Category: Flower Art

Categories
Flower Art Ink and watercolor wash Sketchbook Pages

A Flowering Gift: Anthurium; plus Camellias Old and New

Anthurium 2, ink & watercolor, 5x8"
Anthurium 1, ink & watercolor, 5×8″

My friend Amy gave me the lovely gift of an Anthurium plant. I couldn’t wait to sketch its interesting shapes and colors.

Anthurium 2, ink & watercolor, 5x8"
Anthurium 2, ink & watercolor, 5×8″

I keep it in the studio because my cats eat house plants and then give them back partially digested. The plant held up well during the week and a half I was too sick to go out to the studio. It just wanted a little water and repotting.

Camelia in Blue Bowl, ink & watercolor, 5x8"
Camellia in Blue Bowl, ink & watercolor, 5×8″

I can never remember the name of this large flowering bush in my yard. I have to go through the same stupid chain of thoughts to get to it, always starting with “It’s not a gardenia it’s a….” which always leads to remembering when I moved to New York City at the age of 19 with one suitcase, a few hundred dollars in savings, and lots of dreams.

When I arrived and opened my suitcase, my bottle of (cheap, intense) Jungle Gardenia perfume had spilled all over everything. I still hate the scent of gardenia. Camellias have no scent and are a wonderful vibrant pink color, but are challenging to sketch. I did this large watercolor of a camellia (below) several years ago.

Ruffled Camelia, watercolor on paper, 16x19.5"
Ruffled Camellia, watercolor on paper, 16×19.5″

Seeing my earlier watercolor work makes me want to go back to doing large watercolors. My process was so different when painting rather than sketching with watercolor. I worked slowly and with control, section by section, on very exact drawings or tracings from photos. You can see more of my watercolor flowers on my website JanaBouc.com here.

Categories
Colored pencil art Flower Art Sketchbook Pages

I’m Not Number One, I’m 2 Million! plus 1 More Crab Apple

Crab Apple Blossoms with colored pencil sketch on tan paper
Crab Apple Blossoms colored pencil on tan paper in 8×11″ Moleskine Journal

Once more with the crab apple blossoms, this time on tan paper using mostly a Prismacolor black grape colored pencil and white pencil (and then pasted in my giant Moleskine).

I sketched these before I did the oil paintings posted previously below. I wanted to try the approach of sketching with only three values: the tan paper as mid-range plus highlights and shadows. But I wasn’t seeing a lot of variation in value in the subject. Everything except for the whitish pink blossoms looked like a medium dark value. So what I was trying to do didn’t really make sense. But it was fun anyway.

The Visitor 2 Million Prize on Making a Mark

Katherine Tyrrell credited me with being or generating the 2,000,000 millionth visitor to Making A Mark, my favorite blog about art on the web. We were both down with a nasty flu bug then so she missed seeing the counter tick over to 2 million. But she could tell it was either me (reading her blog from bed with box of tissues in hand) or someone referred from my blog, so she named me the prize winner. Her blog is such a gift to the artist/blogger community. I learn something new every time I read her weekly “Who’s Made A Mark” column.

Categories
Flower Art Glass Oil Painting Painting Still Life

Flowering Crab Apple Blossoms in Bottles: Oil Paintings

Crab Apple Paired, Oil on Archival Panel, 10x8"
Crab Apple Paired, Oil on Archival Panel, 10×8″

The branches I snipped from a tree in Berkeley provided many opportunities to sketch and paint. The first were watercolor sketches. Then I did these two oil paintings and some other sketches I’ll post later. Two of my favorite things to paint: flowers and glass. Crab Apple Paired (above) is available here.

Sake Bottle with Flowering Crab Apple
Sake Bottle with Flowering Crab Apple Under Warm Light, oil on archival panel, 6×6

This sake bottle is from a nice sushi dinner I had with my son. He’s much more knowledgeable about such things so he ordered the sake. I was delighted by its wonderful peach colored bottle with a kind of etched surface. I knew it would be fun to paint. I used a very warm light for this still life set up which made everything a little peachy. This little painting is available here.

