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Art theory Food sketch Ink and watercolor wash Interiors Places Sketchbook Pages Urban Sketchers

Squid, Vanilla Ale, Noise and Wonky Sketching at Elevation 66

Grilled squid with avocado, rice fritters, grapefruit gel and spicy avocado
Grilled squid with avocado, rice fritters, grapefruit gel and spicy avocado

I enthusiastically joined my Tuesday night sketch buddies for dinner, beer and sketching at  Elevation 66, the new El Cerrito brew pub. I loved my dinner,  displayed above, (a “small plate” combo so weird I couldn’t resist: grilled squid slices on spicy avocado sauce beside little blobs of grapefruit foam/gel (“to cleanse the palate”) and spicy deep-fried rice fritters. Odd but yummy!

Esther Vanilla Stout Ale, Delicious! ink & watercolor, 7x5"
Esther Vanilla Stout, Delicious! ink & watercolor, 7x5"

Even under the influence of a small glass of Esther Vanilla Stout, a delicious milkshake of a beer, it got so noisy by 8:00 on a Tuesday night that I couldn’t think straight and was ready to leave. I was having a hard time with drawing ellipses and symmetrical shapes (my next drawing subject to practice).

Cathy & Micaela at the bar
Cathy & Micaela sketching at the bar, ink & watercolor 5x7"

And there were lots and lots of symmetrical shapes to practice on! My drawing just kept getting wonkier as the noise got louder.

Beer in the vat, wine on the shelf with hoses
Beer in the vat, wine on the shelf with hoses

I was overly self-critical while I was sketching, wanting to get things right. Then I got my copy of The Art of Urban Sketching: Drawing On Location Around The World and discovered something wonderful: Of the two sketches of mine that Gabi chose for the book, one is very wonky and the other nicely organized. That helped me to see that there is room for both in my art life. Wonky is good! Getting it “right” is good too! Yay!

Please click on their names to see Cathy, Micaela and Beth’s excellent pub sketches from the evening on our Urban Sketchers blog.

Categories
Interiors Sketchbook Pages

Celebrating Young Sketcher Mariah

Mariah Sketches Her Living Room
Mariah Sketches Her Living Room

Just a small post (with a tiny cellphone photo) to celebrate talented 12-year-old sketcher, Mariah, who loves to draw and paint. For Christmas I gave her the accordion-fold Moleskine above along with some acrylics and brushes. She texted me this drawing last night, an excellent rendition of her living room.

Abstract Acrylic Painting by Mariah
Abstract Acrylic Painting by Mariah

Above is another recent picture in a text message I received from Mariah showing me her latest acrylic abstract. She’s famous for her beautiful tropical beach and mountain paintings but now is exploring abstract (expressionist?) painting too.

Categories
Ink and watercolor wash Interiors Life in general People at Work Sketchbook Pages Urban Sketchers

What I Learned About Art and Life in 2011

Pastime Hardware After Dark, ink & watercolor, 5x7"
Pastime Hardware After Dark, ink & watercolor, 5x7"

Before I get to my reflections on art and life in 2011, a word or two about the sketch above (and below) from our evening at the hardware store. I stood and sketched between the paint solvent and cleaning product aisles (both stinky), using an aisle-end shelf for my paints.

Same Pastime sketch before adding the dark in the windows
Same Pastime sketch before adding the dark in the windows

When we finished and shared our work, I realized that in the original sketch above, I ignored the fact that it was dark outside. So when I got home I painted all the windows dark. I’m not sure which I like better. What do you think?

Accomplishments and Things Learned in 2011

STUDIO

  • Converted a 440 square foot garage into my new studio including a patio door onto a deck off the studio, insulation, sheet rock, flooring, electrical, and water. Once I have everything moved in I’ll post the story with pictures.

