Tuesday night we sketched at UC Berkeley’s Clark Kerr Campus. Built in the 1930’s as a residential school for the deaf, it now serves as home to hundreds of university students and 200 low-income seniors in a peaceful setting of mission style architecture, courtyards and sunny lawns, located just behind rowdy Fraternity Row.
Clark Kerr at Sunset, ink & watercolor
With the students gone for the summer and few of the elderly out and about, we had the place to ourselves. We met at Derby and Claremont and tried to stay in the light, moving west to follow the sun as it set. I enjoyed painting on site, trying to capture the light instead of making many drawings and adding color later as my sketching pals like to do.
Read this brief, wonderfully scandalous “get-even” taleby one of the facility’s elder low-income residents about her earlier life as a mistress to a rich, powerful man who was a member of the Bohemian Club (as was Bush). What a story and how bizarre to find it while Googling for info about the campus.
After Barbara and I took a walk, she picked up her car at the Smog Zone (behind Gilman Auto in Berkeley) and I sketched the car repair shop. I got tricked by the angle of the overhanging roof on the right but I drew it in ink so there it is, wonky as can be.
While drawing I sat in the middle of a planting bed on something not meant as a seat in front of the fancy new McDonalds across the street. I wanted to hurry since I kept expecting to be asked to get out of there (plus the scent of their burgers frying always reminds me of the smell of the boys’ locker room at the high school gym).
So instead of messing with watercolor I used the watercolor pencils I’ve started carrying for quick getaways when it’s not convenient to use water. I was surprised how much brighter and more saturated the color was after I added the water later at home and so wiped some of it off.
Pyramid Brewery, ink & watercolor
That evening Sonia and I met at Pyramid Brewery for Tuesday night sketching. We were both a little out of sorts so it was great to unwind, chat over dinner and a beer, and of course, draw. These guys (above) were wonderful models. They barely changed position and didn’t leave until I finished them. When Pyramid turned the lights down at 9:00 we headed home feeling much better than when we arrived.
For our Tuesday night sketching we met at Indian Rock Park in North Berkeley. It was so cold, windy and foggy at my house that I put on a turtleneck, a sweater, a down vest, and my winter jacket before leaving the house. I live in the fog belt but just a few miles away, the weather at Indian Rock was lovely with no wind or fog.
My first sketch was of the giant rocks (below), a favorite site for rock climbers and sunset watchers. For the non-climbers there are stairs carved into the rock, and I climbed halfway to do the second sketch (above) where I was entranced by the idea of dining on that wonderful deck complete with white tablecloth and spectacular view.
A new trend for rock climbers is to carry a huge, specially designed backpack that looks like a giant suitcase. It is actually a folded cushion they put on the ground below where they will be climbing. I find it fascinating how there is an endless amount of specialized stuff to buy for every possible interest.
Watching the Sun Set at Indian Rock, Ink & watercolor
I really enjoyed drawing the rocks but why did I make the stupid drinking fountain so prominent? Oh well.
There were quite a few people enjoying the park, including a multi-generation Japanese-speaking family who all climbed the stairs, some hippies smoking pot behind the rock, young sturdy rock climbers doing the spiderman thing, and some girlfriends and couples who like me, perched on the rock to enjoy the sunset. Everyone seemed to be appreciating the quiet, peaceful, night and awesome view all the way across the bay to San Francisco.
Berkeley Rose Garden & Rose Practice, Ink & Watercolor
When my plein air group met at the Berkeley Rose Garden last Saturday I arrived even later than usual: at noon, only an hour before the session was to end. I found a spot to sit and quickly sketched and painted the complicated, terraced rose garden, finishing just in time for the 1:00 critique.
Berkeley Rose Garden, Ink & WatercolorRose Grid, Ink & Watercolor
After the critique I took some photos of the roses that most intrigued me, while guys set up white chairs for a wedding there later in the day. Once home I made a grid in my journal, and displaying the photos on my monitor, tried to understand their design and draw them.
I’ve bound my next journal and named it “Rosie” and want to decorate her with a rose design so this was practice for the rose I’ll draw on the cover. I’ve finished my journal “Froggie” but still have a bunch more pages to post.
I’ve updated my blog template. What do you think of the new design?
Berkeley Bagels was closed but their café tables and chairs were conveniently chained to the sidewalk, creating a nice spot to sit and sketch as the sun was going down a couple Tuesday nights ago.