Categories
Art supplies Flower Art Gouache Ink and watercolor wash Sketchbook Pages

Flowering Crab Apple Blossoms on First Day of Spring

Flowering Crab Apple Branch, left page, ink, watercolor & gouache, 8x11"
Flowering Crab Apple Branch, left page, ink, watercolor & gouache, 8×11″

Happy spring (or autumn if you’re on the other side of the world)! Despite it being a rainy, grey day here, perfect for spending indoors in jammies (which I did since I was a bit under the weather) spring has definitely arrived in the Bay Area with blossoming trees and green things sprouting everywhere.

Out walking in Berkeley on a Sunday morning in a nice neighborhood, I spotted a beautiful flowering tree between two homes. I was debating with my walking buddy  whether to knock on the door and ask if I could take a cutting to sketch and paint from. He thought not, since people might still be sleeping, and suggested I take a photo. But I wanted to draw from the real thing. I was trying to figure out which house actually owned the tree and he was trying to figure out how to get me to keep walking.

Flowering Crab Apple Branch, right page, ink, watercolor & gouache, 8x11"
Flowering Crab Apple Branch, right page, ink, watercolor & gouache, 8×11″

Just then I heard people chatting, coming towards us on the sidewalk from around the corner. It was the homeowners who’d also been out for a walk. I asked if I could take a branch to paint and they said yes. This is the first of several pieces (two oil paintings and another sketch) I created from their branch.

I wish I’d thought to take their address so I could send a thank you card with the image on it. Maybe my friend will remember what street we were on since he chose our route.

Flowering Crab Apple Branch, 2-page spread, ink, watercolor & gouache, 8x22"
Flowering Crab Apple Branch, 2-page spread, ink, watercolor & gouache, 8×22″

This is the full 2-page spread in the giant Moleskine Watercolor A4 sketchbook I’m using now. It’s 8.5 x 23 inches when opened so rather unwieldy when sketching outside the studio but I’m enjoying it anyway. I drew directly with a sepia Sakura Micron Pigma Pen and then painted with watercolor and a bit of gouache.

I used gouache for the background on this sketch because I wanted a fairly smooth/flat background which I couldn’t get with watercolor because of the way the paper buckles and doesn’t lie flat because of the seam. My favorite part is the enlarged pure watercolor blossoms in the white circle on the left hand side, visible if you click and then click again on the top image. I’m craving some “real” watercolor painting on good paper.

Categories
Flower Art Ink and watercolor wash Oil Painting Painting Sketchbook Pages Still Life

Sunflowers: Studies, Struggles, Stubborness

Sunflowers #4, oil painting on panel, 8x8"
Sunflowers #4, oil painting on panel, 8×8″

It seems like I’ve been struggling with painting sunflowers forever but with each attempt I understand them a little better. I’m very stubborn and will continue trying until the sunflowers and I are really good friends.

I lit the flowers above with very warm light which made the olive-green backdrop cloth look gold and kind of bleached out the color of the flowers. The pictures in this post are in the reverse order I made them, with the last first.

Sunflower #3, ink & watercolor, 5x8"
Sunflower #3, ink & watercolor, 5×8″

I did the sketch above after having such difficulty with the two below, trying to better understand the shapes of the flowers and their structure.

Sunflowers in Vase (#2), Oil painting on canvas, 16x12"
Sunflowers in Vase (#2), Oil painting on canvas, 16×12″

After working for hours on the vase in the painting above I looked at it in the mirror to check the symmetry and couldn’t stop laughing. It was completely off kilter, slanted to one side as if it had melted. It’s just amazing how our eyes and brain work together to correct things and fool us. I had to completely start the vase over to get it close to right. I experimented with using a dark background and tried to paint duller, darker colors for flowers not in the light but vibrant color kept sneaking back in. After days of repainting I called it done so I could move on.

Sunflower #1, Oil painting on panel, 10x8"
Sunflower #1, Oil painting on panel, 10×8″

The first problem with the one above was my drawing. Instead of taking the time to carefully draw these sunflowers I jumped into painting, combining a few specifics with some generic version of flowers. All the pointy, sharp shapes and droopy flowers are a good visual representation of my struggle, frustration, and ultimately, disappointment with this painting.