PUBLICATIONS:

ART-LIFE

  • After a brief (and briefly successful) venture into painting things to sell, returned to following my whims and inspiration instead of worrying about making work that would sell. This led to the series of 16×20 portraits of people at work in my community, now well underway.
  • Learned from Rose Frantzen video (see clip here) to say “Oops, made a mistake…but that’s ok I can fix it!” instead of “Now I ruined it!” followed by self-critical name calling. It’s downright liberating!
  • Realized that while I value and enjoy many different artists’ styles and techniques, I’ll never be as good as them at painting like them so I’m focusing on painting like me instead, which I can get good at.
  • Learned to ask myself, “What do I want to do with art today,” and doing that, not what some imaginary critic or the illusion of an audience is demanding that I should be doing.
  • I heard Robert Genn say that one’s style is often the thing one doesn’t do right, that it’s your mistakes or the rules you break that make it yours. I’m learning to relish and appreciate my wonkiness. Perfect is boring.
  • When someone plays piano and finishes a tune, there’s nothing left, just quiet. Why not paint that way too, focused on the line, the brush stroke…enjoy the process and let go of the product.

TECHNIQUE AND MATERIALS

  • Abandoned water-soluble oils and acrylics for regular oils after learning from my friend Kathryn Law how to reduce the use of toxic chemicals and still get the consistency I like.
  • Started watercolor sketching instead of oil painting at plein air paintouts to quickly capture a scene and keep moving instead of standing in one spot for hours while the light changes completely.
  • Tried a bunch of different pens, from expensive Namiki Falcon fountain pen that I didn’t love (sold it) and inexpensive uni-ball Vision Roller Ball, but returned to my favorite, Lamy Safari Extra Fine Point Fountain Pen with Carbon Platinum ink. Both hold up well on the watercolor paper I use in my journals.

STUDY/WORKSHOPS:

  • Registered for a week-long Alla Prima Portraiture class with Rose Frantzen at Scottsdale Artists School in February 2012. (So excited!!!) It is way out of my comfort zone (and budget) but I adore her work  and her book, Portrait of Maquoketa and she is a fabulous teacher.
  • Took a 3-day workshop with Peggi Kroll-Roberts in her studio after studying her series of CDs. Learned how to mix/use juicy luscious paint and more. She said I needed to work on my drawing.
  • Studying the Loomis books Drawing the Head and Hands and Figure Drawing for All It’s Worth to improve my people-drawing skills. Unlike a painting of a pear which can succeed even if the drawing is a bit off, a portrait will fail. It may still be an interesting painting, just not of the person you’re painting.

SKETCHING AND BOOKBINDING

  • Continued to sketch nearly every Tuesday night with my Urban Sketchers group and regularly sketch my world. As a group we have committed to a sketch a day in January.
  • Finally mastered binding journals using the method in my directions and can create a journal in a few hours instead of days.
  • To mix things up I switched to a Moleskine when I finished the last journal and am already missing my handmade sketchbooks with their really nice multimedia paper.

ART BUSINESS/SALES

  • Made the decision to wait until I leave my day job in a year to put effort into art biz/marketing and just concentrate on painting until then.
  • Sold a number of paintings early in the year on DailyPaintWorks.  Recently sold a sketch of Der Wienerschnitzel for their corporate collection.

BLOGGING

  • Found balance by prioritizing making art and living life above blogging about it.
  • Celebrated my six-year blogging anniversary with 180,000 views in 2011 (982,746 total); 141 new posts (total 1,004) and 418 pictures uploaded in 2011.
  • Posted regularly and administered the Urban Sketchers S.F. Bay Area blog.
  • Regularly follow about 30-50 other art blogs.
Categories
Berkeley Food sketch Ink and watercolor wash Interiors Sketchbook Pages

Awkward Tea and Sketches at Imperial Teahouse

Imperial Teahouse Evening Sketch, Ink & watercolor, 7x5"
Imperial Teahouse Evening Sketch, Ink & watercolor, 7x5"

The title is true: both the tea and the sketches were awkward. It was a warm November evening during our weird extended summer and the doors to the patio were open. But that didn’t diminish the smell of frying food and the annoying sound of constant chopping from the small kitchen. I totally botched the perspective when I drew the tables. The little girls look like they’re floating but they were sitting on a bench, also drawn awkwardly.

