Categories
Ink and watercolor wash Life in general People Sketchbook Pages

Healing Garden at Christ the Light Cathedral: Between a Rock and a Hard Place

Healing Garden, 6x9", ink & watercolor
Healing Garden, 6x9", ink & watercolor (Kremer Pigments)

Hidden away behind the new, massive Oakland Cathedral of Christ the Light is a “Healing Garden” for the victims of sexual abuse by priests. I knew it was there because I’d read about it when the cathedral was opened to the public, but had a hard time finding it.

I was having a stressful day at my office, which is just across the street from the cathedral,  and had gone looking for the garden at lunch. I thought that a few minutes in a healing garden would be restorative before tackling the afternoon’s work.

The “garden” is hidden away in a little corner behind the church, and consists of a small patio, about 10 feet in diameter, ringed by wooden benches arranged in a circle around what looks like a big cracked  rock. The only greenery in the “garden” are some small hedges in cement planters that support the slatted benches.

The healing I found in the garden came from sunshine and sketching, not from sitting next to the huge concrete cathedral, on a hard wooden bench, gazing at what turned out to be a sculpture of a big cracked rock, not an actual rock.

The plaque on the bench:  “This healing garden, planned by survivors, is dedicated to those innocents sexually abused by members of the clergy. We remember, and we affirm, NEVER AGAIN.”

The plaque beside the sculpture:  “Some day, 11, 2000.  Masatoshi Izumi. Basalt.”

I get that the sculpture might represent how hard, broken, and cracked apart the lives of the victims must be. What I don’t get is how this could be called a “Healing Garden.” Where’s the garden? Where’s the healing?

I hope that survivors who visit and are able to find the garden do find it a healing experience.

Categories
Ink and watercolor wash Life in general People Sketchbook Pages

Sketching at Peets Coffee Pinole

View from Peets Coffee Pinole, ink & watercolor
View from Peets Coffee Pinole, ink & watercolor

It was 86 degrees but quite comfortable in the shade of an umbrella, on the patio at Peets Coffee in Pinole, where I sipped my iced latte and sketched this view of the parking lot and hills behind it. I’d dropped off a key at my son’s house nearby and then done my grocery shopping at Trader Joe’s and decided I deserved a delicious  icy reward next door at Peets.

Mr. Fidget keeps moving
Mr. Fidget keeps moving

This guy never stopped moving, feet up on a chair, knees up, leaning sideways, feet under chair, flip-flops on, off. I was so happy when he put his feet back on the ground so I could finish the sketch. It felt good to slow down on a busy day and sit and draw, but when I checked my watch I realized my groceries had been baking in the car for nearly an hour. I packed up and added watercolor at home.

Categories
Art theory Berkeley Drawing Ink and watercolor wash Outdoors/Landscape Painting Places Sketchbook Pages

Monday Night Sketchcrawl: Shattuck and Vine, Berkeley

Vine Street Pumping Station, Ink and watercolor
Vine Street Pumping Station, Ink and watercolor

Cathy and I met at Shattuck and Vine to sketch, and started with this historic building, now a wine shop called Vintage Berkeley, converted from the former utility district’s Vine Street Pumping Station. Actually we’d started a little further up the street, but my sketch was terrible so no point in posting it.

By the time we finished drawing there, I was getting hungry so we looked around for somewhere to sketch and eat but that ate up sketching time too. We ended up at Dara Thai/Lao Cusine where we sat outdoors and sketched and I ate grilled calamari on shredded lettuce with cilantro sauce. It was warm, filling and delicious.

Dara Thai/Lao Cuisine, ink 9x6
Dara Thai/Lao Cuisine, ink 9x6

I didn’t get to finish this sketch because it got dark and cold…and because I spent so much time drawing details in the fancy roof of the little shelter. Despite hearing from great art teachers, “Simplify, reduce details, draw only what you see when squinting, see how much you can leave out,” I love details. That’s just how it is.

But the funny thing is that because I got so absorbed in the details on that one roof, I didn’t have time to draw all the roofs of all the shelters behind this one, which would have filled the whole page with details.

So maybe those teachers are right….?

