Although I’m happy with this pre-quarantine composition and painting, I regret not checking the drawing before beginning to paint. I sensed something wasn’t right and sure enough, when I did the digital tracing (below) I found my mistake, but it was too late. I’d either need to start over or let it go.
When drawing/painting people I ask myself, “Does it at least look human, if not that specific human?” Hmmmm. Well, I guess I can celebrate the parts that worked and let go of mistakes and remember to check my drawing next time! Also I might be coming to believe that sometimes the anatomy isn’t as important as the feeling I’m trying to convey, and that caricature or distortion might be ok (though it’s probably better when it’s intended).
I did the initial drawing on Arches Oil Paper with a Prismacolor Col-Erase pencil. Then I sealed the drawing and the paper with Golden GAC 100, a transparent acrylic sealant that gives the paper a slick, non-absorbent finish. I dislike using Arches Oil Paper as is, it’s way too absorbent. So even though it’s safe for oil painting on directly, I can’t really use it without sealing it first. Some people first cover it with Gamsol but that would be way too much solvent exposure for me.
Here are the steps as it progressed: