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Art Bay Area Parks Colored pencil art Drawing

Bird Head Bobbing (Why?): Meadowlark Translation

Meadowlarks head bobbing and puffing up

Have you ever noticed the weird way birds walk, bobbing their heads back and forth? Watching the birds in the video below about the return of meadowlarks to my beloved park, Point Isabel, I once again wondered why birds do that.

Instead of letting the thought go as usual, I decided to follow my curiosity. And that lead me down unexpected rabbit holes, to some fun drawing, joy and surprises. (Yes, I’m easily amused.)

Video by Mary Barnsdale at Pt. Isabel, Richmond CA

First, I learned that the head bobbing is called “translation” (huh?). Yep, same word, (almost) completely different meaning. “Translation” as used in biomechanics means “moving an object linearly from point A to point B, no turning.”

Translation and Optical Stabilization

I wondered if birds were doing something similar to spotting—what dancers and ice skaters do to avoid dizziness when spinning. Dancers focus their eyes on one spot as their body turns, then quickly snap their head to focus on that spot again.

But nope. As you can see in my diagram above, the bird’s head stays still in one place as its body and feet move forward. Then the head snaps forward to catch up. They do this for image stabilization, not to prevent dizziness.

When humans move forward and the scenery changes (or when seeing something move towards us), our eyes constantly make micro-moves to focus. (See this YouTube video for more about human vs bird vision when walking and flying.)

But birds’ eyes, on the sides of their heads, can’t move like that. They have to move their heads instead. Without “translation” their vision would be super blurry, and they wouldn’t be able to spot food or predators.

Meadowlark sketch in colored pencils
Western Meadowlark, colored pencil in A4 sketchbook

Nerding out (birding out?) even more: Birds have from 13-25 neck vertebrae. Meadowlarks have 14, twice as many as humans and giraffes who only have 7! Birds’ necks are so flexible they can look behind themselves without moving their bodies (think owls)!

Nature and evolution are so amazing.

Bird sketching practice

PSA: We humans also do a forward head bob when we stare at screens, sometimes spending all day in that position. For every 1 inch our head is forward of our shoulders, the load on the neck increases by ~10 pounds. That puts 30-50 pounds (when head is 2-4″ in front of shoulders), leading to headaches, neck pain, muscle imbalances, etc. Bob it back!

Bonus (?) for making it to the end: For the past year I’ve sketched a quickie self portrait every night, right before bed. This is what happened after the day I’d spent immersed in bird things. Totally silly and improbable anatomy!

Selfie as a bird
Categories
Art Sketchbook Pages

Goat Self Portrait, Because Bouc & Caprine

“Le Bouc Caprine” Colored pencil and Neocolor II in Stillman & Birn Epsilon sketchbook, 10×8”

Yesterday, while reading The Blue Sisters by Coco Mellors, I came across a word I didn’t know: “caprine.” In a painting of the sisters, “the artist had given their faces a caprine quality.” A quick dictionary lookup said it means “relating to or resembling goats.” Yikes.

But I was delighted to find a new word for one of my favorite animals. Then it hit me: my last name, Bouc*, also means goat! (Billy goat, actually.) I immediately had to find a goat photo to sketch for the day’s self-portrait.

Preliminary sketch in colored pencils (that I colored over)

Which version do you like better? I think I should have stopped with the quirkier, more curious, more me, colored pencil version. But I wanted to keep playing and added Neocolor II crayons on top. One day I might learn to stop sooner rather than later.

*Bouc was my ex-husband’s family name, but I kept it after we parted. I’ve had that last name much longer than my father’s last name — a name I never liked and that wasn’t even really ours. My grandfather, a refugee from Kiev, was given it at Ellis Island because they said his real name couldn’t be spelled in English.

Me if I was a goat, photo reference:

Photographer: Andy Bodemir on Unsplash.com
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Art Oil Painting

Have a Cow

Have a Cow, oil on paper, 9.5 x 9.5”

This calf was in a photo on my Vermont friend Ruth’s Strava page and I thought it was so cute I took a break from the people portraits I’ve been working on to do a quick oil sketch of it.

Ruth told me about the photo: “It’s the dairy farm next door. Run by Sebastian Von Trapp, who is the great grandson of Captain Von Trapp. Sebastian’s grandfather was one of the Von Trapp singers!”

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Animals Oil Painting Painting

Dillon, a Dog Portrait Commission

Dog Portrait of Dillon, oil on Gessobord panel, 8x8"
Dog Portrait of Dillon, oil on Gessobord panel, 8×8″

Now that Christmas is over I can post this commissioned dog portrait oil painting. The person who requested it had previously been gifted this commissioned dog portrait and asked me to paint their friend’s dog Dillon to give to them as a gift. Below are the steps in the process.

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Animals Gouache Sktchy

Ay Chihuahua! Creating Color from Black and White

Chihuahua: Make color from B&W: Gouache, 8x10"
Chihuahua: Make color from B&W: Gouache, 8×10″

When the Sktchy (see previous post) Weekend Art Extravaganza inspiration was to make a color sketch from a black and white photo I found the photo below and couldn’t resist putting a little color in this little guy’s life. I used to make fun of Chihuahuas, comparing them to rats (which can also actually make good pets if you don’t mind the smell). But after a couple of friends adopted chihuahua mixes, I have come to really appreciate their funny and quirky personalities.

B&W Photo Reference
B&W Photo Reference

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Animals Building Ink and watercolor wash Landscape Oakland Sketchbook Pages

Jack London Square Sketch for East Bay SPCA

I was honored when the East Bay SPCA asked to license my sketch of Jack London Square (in the poster below) for their annual Adopt-A-Thon fund-raiser publicity materials. They kindly offered to pay for the use of the image but I was very happy to donate it for their use. As an animal lover I am grateful for the wonderful work the SPCA does to care for and find homes for animals.