Categories
Berkeley Drawing Gardening Ink and watercolor wash Sketchbook Pages

Sketching Berkeley’s Northbrae Neighborhood

Monterey Market Watermelons, ink & watercolor, 6x9"
Monterey Market Watermelons, ink & watercolor, 6x9"

Cathy and I met at Monterey Market on Hopkins Street in Berkeley’s Northbrae neighborhood for our Monday night sketchcrawl. The scent of ripe fruit was heavenly in their screened fruit patio, but the store was closing so we were soon out on the street.

Cathy sketching
Cathy sketching

I stood behind Cathy while she leaned on a bike rack to sketch the signs on the corner. Then we walked up Hopkins to the Country Cheese and Coffee Market.

Country Cheese, Sepia Micron Pigma, 9x8"
Country Cheese, Sepia Micron Pigma, 9x8"

The scents were quite different here: damp cardboard and wafts of the day’s refuse from all the now-closed food sellers on this block including Magnanis Poultry and Monterey Fish Market.  My butt fell asleep from leaning against a large metal box on the sidewalk while I was sketching. I could have sat on the chair but decided to sketch it instead. It felt good to start moving again. We walked around the block looking for inspiration at Berkeley Horticultural Nursery but since they were closed there wasn’t enough to see through the fence.

We headed up Rose Street and through the King Middle School play yard where people were throwing frisbees for their dogs in the sunshine at 8:00 at night. It was really starting to feel like summer.

Alice Waters of Chez Panisse fame, helped start an “edible garden” on the school property and that’s where we did our final sketches, surrounded by beds of vegetables, flowers and fruit.

Edible Garden "campfire", ink & watercolor, 9x12"
Edible Garden "campfire", ink & watercolor, 9x12"

We felt like we were at camp, sitting on hale bales arranged in a large circle under an arbor made of rough hewn posts and branches woven together. At the center of the circle, a huge “campfire” of flaming pink and red poppies blazed. I imagined how rewarding it must be for a class of young gardeners to gather there for lessons with their teacher, the beautiful results of their work growing all around them. What a wonderful learning environment!

Categories
Bay Area Parks Ink and watercolor wash Landscape Outdoors/Landscape Places Sketchbook Pages Sketchercize

Nature Hike: Sketchercize

Nature Hike, ink and watercolor
Nature Hike, ink and watercolor, 5.5"x9"

Sunday was a glorious day in the Bay Area; sunny, breezy and in the 70s. A perfect day for some “Sketchercize.”  I packed up my sketching gear and hiking poles and headed on foot through my hilly neighborhood and up to the El Cerrito Memorial Grove and the Hillside Natural Area above it; nearly 80 acres of nature with spectacular views.

I intended to walk for at least 30 minutes before sketching but was stopped after 10 minutes by some seed pods hanging from a tree, glowing red and green in the sun that I had to sketch. Next stop was for some California poppies along the road. Then the view of the giant hill that I’d be climbing came into view so I added that with an “X” marks the spot where I was going, all on the same sketchbook page.

View from above Memorial Grove, 5.5x9"
View of SF Bay and Golden Gate Bridge from hiking trail, 5.5x9"

At last I reached the top of the hill and hiked along the skyline trail until I reached a bench where I could sit and admire the 180 degree view–a great reward for the 2 mile, mostly uphill hike. I ate my apple, sketched and then began the trek back home, which just happened to pass by Payoff #2: Baskin Robbins, where I got an ice cream cone to eat on the way (a bit counterproductive, I suppose, but quite yummy). I pasted the cone wrapper in my sketchbook when I got home.

Ice cream cone lunch
Ice cream cone lunch

The view with my house marked:

Hike Start and End
Photo at destination; Red spot points to my house
Categories
Art supplies Drawing Flower Art Ink and watercolor wash Painting Photos photoshop Sketchbook Pages Still Life Watercolor

Hydrangeas: More Testing Fabriano Venezia Sketchbook

Hydrangeas in Pitcher, 9x11", ink & watercolor
Hydrangeas in Pitcher, 9x11", ink & watercolor

The first hydrangeas of the season provided an opportunity to try out ink and watercolor in the Fabriano Venezzia sketchbook I posted about yesterday. First I drew directly in ink and then tried painting the flower on the right by wetting the paper there, and painting into it.  I didn’t like the results and tried lifting off the paint with a tissue and was pleased and surprised that it came right off, leaving only a slight stain.  Then I painted back into the damp area and got the results I wanted and completed the rest of the painting working very loosely.

