The shadows and ridges in the grass (and what might have caused them) fascinated me so I tried to capture them before the light changed, which it does rapidly at sunset. At one point I had to stop drawing and just watch the glorious sunset over the bay and the way the fog moved in and out and back in.
View of the Chapel, the flat lands and the Bay from the cemetery, ink & watercolor 5x7"
The light was so odd when I painted this last one before it was too dark to see that the colors came out really pale. I tried over painting later at home and only ended up overworking instead, I’m afraid.
I’ve struggled with trying to paint the view from the hills to the bay many times. I either put in too much detail so it doesn’t read distance or get the proportions wrong. Someday soon I’ll challenge myself to paint it again and again until I get it.
When I was sketching the lily pond at the cemetery the only camera I had with me was my iPhone. I took a few photos even though I didn’t expect them to come out well (which they didn’t since I was too far away). But I was able to get enough information from them to do two more little studies when I got home of the lilies in sun (above) and in shade (below).
Lily in the Shade, ink & watercolor, 5x5"
Sunday, just one week later, I returned to the cemetery with my good camera, looking forward to taking some good photos from which to paint and continue my water lily investigation. Sadly our recent warm weather had dried up half of the pond. I couldn’t get a single good photo and was uninspired to sketch the tangles that remained.
I’m surprised the cemetery owners don’t replenish the water in the pond. Although we’re supposed to conserve water, I know they water the lawns or they’d all be brown since it doesn’t rain in the summer here. What’s a few more gallons to maintain the lovely water lilies?
I guess I’ll have to wait until next spring or summer to continue my lily studies unless I can find another lily pond nearby.
When I was hiking with a friend in the large, beautiful, hilly cemetery near my house, we discovered a small pond full of lily pads and flowers. That afternoon I drove back up to the cemetery with my sketchbook and paints and set up my chair beside the pond. It was such a peaceful spot; quiet, serene and green.
Sorting out lily pads and flowers with Pentel Pocket brush pen
I took a break to figure out the shape of lily pads and flowers, filling up a page of lily shapes, first with my regular pen and then the Pentel Pocket Brush Pen, until I understood the lilies.
The water was really confusing because of all the reflections of the sky, trees and shrubbery, and the quickly encroaching shadows since it was nearing sunset.
Sunset View Cemetery Trees, ink & watercolor 7x5"
When the pond was completely in shadow, I turned my chair around to face the other direction and do a quick sketch of a meadow glowing in the sunset, surrounded by shadows.
Emeryville Marina Chevy's Sign at Sunset, ink & watercolor
(Apologies for posting twice–forgot to include all three images the first time).
I noticed this palm tree-lined street when I was exiting Highway 80 in Emeryville and suggested it as a place for our Urban Sketchers group to meet. I guess the directions I provided to the spot weren’t very good because everyone else went down to the end of the marina and I sketched alone all evening.
Photo of sketch before I painted it
I knew we’d meet at Chevy’s Mexican Restaurant at 8:30 so I wasn’t worried. This was one of those really fun drawings where I started by deciding what I most wanted to fit on the page (the lamp post, palm trees, Chevy’s sign and water). I started with the lamp post because I could use it to figure out where other things lined up to it. And then I just kept seeing and drawing more and more until it was all in there.
photo of the scene (slightly different angle)
I painted the sketch just as the sunset was at its brightest and everything looked so pretty, pink and yellow. It’s such a lovely spot, and yet so urban, within a couple blocks of two major freeways and the entrance to the Bay Bridge. You can see Cathy’s sketches of the bay bridge and the freeway on our Urban Sketchers Bay Area blog.
Port Costa is a strange, tiny, rundown town and a popular destination for motorcyclists out riding the winding roads in herds on noisy Harleys. At the end of town, by the railroad tracks and behind their cracked and crumbling Post Office I sketched above, is the Warehouse Cafe, a seedy bar in a ramshackle warehouse with cheap, stiff drinks, a funky outdoor deck, and a surly female bartender (perfectly described in this collection of hilarious Yelp reviews).
Port Costa Bikers Saddling Up in Front of Post Office
The bikers roar into town, have themselves a breakfast beer or two and ride out. While they seemed like a bunch of tough, old burn-out guys with beer guts and women who looked “rode hard and put away wet,” they were very polite when I asked them questions about their (very expensive) bikes.