Cup of tea with lid, ink, watercolor & gouache, 7x5"
Cup of tea with lid, ink, watercolor & gouache, 7x5"

At the Imperial Tearoom, they serve the tea Gaiwan style: the loose tea floats in a cup with a lid but no handle (foreground above). To drink it, you’re supposed to tilt the lid and drink from the cup using the lid as a strainer. Awkward.

I’d recently given up caffeine so selected some sort of ginger, ginseng and weed concoction. Fortunately it tasted yucky so it didn’t matter how hard it was to drink. I was really just there to sketch, but the sketches turned out mostly yucky too. I added gouache to the teapot above at home to try to fix the anemic painting I’d done on site and to the saucer below to try to hide all the trouble I had with ellipses that night.

Tea with floaty stuff in it, ink & watercolor, 7x5"
Tea with floaty stuff in it, ink & watercolor, 7x5"

When I ordered my tea I didn’t see prices on the menu, just the teas to choose from. When I paid the bill, I discovered the stupid cup of tea cost $6.00!

Categories
Drawing Ink and watercolor wash Interiors Places Sketchbook Pages Urban Sketchers

How to Save Money at Whole Foods

Whole Foods Oakland, ink & watercolor, 5x7"
Whole Foods Oakland, ink & watercolor, 5x7"

It’s easy to save money at Whole Foods! Just draw the food, don’t buy it! 🙂

We met at the fancy Oakland Whole Foods for Tuesday night sketching and I had trouble settling down from a challenging day at work. After a couple of false starts outdoors on the patio I moved indoors and found a table with an interesting view.

I decided to start in pencil instead of my usual ink since I was feeling insecure after the first two fails. I was still drawing when everyone wanted to meetup for our show and tell, which I ended up missing so I could finish in ink. I added the paint at home the next day.

Categories
Berkeley Drawing Ink and watercolor wash Interiors Painting People Places Sketchbook Pages

Tanks and Tipplers at Pyramid Brewery

Pyramid Brewery Tanks and Tipplers, ink & watercolor 7x5"
Pyramid Brewery Tanks and Tipplers, ink & watercolor 7x5"

We’d sketched at Pyramid in the evening before, (here and here) but this was the first time it was light in the brewery area. We could see the network of pipes and vessels where they brew the beer through the giant windows.

I’m not sure why I decided to do two sketches on one page that night. I guess I was feeling a little stingy with the paper. I did a couple more scribbly sketches of people that weren’t worth posting.

Our waitress was so kind and patient, not minding that four of us took over a large booth for two hours only ordering a few things. We left a good tip and thanked her. She said she was a musician herself and understood.

Categories
Building Drawing Ink and watercolor wash Interiors Landscape Painting Places Pt. Richmond Urban Sketchers

Point Richmond: Sip and Swim

Richmond Plunge (AKA Natatorium), ink & watercolor 5x7"
Richmond Plunge (AKA Municipal Natatorium), ink & watercolor 5x7"

It was so cold, cloudy and windy the morning my plein air group met to paint in Pt. Richmond I decided to start out by sketching from my car. The old Richmond Plunge, now completely and beautifully restored, is the first thing you see when you drive into Pt. Richmond. After I finished the sketch I crossed the street and explored the building and pool. Wow! I’m inspired to start swimming again.

Little Louies, Pt. Richmond, Ink & watercolor, 7x5"
Little Louies, Pt. Richmond, Ink & watercolor, 7x5"

After my tour of the Natatorium, I headed to the main street of this little town, looking for a spot out of the wind to sketch. But I was seduced indoors by seeing my friend Sonia sketching at a table sipping a warm cup of tea. I joined her at the window table with a huge tray of apples on it and ordered a cup of coffee.

