I love the way the big guy seems to be looking at the pretty girl’s butt in her shiny black tights. In reality they got in line at different times, but my drawing took on a life of its own.
One of the things I love about living in the Bay area is the wide variety of people you see, dressed however they please, with either no concern about fashion or a style all their own. I fit right in!
While I was in Walnut Creek to take photos of an industrial park for a painting commission I stopped at the Shadelands Ranch Museum to sketch. They were hosting a ladies’ tea that afternoon in the downstairs drawing rooms that looked quite charming. I explored the rest of the house but sadly they told me I couldn’t sketch inside.
I would have loved to draw the Walnut Creek Historical Society volunteers serving in white aprons, the fancy table settings, and most especially the gang of Red Hat Society ladies seated in one of the rooms. I waited outside and sketched the building, hoping to capture them coming out after the tea but they dawdled so long I had to leave or get stuck in rush hour traffic.
I drew this water fountain on the property to warm up before tackling the massive Penniman home. Then I did the three sideways thumbnails on the left to try to figure out how much of the house I wanted to draw and how I’d fit it in on the paper.
We rode BART and a cable car to the Cable Car Museum in San Francisco to sketch. I had to first draw some of the antique street “furniture” on display—an old Cable Car Ticket Machine and a street lamp with cable car line sign on it (California St. Line). The tickets were only 25 cents then. Now they are $6.00 a ride!
I was surprised to discover that the museum was built around and above the massive cable system that still runs the cable cars. The guy in the sketch above stands on a platform about 20 feet up to supervise (?) the cables that run through multiple sets of huge gears in the basement level of the building and then go out under the streets to pull the cable cars up the steep hills.
It was extremely LOUD in the museum since it’s on a second floor mezzanine completely open to the cable machinery (see picture) so it felt great to get outside again and sketch the brick museum building from across the street. It was a grey, drizzly winter day but never outright rained so we had a great walk back to BART up and down the hills.
For more sketches of cable cars and the museum, click here to see Cathy’s.
Last night our sketch group visited Sue Johnson Lamps in Berkeley, a shop that has specialized in custom, artisan-made lamps and shades since the 1970’s. Sue generously held the store open late for us and even offered us tea and persimmon pudding. We all fell in love with their amazing variety of hand-crafted works of art that also happen to light up.
A good example of the variety: on the left above, a “ceremonial fertility carving” of a mother with big hair and a (very stiff) baby on her lap and an exquisite hand-blown glass base that lights up from inside with a shade embellished in lovely Japanese print fabric.
And then there was a whole menagerie of animal lamps: birds, elephants, dogs, monkeys, frogs and more. Sketching the elephant made me realize how much I didn’t know about what elephants look like. I hope we’ll be invited back again because there is so much more there to draw.
Be sure to see my sketch buddies’ very different drawings on our Urban Sketchers blog: see Cathy’s, Ceinwen‘s, Sonia’s, Cristina‘s, (and I’ll add links to Susan’s and Micaela’s when they get them posted).
When I was given the photo of Cocoa to paint from, I pointed out that her face was covered with mud or sand. I was asked if I could paint her without the dirt. I laughed, since I’d just finished a commissioned watercolor from a photo of an industrial building that was partially hidden by cars, which they requested I remove in the painting. Since I pulled off that bit of x-ray vision (not really—I visited the facility to see what was hidden), I thought I might be able to paint a clean dog from a dirty one.
My favorite part to paint was her nose. I referred to the second photo below to see her fur color sans mud.
The person who commissioned the painting as a gift for Cocoa’s owner said the painting looks just like Cocoa and she was sure her owner would love the painting. (I hope so!)
Above are the preliminary sketches I did loosely, just playing around, trying to get to know Cocoa. I love dogs and I love painting dogs!
We had a fantastic time hosting sketchers from around the Bay Area at our sketching event last Saturday. There were at least 30 sketchers and a total of around 100 people who joined us at the reception for the show afterwards. It was great seeing so many local scenes captured in many different styles. You can see photos of the exhibit, the reception and tables of sketchbooks on the library’s blog here.
In the sketch above I enjoyed seeing and drawing all the details that normally go unnoticed. Then I disregarded my plan to put the paint down and leave it alone. Instead I repainted the right side of the building several times and even removed the paint with a wet paper towel (in the restroom of the Sophia Cafe above, left) and then painted it again, finally getting the “right” color but ultimately ruining the paper surface.