Bikers Lining up to Leave (Arrow is where I was sitting to sketch)
It turned out that the corner where I was sketching (red arrow in photo) is where they line up before tearing out of town in a caravan of ear-splitting noise, leaving behind a cloud of flying dust and gravel from the barely paved road. I had to pull my sweatshirt over my face and plug my ears every time a group tore off. My friend Beth Bourland posted some great pics of the day here including one of me so focused sketching I didn’t even know she took the picture.
Besides the bikers, it’s a fun place to paint so my plein air group meets there once a year. And then same thing always happens: we set up for our critique on the patio at the Warehouse Bar and just as we start to talk about the day’s work, they crank up the music on the outdoor speakers so loud that we can’t hear a thing and have to move all our stuff down the street to a quieter spot. Is it a coincidence? Does their music always go full blast at 1:15? Or are they trying to keep away the wrong sort of customers (us)?
We were all a little late for our Tuesday night sketching. We met by Peet’s Coffee and then wandered off to sketch what caught our interests. It was cold out and the sun was setting but Cafe Rouge looked warm and inviting with their red chairs and umbrellas.
I took my two favorite 12-year-old girls to Tilden Park for a Friday afternoon outing on a rare sunny day in this horrible summer of fog and wind. My plan was to relax and read on the beach while the girls played in the water and then take them to the carousel and the Little Farm Nature Area.
Sketchy people, Lake Anza
After a little picnic the girls gleefully headed into the water, I reached for my book and discovered I’d forgotten it. Fortunately I had my journal so instead of reading a book I drew in one.
Wrong lifeguard stand and more sketchy people
My first attempt at drawing the lifeguard stand got the perspective all wrong so I used that page for more sketches of people.
The girls were having so much fun in the water, swimming, chatting, and fooling around that I couldn’t get them out until 5:00. I promised that if we have another sunny Friday this summer I’ll take them again. But this time I will remember my book and, if it’s warm enough, my bathing suit!
“Here Comes the Fog” is an all too common saying around here. It can be a hot, sunny day like this one at Linda Mar Beach in Pacifica. Then the fog comes rolling in, the sun disappears, and you need your jacket instead of your bathing suit. It was one of the first things I learned when I moved to the Bay Area: never leave home without a jacket, no matter what. (Painting available here).
Watercolor & Gouache preliminary study
This was a quick study in my sketchbook from the photo I took when I visited the beach in June. I used watercolor and gouache to ease back into that day at the beach.
Richmond Plunge (AKA Municipal Natatorium), ink & watercolor 5x7"
It was so cold, cloudy and windy the morning my plein air group met to paint in Pt. Richmond I decided to start out by sketching from my car. The old Richmond Plunge, now completely and beautifully restored, is the first thing you see when you drive into Pt. Richmond. After I finished the sketch I crossed the street and explored the building and pool. Wow! I’m inspired to start swimming again.
Little Louies, Pt. Richmond, Ink & watercolor, 7x5"
After my tour of the Natatorium, I headed to the main street of this little town, looking for a spot out of the wind to sketch. But I was seduced indoors by seeing my friend Sonia sketching at a table sipping a warm cup of tea. I joined her at the window table with a huge tray of apples on it and ordered a cup of coffee.
I started by drawing the apples on our table and then just kept going, drawing each next thing I saw. I was a little worried about getting the wonderful patterned floor tiles right, but took it slowly and they came out ok.
I liked Little Louie’s so much I returned the next morning with a friend for breakfast. I had a fabulous spinach, mushroom, bacon and cheddar omelet that was so big I had to take half of it home for lunch.
My friend Ikuko invited our Tuesday night sketching group to sketch in her lovely and lovingly tended garden. I picked a spot that was still in the last bit of sun and sat in a lawn chair to sketch and relax. For a change I tried to just be loose and free and it was really fun.
Ikuko's at Sunset, ink & watercolor, 7x5"
I was interested in all of the odd contraptions on top of her fireplace and the glowing light of the sunset on the bricks and the windows. I managed to fit almost everything I wanted on the page (with a little rearranging from real life; the mail box was below the frame but I liked it so stuck it in.) I was a little annoyed when I finished the sketch that I’d “messed up” the house numbers (the 2 is too big) but a week later, who cares!
Jana Bouc, Artist 