I completed these pieces at the end of last year and had to give up when I couldn’t find any more sunflowers. Soon sunflowers will be available and I can start painting them again.

I have a feeling it’s going to go better this time around. I am studying nature drawing with John Muir Laws at his Bay Area Nature Journal Club. This month’s session was all about drawing flowers and I learned all sorts of cool stuff. More about that another time.

Categories
Drawing Flower Art Ink and watercolor wash Painting Sketchbook Pages

Duped by These Darned Daisies

Gerbera Daisy, Attempt #4, ink & watercolor 9x5"
Gerbera Daisy, Attempt #4, ink & watercolor 9×5″

After twice starting and wiping off an oil painting of these Gerbera daisies, I switched to studies in ink and watercolor to understand them better. The sketch above is my 4th attempt and below are all four sketches in reverse order.

Continue reading “Duped by These Darned Daisies”
Categories
Drawing Flower Art Glass Ink and watercolor wash Painting Plants Sketchbook Pages Still Life

Gone Wild With Wildflowers (and Watercolor) Part 2

Purple wildflowers in purple glass vase, ink & watercolor 8x5"
Purple wildflowers in purple glass vase, ink & watercolor 8×5″

This was one of my favorites of all the wildflowers (see previous post for the wildflowers’ back story, which had such a variety of parts, from the pea-like pods to its spiky green leaves, plus I love purple.

Big yellow wildflowers on stalks, ink & watercolor, 8x5"
Big yellow wildflowers on stalks, ink & watercolor, 8×5″

Another curious plant with a variety of features and quite vibrant in color.

Yellow spikey flower with photo
Yellow spikey flower with photo

Here it is above in real life (though a bit blurry) with its portrait.

Gentle white blossomed wildflowers, ink & watercolor, 8x5"
Gentle pinky-white blossomed wildflowers, ink & watercolor, 8×5″

These were very delicate.

Gentle pinky-white wildflowers with photo
Gentle pinky-white wildflowers with photo

I had to take an allergy pill halfway through the day because all the wildflowers were making me sneeze.

California Golden Poppies, ink & watercolor, 5x8"
California Golden Poppies, ink & watercolor, 5×8″

The first attempt at the poppies above came out nice and fresh but my pen was running out of ink so I drew over the lines with another pen and then wasn’t crazy about the composition so I sketched them again (below).

California Poppies, first attempt, ink & watercolor 8x5"
California Poppies, #2, ink & watercolor 8×5″

I liked the composition better. Since this is our California state flower, it deserved an encore anyway. If you know the names of any of the flowers, let me know and I’ll update the captions.

Categories
Drawing Flower Art Glass Ink and watercolor wash Painting Plants Sketchbook Pages Still Life

Gone Wild With Wildflowers, Part 1

Bachelors Buttons (I think), ink & watercolor, 8x5"
Bachelors Buttons (I think), ink & watercolor, 8×5″

Just days before the city mowed down all the “dangerous” wildflowers on Carlson Boulevard for the second time, finally killing them, I walked along the narrow median strip with cars zooming by, and snipped specimens of each to paint. (I previously wrote here about why they were dangerous. They grew back after that first trimming.)

Pink Wildflowers, ink and watercolor, 5x8"
Pink Wildflowers, ink and watercolor, 5×8″
Pink Wildflower sketch with photo
Pink wildflower sketch with photo

I took them home and went wild, putting them in pretty bottles and vases, then sketching and painting them all day long.

Pink & Yellow Wildflowers, ink and watercolor, 5x8"
Pink & Yellow Wildflowers, ink and watercolor, 5×8″
Pink and yellow wildflowers with photo
Pink and yellow wildflowers with photo

My goal was to make free and fresh sketches of each flower that captured its personality while keeping composition in mind.