The painting was easy compared to trying to get the image in the sketchbook scanned or photographed for posting. The image above was the result of clamping the edges of the sketchbook to photograph it (see below) and then using Photoshop’s Clone Stamp tool to “erase” the clamps and then using the Levels and Dodge tools to clean up the shadows caused by the paper buckling and some reflections from the light source.

Ready to photograph

I also tried scanning the page in the sketchbook but encountered the same problems I had yesterday with severe blurring plus shadow from the seam. I (want to) like this sketchbook, but preparing the images for posting is really a hassle. Even if I wasn’t working across the spread and just painted on one page I’d still have the problem with the shadow and blurring since it happens on the righthand page.

Scanned version, after touch-up
Scanned version, after major touch-up

Have you had this problem and solved it? I’d be so grateful for suggestions!

Hydrangeas and sketchbook
Hydrangeas and sketchbook
Categories
Berkeley Flower Art Ink and watercolor wash Interiors People Places Sketchbook Pages Watercolor

Celebrating 3 Years, 600 Blog Posts… and a winning book cover

Cactus Taqueria, Berkeley, ink & w/c, 4x6"
Cactus Taqueria, Berkeley, ink & w/c, 4x6"

On Monday night I completed another sketchbook and three years of sketch-blogging. Cathy and I had dinner at Cactus Taqueria on Solano Avenue in Berkeley and sketched the other diners.  Then we started walking to see what else looked like fun to draw.

It was cold and foggy outside, and the lobby of the old Oaks Theatre looked warm and  inviting so we walked in and asked if we could sketch. This confused the woman working there who had nothing to do but sit and chat with a younger woman. It was a Monday night and they were showing a French movie and it was a bad French movie and so there were few customers. She told the manager we wanted to sketch (with a tone of voice that implied we might be deranged) and he said it was fine.

Oaks Theatre Popcorn Machine, Berkeley, ink & w/c
Oaks Theatre Popcorn Machine, Berkeley, ink & w/c

We sat on carpeted stairs (the only place to sit except the already occupied bench) and sketched the  popcorn machine directly in front of us. At first it seemed like a stupid, boring subject, but within minutes I was captivated by all the odd mechanical bits inside the machine. Oddly, despite the strong scent of hot popcorn, the machine was completely empty.

At first we sketched listening to the inane conversation of the two women which even they seemed bored by. They left and the manager came over and asked us whether drawing can be learned or if is just an inborn talent (definitely can be learned!). Then he wandered off and we listened to him being lectured to by a customer (inspired by the movie she’d just left?) about race, culture, history, and her philosophies on life,  while he listened patiently, saying “OK.” I jotted down a few of her pronouncements on the sketch.

Three Years of JanasJournal.com

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My Art on Winning  Bookcover

White Lilac Love Book Cover
Winning bookcover

About a year ago, I received an email from Croatian poet and author Sonja Smolec, asking for permission to use one of my watercolors on the cover of her new book of poetry, “White Lilac Love.” Of course I agreed, and was delighted when she sent me a copy of the book.

A week ago I received an email from Sonja telling me that her publisher had held a bookcover contest and her book had won! The 73 poems in White Lilac Love weave a beautiful and tender love story with all the soaring emotions from hope to despair to true love along the way. One of the poems was so evocative and full of wonderful imagery that it inspired a painting (in progress — more about that later).

It’s been a great three years!

Categories
Bay Area Parks Drawing Flower Art Ink and watercolor wash Landscape Outdoors/Landscape Painting Places Plants Plein Air Sketchbook Pages

Tilden Botanical Garden Sketches

Pacific May Lilly at Tilden Botanical Garden, ink & watercolor, 4x6"
Pacific May Lilly at Tilden Botanical Garden, ink & watercolor, 4x6"

My plein air group met at Tilden Regional Parks Botanical Garden this cold and foggy morning. Since I wasn’t familiar with the park I explored a bit and then decided to sketch instead of trying to drag my painting gear around the hilly, pebbly paths. Since I only had my large Moleskine and a Micron Pigma .01 pen with me, I added watercolor later at home. The May Lilly above was so sweetly but delicately scented that drawing beside it was like breathing in a dessert.