I had so much fun drawing as more and more of the landscape revealed itself to me. First I was just going to draw the umbrella , but then there were the chairs behind it, and the next table and umbrella. The telephone pole appeared and had to be drawn and then the elevated concrete BART tracks and the electric pole behind it. When a BART train streaked by I added it, trying to remember what I saw.
Corner of Gilman and Northside, Berkeley
I sketched this standing in the street on Northside, my back to Berkeley Natural Grocery. The street lamp must be left over from some previous incarnation of the corner. There are two of them, standing incongruously on each side of a funky little car repair shop. It took so long to draw the lamp that my sketchbuddies were ready to move on before I could draw the buildings on the next corner beyond the fence so I just threw in some paint for the sunset and the “distance.”
I’m enjoying using the stronger color I can get from adding some more opaque colors to my palette, such as cadmium orange, cad red light and cerulean blue. I used to have a “rule” about using only the most transparent colors but after working with oil paints I wanted to be able to get some of that “body” in my watercolors too.
Another rainy Tuesday night, another indoor sketching session for the Tuesday Night Sketchers. We emailed back and forth today, negotiating for an agreeable place to sketch. Finally Picante came to mind and everyone agreed it was perfect, with their great food and friendly neighborhood feel.
Usually we move around sketching from different viewpoints, even within a restaurant. But with four of us tonight ( Micaela joined Sonia, Cathy and I) we parked ourselves in a comfy booth to eat and ended up staying in the same spot all evening. I started by drawing the iced tea in front of me and then turned to the right and drew the bar 10 feet away, putting it behind my tea. In reality, Sonia was sitting across the table from me and she was behind my tea.
Everyone else made several sketches but I spent the whole evening on just one. It felt luxurious to take my time and savor each visual discovery, line and color. But then I felt a bit sheepish when I realized it was 9:00 and everyone else was done and waiting for me to finish so we could do our end of evening show and tell and go home.
My best friend Barbara ordered baby chicks by mail. She’d built a little hen house from scrap lumber and had it all ready for them. So she was surprised when the bundle of chirping chicks arrived with instructions to keep them indoors at 90°F for several weeks. Instead of being in the garden when we came to sketch they were living in the upstairs guestroom/studio in a big box with a heat lamp.
We were greeted at the garden gate by Gertie, her big, old, sweet Sharpei/Mutt.
Gertie the Garden Greeter
I tried to get her to pose for me but she was a bit unclear on the concept.
Garden path at sunset with cactus sculpture. Ink & watercolor
Barbara’s garden (photos from previous post) is abundant with flowers, vegetables, fruit trees, wild birds, her ceramic sculptures (the 3′ tall cactus above is actually made of glazed ceramic), her mosaics and the fabulous scent of healthy growing things. It’s a small garden in North Berkeley, but feels like a visit to the country far from urban stress. Her next door neighbors are musicians and so our sunset sketching was accompanied by birdsong and live music playing softly next door.
Elephant, sun/moon plate and potted bamboo
One of Barbara’s many garden still lifes. Every few steps in her garden (and in her jewel of a cottage) there is another such treasure, but she is the best treasure of them all!
Sylvia Painting at Berkeley Marina, Ink & watercolor
First the Good Day: I had fun sketching this artist painting at the Berkeley Marina during our paint-out today. Unfortunately that fun was sandwiched between two Bad-Day things.
The second Bad Day thing is the worst: I came home from the paint-out and discovered that my Gmail account got hacked and sent spam to everyone in my address book. UGH! I researched the problem and took all the recommended steps to fix it: changed my Gmail password (and am now halfway through changing all my other passwords), checked all my security settings, ran 2 virus checkers and 2 malware checkers which all came up negative.
If you received one of the spam messages, please accept my apology. And if you clicked the link or replied to the message, then just to be safe, please change your email password too.
The first Bad-Day thing was that on my way to the paint-out there was a big accident just beyond the exit I needed to take to the Marina. Traffic wasn’t moving and people started getting nasty. First they started driving on the shoulder of the road, trying (unsuccessfully) to get to the exit and off the freeway.
Then big SUVs and pickup trucks started driving up the curb onto the dirt, turning one pre-exit lane into 3 lanes of cars squeezed together, jockeying to get ahead of each other. Then two SUVs ran into each other, blocking things up even more. Of course all three lanes had to funnel back into the same lane at the exit ramp but those pushy guys got off first.