Little Daisy-Like Wildflowers, ink & watercolor, 8x5"
Little Daisy-Like Wildflowers, ink & watercolor, 8×5″
Little Daisy-Like Wildflowers with photo, ink & watercolor, 8x5"
Little Daisy-Like Wildflowers with photo

I postponed posting because of the time it would take to prepare the many sketches, scans and photos from that glorious day. I finally made the time; I didn’t want to be posting spring wildflowers in the Fall!

Lacy Wildflowers in Blue Bottle, ink & watercolor, 8x5"
Lacy Wildflowers in Blue Bottle, ink & watercolor, 8×5″
Lacy Wildflowers in Blue Bottle with photo
Lacy Wildflowers in Blue Bottle with photo

Do you know the names of any of these flowers? If you do, please leave a comment and tell me and I’ll change the captions with the correct names.

There are many more wildflower sketches to come, which I will post in Part 2.

Categories
Flower Art Oil Painting Painting Still Life

Peonies Painted in Mom’s Copper Pitcher

Peonies in Mom's Copper Pitcher, oil on Gessobord, 10x8"
Peonies in Mom’s Copper Pitcher, oil on Gessobord, 10×8″

A couple of years ago my mom and I had one of those conversations that goes something like this…

Mom: “You know those flowers that are big and fluffy and round…”
Me: “Uh, no.”
Mom: “You know! One of your neighbors had some that we saw when we walked by once.”
Me: “Do you mean the ones that we always called “popcorn ball flowers” and that I can never remember the real name of?” (referring to Hydrangea).
Mom: “No, ugh, I can’t remember what they’re called but they’re really pretty…”
Me: “Sorry. I have no idea.”
Mom: “Well anyway, I was thinking you should paint some.”

Two months later the phone rings:
Me: “Hello.”
Mom: “PEONIES! That’s what they were! You should paint some.”

While I’d often admired them in paintings, I’d never actually seen them in real life. So when Trader Joes had them in their flower stand I brought some home to paint. This nifty copper pitcher came from my mom’s collection of interesting objects.

Peonies, quick preliminary thumbnail sketch in journal
Peonies, quick preliminary thumbnail sketch in journal

I made a good start on the pitcher but as I began painting the flowers, life intervened. I broke the “rule” for painting from life: always start with the thing most likely to move, fade or rot (which wouldn’t be the pitcher). So by the time I returned to the studio, the flowers had lost some of their fluffy peony-ness and were looking more like roses. But they hung on long enough for me to finish the painting.

Now I keep watching flower stands hoping to find more peonies to paint. But next time I’ll start with the flowers!

Click here for painting purchase information.

Categories
Art theory Flower Art Oil Painting Painting Still Life

One Bouquet, 2 Paintings: Generalizing vs. Specifics in Drawing and Painting

Mothers' Day Bouquet #1, oil on linen panel, 8x8"
Birthday Bouquet #1, oil on linen panel, 8×8″

My three wonderful next-door neighbor children bring me flowers every year for my birthday. This year the bouquet lasted so long I got to make two paintings from it. They come to my door, hand me the flowers and then each one shyly gives me a hug and says “Happy birthday.” I love that they’re still doing it at 10, 13 and 16.

When they were little they would come to the studio and make brilliant expressive paintings. Then school got the better of them and they started drawing the archetypical house under a rainbow with 2 windows, a door and smoke coming out of a chimney).

Mothers' Day Bouquet#2, oil on linen panel, 8x8"
Birthday Bouquet #2, oil on linen panel, 8×8″

When I try to work too fast or am tired, I start generalizing, which rarely turns out well, whether in painting or drawing. It’s too easy to do like my neighbor kids and just make a generic house or bunch of flowers rather than these specific ones. I enjoy the process and the results much more when I go for accuracy in drawing, color and value.

Some people are great at simplifying and whipping out gorgeous, impressionistic art. But for me, it’s the individual personality of my subject that interest me; the specifics that make it that particular rose, place or person.

That was the discovery I made when painting these, so they are two more “almost” paintings (see previous post). Each one is just a stepping stone on the long and joyful path that is painting. (And some paintings really are better suited to use as stepping stones in the garden than hanging on the wall!)