I’m continuing to work with the Loomis Method, which is really helping me. As you can see below, I got a little closer and her nose and jaw got little smaller each time I tried to draw her.
You can see the model I was working from on Sktchy here. I’ve been working on this project since August but got sidetracked by the election and now that I can concentrate again I’ll be catching up on posting my work over the next week or two.
When I saw the mugshots of the morons that plotted to kidnap Michigan’s governor, I had to draw them. (I know, I’m weird.)
The strange thing about drawing someone is that in the process you begin to see their humanity, develop compassion for them, see the sadness in their eyes, recognize that they have mothers who may or may not have loved them. But still….
Here’s the original mugshot photo I sketched from
I recently finished a 4-week class on Sktchy’s Art School, “Drawing the Human Head with Mike Creighton” based on the Loomis method. I highly recommend Mike’s class if you struggle with making people look like actual human people, let alone looking like very specific people.
This was the last portrait sketch I did before beginning on some intensive head drawing study. More about that coming up on my next posts, but wanted to get this one from over a month ago posted first. You can see the reference photo by clicking on my sketch on Sktchy here.
Mimi’s outfit and funny posture in the photo below were what attracted me to paint this. She is such an adorable little person.
In quarantine I started getting groceries delivered instead of risking going into stores. So when I ordered red peppers and received green ones, which I hate, I decided to paint them instead.
I was feeling anxious and exhausted and afraid I’d just make something ugly if I tried to paint so I gave myself permission to just go make an ugly painting. I even intentionally made it uglier by shining a warm light on the still life, which muddied the bright greens and yellows.
This commissioned portrait of a darling little girl was really fun to paint but had some challenges, like trying to invent the pajamas hidden by the highchair straps. It took several drawings (including one of a baby skull I found on Google) before I was ready to move ahead with the painting as you can see in the process steps below.
Emi’s face was actually easier to paint than the pajamas, and I was tempted to keep working on them, probably forever, but the friend who commissioned the painting was happy with it as is, so I am too.
Below is some of the work in progress steps. Please note that the lighting changed the colors in some of the photos.
Although I’m happy with this pre-quarantine composition and painting, I regret not checking the drawing before beginning to paint. I sensed something wasn’t right and sure enough, when I did the digital tracing (below) I found my mistake, but it was too late. I’d either need to start over or let it go.
When drawing/painting people I ask myself, “Does it at least look human, if not that specific human?” Hmmmm. Well, I guess I can celebrate the parts that worked and let go of mistakes and remember to check my drawing next time! Also I might be coming to believe that sometimes the anatomy isn’t as important as the feeling I’m trying to convey, and that caricature or distortion might be ok (though it’s probably better when it’s intended).
This was one of those paintings that just flowed and was fun from beginning to end. I started with a drawing in pencil (below) on Arches Oil paper and then applied a layer of Golden GAC 100 acrylic sealant over the sketch to make the surface less absorbent and more slippery.
My goal for this painting was to stop as soon as the painting said what I wanted to say and before things got over-worked, overly perfected and I’m pleased to say that’s exactly what I did. Sure, there are many things that could be better but I like it just the way it is.
The images below show the steps in the process, from the graphite drawing, to an umber underpainting, to the block-in and final layer of paint.
I’ve had so much fun painting and sketching the lovely Dayris from Sktchy in oil (above), and before that, in pencil and then doing a digital sketch in Procreate (below). Also below you’ll find a slide show of the work in progress. Doing the two initial drawings really helped me quickly get a pretty accurate drawing for the oil painting. You can see her reference photo on Sktchy here.
Below are the steps in the process of making the portrait.
Jana Bouc, Artist 