I got in one last quick sketch of Masonic Ave. with the BART tracks and train before I had to zip down to the Albany library/community center at the end of the block for the reception. We made lots of new sketching friends and some will be joining us for our Tuesday night sketch outings we will be hosting the first Tuesday evening of each month.
If you’re interested in sketching with us, please visit our Urban Sketchers blog’s Event page or join our Urban Sketcher’s Facebook Events page.
The East Bay Express published a fun article about my Urban Sketchers group and the sketch event and show/reception we’re hosting today. In the article they mentioned my sketching toilet seats in the hardware store so I thought I’d bring that sketch back from the past.
Here’s a link to the newspaper article: “Sketching the Extra-Ordinary” (PDF).
And here’s a link to the Events Page on our Urban Sketchers blog with information about the show and sketching event. We’re sketching from 12-3 on Solano Avenue in Berkeley/Albany starting at the corner of Masonic. The reception is at the Albany Library on Marin from 3-4. The exhibit of our sketches and sketching gear and journals is up all month at the library.
We just sketched at the hardware store again this week but I haven’t had a chance to prepare that sketch for posting yet. Coming soon. Meanwhile gotta get ready to go. I’m so glad the weather warmed up a bit!
I hated doing performance reviews at work but was always glad when I’d finished mine and could see all I’d accomplished. This year I had to do my last review at work because I am leaving to paint full time next month!!! I think that’s my biggest news of the year and something I’ve been working towards, finishing up projects since September.
Since I know how valuable performance reviews are, I assign myself to do a review of my art/life too. So here are my reflections on the past year and looking forward into 2013.
STUDIO
ed into my new studio which I’m thoroughly enjoying and have continued to modify to suit my needs, including building Carole Marine’s still life “stage,” and adding a hula hoop for fun warm ups.
PUBLICATIONS & PRESS
ART-LIFE
I continued work on a series of 16×20″ portraits of people at work in my community. One of these, UPS Delivers at Night was the runner-up in best Portrait of the Year on Making a Mark. It is being purchased by the “model” and UPS corporate wants to do a story about it.
TECHNIQUE AND MATERIALS
Feeling more confident with my oil painting technique, I’m often able to paint with conscious competence now (see this post for explanation of the 4 steps from unconscious incompetence to unconscious competence) which is way better than the conscious incompetence I was coming from.
STUDY/WORKSHOPS/TEACHING
SKETCHING AND BOOKBINDING
ART BUSINESS/SALES and LICENSING
campaign. They wanted the drawings to be in the funky brush-pen style I used for some antique industrial equipment sketches like this old typewriter. They sent me story and concept sketches my drawings were to follow, which they were going to animate. In the end I turned it down for a variety of reasons but it was an amazing opportunity.
BLOGGING & WEB
The nice thing about sketching in bars, especially one that is also a cafeteria a frequented by an older crowd on a quiet Tuesday night, is that people tend to sit still long enough to draw them.
I kept trying to capture this guy who sat a few tables away eating his dinner and reading but never really got him. My sketch buddy Micaela perfectly captured him, which you can see on our Urban Sketchers blog here.
I’m still playing catch up: these are from November. But now that things have settled down in my world, I intend to be caught up by the end of the month, including my 2012 year-end review and a whole week of sunflower paintings.
Since my end-of-year wrap-up blog post remains unfinished, here are a couple of autumn sketches that were waiting patiently to be posted. I have a good excuse though: my new iMac arrived last week and since then I’ve been immersed in learning the Mac after over a decade on Windows PCs. I’ve been transferring files, talking to both Moron and Genius-level tech support, and installing and learning Mac versions of my applications.
I’m finding the Mac to be quite delightful in many ways and a bit confounding in others. But little by little I’m getting the hang of it… And..Oh Crud! right after I typed that I made some kind of wrong move and instantly I was popped out of the blog and into an endless loop of…
Computer: “Are you sure you want to leave this page?” I click: “Stay on page.” Computer: “Are you sure you want to leave this page?” over and over until I finally give up, say OK and click “Leave this page.” And of course nothing happens. Had to force quit and restart.
But Yay WordPress; it saved the draft! I wish I knew what I did so I don’t do it again. It has happened a bunch of times and I have no clue why.
It’s quite humbling going from being expert on the PC to being such a beginner that I couldn’t even figure out how to turn on the Mac (finally found the power button hidden behind the screen).
Jana Bouc, Artist 