I started by drawing the apples on our table and then just kept going, drawing each next thing I saw. I was a little worried about getting the wonderful patterned floor tiles right, but took it slowly and they came out ok.

I liked Little Louie’s so much I returned the next morning with a friend for breakfast. I had a fabulous spinach, mushroom, bacon and cheddar omelet that was so big I had to take half of it home for lunch.

Categories
Berkeley Drawing Ink and watercolor wash Interiors Painting Places Sketchbook Pages Urban Sketchers

Good Enough For Jazz (at Caffe Trieste, Berkeley)

Randy Craig Jazz Band's guitarist, Terry at Caffe Trieste, ink & watercolor, 7x5"
Randy Craig Trio at Caffe Trieste, ink & watercolor, 7x5"

On a rainy Tuesday night (in June! it never rains in June here!) we met at Caffe Trieste, a small very “North Beach” coffee house in Berkeley. The place was packed, but Micaela arrived early and saved a great table for us. Soon the wonderful Randy Craig Trio squeezed their equipment into a corner and started playing, accompanied by a woman singer.

Gelato at Trieste, ink & watercolor
Gelato at Trieste, ink & watercolor

I loved getting to sketch accompanied by live music! The musicians were great and their choice of songs was really interesting and brought back memories of the records my dad used to play, including a great rendition of Twisted, made famous in the 50s by Lambert, Hendricks and Ross (seen here playing with Count Basie at the Playboy Club):

and later by Joni Mitchell. We ended up staying later than our usual Tuesday night 6:30-8:30 because we didn’t want to leave while the band was playing (and we probably couldn’t have squeezed out between the crowded tables anyway).

Warm up sketches
Warm up sketches, the singers and the audience

So I used the extra time to add to the warm-up sketches page above. They’re nothing special, but as my boss often says, “Good enough for jazz!”

Categories
Berkeley Building Drawing Ink and watercolor wash Interiors Landscape Painting People Places Sketchbook Pages Urban Sketchers

Sketching Oscars Burgers, Berkeley

Oscars Burgers at Sunset, Berkeley, ink & watercolor
Oscars Burgers at Sunset, Berkeley, ink & watercolor

Now that it stays light later we can finally go outdoors for our Tuesday night Urban Sketching sessions. We met at the corner of Shattuck and Hearst in Berkeley and I sketched Oscars Charbroiler from across the street. They’ve been grilling burgers, hot dogs (and now vege burgers) over fire on that corner since 1950. It was sunset by the time I painted it, hence the pink sky.

Eating French Fries and Watching NBA Playoffs
Eating French Fries and Watching NBA Playoffs

When we went inside for one more sketch. There was a big screen TV on the wall tuned to sports. It was the end of an NBA playoff game and people were watching while stuffing their faces with burgers and fries like this guy who never looked at his food, just shoveled in the fries while watching the game.

Another guy came by and complemented our drawings and asked if we came there every week to sketch. Uh, no…maybe once a decade? Though I have to admit I’d skipped dinner, got hungry, and ate one of their burgers. It was good.

Categories
Berkeley Drawing Ink and watercolor wash Interiors Painting Places Sketchbook Pages Urban Sketchers

Middle East Market, Berkeley

Middle East Market Teapot, Berkeley, ink & watercolor 5.5 x 7"
Middle East Market Teapot, Berkeley, ink & watercolor 5.5 x 7"

When I read this interesting story about the owner of the market, “From Ecuador via war-torn Iran to melting pot Berkeley” on Berkeleyside, I thought it would be a good place to sketch. I was right.

It is bright and colorful with a large variety of Middle Eastern products and freshly made food. It was quiet there on a Tuesday evening so the gentleman manning the shop was fine with us sitting at the cafe tables in the back and roaming the shop to sketch. I got so drawn into the teapot that I only had time to do one sketch before they closed at 8:00. We usually sketch from 6:30 to 8:30 or 9:00 so it was a short evening.