Berkeley Harbor Patrol, ink & watercolor
I was really upset because our plein air group had hired David Savellano to lead a watercolor sketching workshop for us and I was missing it! I was so frustrated just sitting there watching beastly, rude drivers instead of enjoying art and sea air at the marina. Finally, inch by inch I made it to the exit and arrived half an hour late to the demo.
Naturally, I had a little trouble loosening up when I did the boat sketch above, but after taking a lunch/attitude adjustment break, returned for more, determined to get loose and just play. The sketch at the top of the post was the result. During the critique David gave me great reviews for both sketches which made my day and believe, me, I really needed that on a day like this!
La Farine Bakery, ink & watercolor & piece of business card
Not the years 1700s-1800s, but the addresses. We started our Tuesday night sketchcrawl at La Farine Bakery (above), 1820 Solano Ave., Berkeley and two and half hours later we’d traveled only one block, ending at Kirin Restaurant, 1767 Solano Ave. Berkeley. It’s amazing how many interesting details there are to be seen and drawn on a street I’ve walked hundreds of times.
We only had 15 minutes to draw in the bakery since they were closing but the workday was just beginning for the baker who was tantalizing our noses with the mesmerizing scent of carmelizing sugar and butter. People rushed in and out, buying their bread for dinner. This lady (above) was in and out in less than two minutes.
Then we headed outside and were captivated by the art deco signage on the Powder Box Beauty Salon which will probably be gone soon since they are moving around the corner.
Powder Box Beauty Salon, ink and watercolor
The wall is maroon tile and I spent way too much time drawing all the lines to indicate tile and then goofed when I drew the car parked in front of the building. I didn’t pay attention to how things lined up and accidentally parked the car on the sidewalk, halfway into the store.
This shop reminds me of one we used to pass on the way to my grandmother’s house when I was a kid. I used to get so annoyed at that shop’s name: “Lipstick Beauty Salon,” because it didn’t make any sense, and that started my life-long pet peeve of dumb business names.
Of course this was before the internet and the REALLY stupid business names that seem to be required for the web. They all sound like baby talk to me (picture a baby prattling, “Google, twitter, hulu, lulu, vimeo, gowalla.” (All successful web-based companies.)
Sue Johnson Custom Lamps, ink & watercolor
The sun had set and all the lit lamps at Sue Johnson’s shop were glowing in the windows. I’d never noticed the wonderful Spanish tiles and other decorative elements above the store windows, including a delicate mural of ivy leaves that I forgot to draw because I got so interested in the tree.
We finished up at Kirin Restaurant when it got too cold outside. Cathy eats there regularly so felt comfortable asking the host if we could come in and sketch and he graciously agreed. (That’s my cartoony version of Cathy on a bar stool, still wearing her gigantic. arctic puffy down jacket and signature baseball cap.) The kitchen is visible behind glass walls.
The best part of sketching tonight was running into beautiful Martha, who promises to rejoin our Tuesday night sketchcrawls again in a month or so. By then it will be light and warm enough to sketch all evening in comfort. The sun was setting and it got cold while I sketched the roof of the Produce Center above. I could see a crowd lining up for pizza at the Cheeseboard Collective where a jazz band was playing. I could hear the music but wasn’t close enough to smell the pizza, just the scent from all the local dogs who’d visited the bush behind the concrete bench where I sat in front of Bank of the West.
Vegi Food Restaurant, Vine St., ink & watercolor
I wouldn’t have thought to sketch this old vegetarian Chinese restaurant (above) until Cathy suggested it as a subject. I’d never noticed the interesting second story before. It was fun to draw quickly (Cathy was nearly done with her sketch when I started) and loosely (using my Lamy Safari while wearing fuzzy gloves for warmth which kept smearing the ink and caused the pen to keep slipping).
Continental Mark V, ink & watercolor
It was nearly dark when I started the sketch above, but I couldn’t resist this wonderful old car from the time when big was better. I wish I’d drawn it across the centerfold instead of fitting it on one page because I see I’ve compressed the width, especially the front which was just as long as the back. But I feel pretty pleased, considering I drew a car (not a subject I’m “good” at), in the dark, with a fountain pen held in thick fuzzy-gloved fingers.
Jana Bouc, Artist 