You can click the image to get more information about the event. It will be a lot of fun and if you’re looking for a new family member of the furry variety, be sure to visit the Adopt-A-Thon! My original sketch is and info about it is at the bottom of this post.

.Adoptathon2016-BayWoff-Ad.FINAL-2

I sketched the scene below at Jack London Square of London’s old cabin and the wolf statue out front on a gorgeous sunny day and the shadows were in just the right place. It was one of those sketches where everything just worked. In the background are the high-rise office buildings of Downtown Oakland.

Jack London Cabin and Wolf Statue, ink and watercolor, 10x7 in
Jack London Cabin and Wolf Statue, ink and watercolor, 10×7 in

Categories
Animals Oil Painting Painting Sketchbook Pages

Mika, Formosan Mountain Dog Portrait

Mika, a Formosan Mountain Dog portrait in oil paint on linen panel,, 10x8 in
Mika, a Formosan Mountain Dog portrait in oil paint on linen panel,, 10×8 in

This little cutie was a fun challenge to paint. Below are some steps along the way, including the reference photos that I joined and edited in Photoshop to simplify the background and combine the tops and bottoms of her ears. Her ears were too tall in my first sketch (done in gouache in my journal). I must have added extra length when I assembled the two photos in Photoshop so edited them down to life-size in the painting.

Mika’s owner was happy with the painting and noted that Mika, who is a playful goofball in real life, seems so dignified in the painting. That gave me the idea to ask owners to also provide videos of dogs I’m to paint in the future so I can get a better sense of their personalities. I tried to include some of the family’s garden in Mika’s portrait but I struggled with getting the spring flowers to behave in the background. I painted over them with sky, planning to try them again, but when I sent Mika’s owner a photo of the painting with the sky background, she liked it better that way and so did I.

Categories
Animals Drawing Oil Painting Painting Sketchbook Pages

Leo Take Two: Same Dog, Revised Painting

Leo, Dog Portrait, Take Two, oil on panel, 8x10
Leo, Dog Portrait, Take Two, oil on panel, 8×10

After I varnished Leo’s painting and was going to deliver it to the family that commissioned it, I realized I wasn’t satisfied with the background. I asked for and was granted permission to adjust it. It’s a good thing Leo’s people are very patient: I asked for an extra two weeks but then my dog Millie started having epileptic grand mal seizures and my cat Busby got sick and I was spending more of my time nursing animals than painting them.

Finally, after many visits to the emergency vet hospital, my family vet, and a veterinary neurologist (thank goodness for pet insurance) Millie has stabilized on her meds (no seizures in over a week), and Busby has sadly has passed on to Kitty Heaven. He was a beautiful cat and my remaining kitty Fiona misses him, even though he was a bit of a bully, like big brothers can sometimes be.

Back in the studio I explored how to rework the background. What bothered me was the way the it divided the painting in half vertically and how vague it was. With my realistic approach to the dog, it felt like the background needed more detail so I tried to suggest some of the actual greenery in Leo’s Northern California backyard (see photo below) and added some sky to add depth.

Below, copied from the previous post, are the reference photo and the work in progress before I got to the finished painting above.

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Sketchbook Pages

Leo: A Dog Portrait in Oil and Gouache

Portrait of Leo, Formosan Mountain Dog, oil on panel, 8x10 in
Portrait of Leo, Formosan Mountain Dog, oil on panel, 8×10 in

Leo is the same breed as my pup Millie, a Formosan Mountain Dog (both rescued from the streets of Taiwan), except Leo has dark brindle fur which I found much more difficult to paint than Millie’s blonde fur, especially when working from a photo (at bottom of post) without much variation in light and shadow to help create dimension and volume on a surface that is already so varied and random.

Study for Leo Dog Portrait, gouache on paper, 8x10 in
Study for Leo Dog Portrait, gouache on paper, 8×10 in

Before starting the oil painting I did the above quick gouache study to send to the collector who commissioned the painting to give her a sense of what I was planning. I hadn’t decided yet whether to include their backyard.

Below are a few steps during the work in process and the original photo I worked from.

I got really interested in painting the ferns on the left in the photo but decided to simplify the background, which was attracting my eye more than the doggie. I changed Leo’s fur coloring a bit in the painting based on some additional photo references that showed the fur as being darker and warmer-colored than in this photo. I’m so glad Leo’s people are happy with the painting!

Categories
Animals Oil Painting Painting

Whiskey: A Mini-Aussie Dog Portrait

Whiskey, Portrait of Mini Aussie, oil on Gessobord panel, 8x10 inches
Whiskey, Portrait of Mini Aussie, oil on Gessobord panel, 8×10 inches

I had so much fun painting Whiskey, a Miniature Australian Shepherd, for her owner Diane. I started with a rough sketch (below) on vellum tracing paper (erases easily and is strong) and that’s when I discovered the heart-shaped spot above her nose. I’m not sure if it’s just a reflection or an actual marking in her fur but it was one of those joyful discoveries that happen when you look closely at things.

Preliminary sketch of Whiskey, graphite on vellum tracing paper, 8x10 inches
Preliminary sketch of Whiskey, graphite on vellum tracing paper, 8×10 inches

After sketching her, I printed out an 8×10″ copy of the photo and traced it onto the Gessobord using a sheet of graphite Saral Transfer Paper between the photo and the panel. Ideally I would work on a drawing until it perfectly matched the photo and then transfer the drawing to the panel, but on commissions I need to work a little more quickly than my imperfect drawing skills allow.

Below are 1) my painting and my reference photos, 2) cropped and 3) original. Isn’t she incredibly adorable!