Bridge & Creek, ink & watercolor, 5x7"
Bridge & Creek, ink & watercolor, 5x7"

This bridge and creek was the first thing I sketched when I arrived, still arguing with myself about whether to go get my painting cart, whether to go home because it was too cold, whether to go home because I arrived late, how I should have brought my watercolors, how the scene was so complicated and so maybe I should just go home.

But as I drew,  I started noticing interesting details, how dark and light shapes lined up,  where one puzzle piece fit against the next, the design the water was making as it poured over rocks and down the creek, the sound of frogs and birds, and before I knew it that busy, chattering mind had shut off and I was having fun.

Manzanita Tree, Ink & watercolor, 5x16"
Manzanita Tree, Ink & watercolor, 5x16"

As I sketched this spectacular Manzanita, I began noticing how much like strong lean muscles the branches were, with their smooth, polished red surface. Then I found other human attributes: the knotholes looked like eyes while the bends in the branches looked just like elbows. This led me to consider the oneness of all things and I felt very connected to all the nature around me. During our critique at the end of the paint-out, we each take a turn showing our work and talking about our process. When I shared these thoughts someone laughingly asked what I’d eaten for breakfast! I was high on drawing, not Cheerios!

Cat Napping in the Buckwheat, rev2, Ink and watercolor
Cat Napping in the Buckwheat, Ink & watercolor, 4x6"

Walking to our critique, I spotted this garden kittie, having a nice nap in the buckwheat section of the garden and had to stop and sketch it. Nothing bothered this plump pussy who slept amidst the plants, little signs, wood chips and stones near the garden entrance. I added the whiskers with white gel pen.

Categories
Animals Cartoon art Drawing Gouache Illustration Ink and watercolor wash International Fake Journal Month Life in general Other Art Blogs I Read Painting People Sketchbook Pages

Thank You Roz & Boris the Dragonly Critic

Thank You Roz! (Gouache & Ink)
Thank You Roz! (Gouache & Ink)

As second place winner in the International Fake Journal Month contest, I won this amazing t-shirt from Roz Stendahl, the inventor of IFJM. I tried to sketch myself sketching myself myself wearing it. I didn’t do the t-shirt (or myself) justice, but I do like the way the bird and I both seem to have the same expression! THANK YOU ROZ! I love it! (My IFJM posts are here and here.)

I’ve been having one of those crises of artistic self-confidence in my drawing the past couple weeks. I’m not sure if the drawing difficulties are real or I’ve just somehow allowed that nasty internal critic out of his cage and back on my shoulder.

Boris the Dragonly Critic, ink & watercolor
Boris the Dragonly Critic, ink & watercolor

I know the cure though: put him back in his cage and do a whole bunch of drawing until he is so bored he falls asleep for a nice long summer nap. And I’ll start by drawing HIM!  Here he is now, safely back in his cage and starting to get very sleepy….

Categories
Art theory Ink and watercolor wash Life in general People Sketchbook Pages

At the Christopher Schinck Demo

Art Demo, ink & watercolor
Art Demo, ink & watercolor

Last week the El Cerrito Art Association hosted an excellent watercolor painting demonstration by Christopher Schinck. Mr. Schink has a unique way of painting with watercolor and a wonderful sense of humor. He both entertained and amazed the group with his bold use of color, thick paint applied opaquely using large china bristle brushes and extraordinary knowledge of art history, composition and painting technique. I alternately watched the demo and sketched the audience (above), enjoying both equally.

I jotted down a few of his comments:

“Don’t paint objects. Paint relationships” [of design elements, like light & dark].

“It’s better to quit early than to quit late.” (In other words, stop painting before you’ve overworked it!)

“Sarget said watercolor was ‘making the best of an emergency.'”

“When you first start painting you tend to strive for accuracy and people like it. The more you paint and explore as an artist, the less your family likes it. Push yourself so it’s still identifiable, but have fun!” (Encouraging us to abstract and simplify.)

Then a few nights later my watercolor group got together for dinner and sketching. Dinner was fabulous! Not so my sketches, but here they are anyway.

Ink wash sketch; no likeness
Ink wash sketch; no likeness
 Maple sugar candy dessert, ink & wash
Maple sugar candy dessert, ink & wash

What’s funny about this sketch is that I’d drawn the box and then gotten really into the details of each little packet of candy. When I finished the first row I realized there were only three across and I still had room for one more. So I just made the box smaller and left the odd lines from the original ghost box. I added color at home to the top and bottom sketches.