square of the blanket to her in Australia. She sent me back one of the finished pieces that now hangs over my bed, a keepsake partly composed of my Grandmother’s blanket.

And I still use that old blanket to keep warm and cozy when I watch TV, even though it’s full of holes, missing corners and a 12″ square.

Categories
Animals Drawing Gouache Painting Sketchbook Pages

Crow Planet

Crow on the fence, ink & gouache
Crow on the fence, ink & gouache

Ever since I saw a crow repeatedly drop a walnut onto the street from its perch on a wire above, fly down to check it, pick it up and drop it again, I wanted to learn more about them. So I’m reading Crow Planet: Essential Wisdom from the Urban Wilderness, a sort of “how to” for amateur naturalists who want to explore nature where it lies (or flies) without having to journey out to Nature with a capital “N.” I learned that crows drop nuts on the road, hoping a car will drive over it and crack it open.

The crow in the sketch above had been hanging out with some crows and a few squirrels on a neighbor’s front porch. This odd group was bickering over who got the peanuts and who got the walnuts that my nutty (pun intended) neighbor lady puts out daily (hourly?). When I showed up he took this  more watchful stance.

I used to dislike crows because  they seemed to overwhelm the landscape when they showed up and their noisy caws drowned out the softer, sweeter sounds of smaller birds. But I’ve learned to appreciate these fascinating birds.

Crows mate for life, have strong communities who help care for the young and sick members, and are quite smart. They play games with each other, can recognize individual human faces, can reason and use tools as this video demonstrates:

Crows are helpful too, since as omnivores, along with plants, they eat insects considered as pests by gardeners, and enjoy fresh roadkill, thus tidying up the neighborhood. They are well-suited to our increasingly urban, concrete jungle, which is why their population has increased. It is estimated that in the U. S. there are as many crows as households—about one crow per family.

If you want more information about crows, there is a good Crow FAQ here by a Cornell University professor who also seems to find them endearing, despite their usually undeserved bad reputations.