Tag: Landscape

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Berkeley Building Drawing Ink and watercolor wash Landscape Painting Places Sketchbook Pages Urban Sketchers

Normandy Village (and losing sketches, sketchbooks, keys, my mind?)

Normandy Village Berkeley, ink & watercolor sketch, 8x5"
Normandy Village Berkeley, ink & watercolor sketch, 8×5″

This sketch of Normandy Village in North Berkeley got lost, passed by in my journal and never got posted. When I uploaded the image I was surprised to see a May date on my screen and went to grab my sketchbook to make sure that was right. Sometimes if I’m in the sketching “zone” I lose track of things like dates, and write the wrong month or year.

I couldn’t find my sketchbook. I knew I’d had it with me on at least one of my errands today because I sketched in it. I looked all over the house; no sketchbook. Then I went to grab my car keys to see if I left it in the car.  I couldn’t find my keys. I’m usually very organized and always put my keys in the same place but they weren’t there.

Finally I opened the front door to see if I’d dropped them (which doesn’t make sense because I obviously needed them to get in the house!) and there were my keys, hanging on the outside of the door in the lock. Duh! I’d left them there when rushing in the door to take care of an urgent need, shall we say.

I grabbed the keys, beeped the car door open but the sketchbook wasn’t there either.

Panicking, I made a second search of the house and found my sketchbook on my bed, hidden in plain sight.  I was going to sketch it sitting on the bed and post that picture right here, but realized I couldn’t sketch it while sketching in it. And the sketch was from May.

You can read about Normandy Village on my previous blog post here.

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Berkeley Drawing Gardening Ink and watercolor wash Landscape Outdoors/Landscape Painting Sketchbook Pages Urban Sketchers

Mr. Wong’s Giant Bonsai

Mr. Wong's Giant Bonsai, ink & watercolor sketch, 8x5"
Mr. Wong’s Giant Bonsai, ink & watercolor, 8×5″

The 90-year-old owner of this house on Allston and McGee in Berkeley has trimmed the bonsai trees in his garden for 50 years and they are beautiful. I enjoyed sketching from in front of his house while my sketch buddies took posts across the street and on the corner.

I have a whole bunch of paintings and sketches to post so I may keep my writing brief on some of them in order to get caught up. This is one of the brief ones.

Update: When Carol asked if “Giant Bonsai” is an oxymoron I looked it up. According to Wikipedia:

The purposes of bonsai are primarily contemplation (for the viewer) and the pleasant exercise of effort and ingenuity (for the grower).

Bonsai practice focuses on long-term cultivation and shaping of one or more small trees growing in a container. Bonsai does not require genetically dwarfed trees, but rather depends on growing small trees from regular stock and seeds. Bonsai uses cultivation techniques like pruning, root reduction, potting, defoliation, and grafting to produce small trees that mimic the shape and style of mature, full-size trees.

So apparently I was wrong to call these trees Bonsai since they are growing in the ground and while shaped like Bonsai trees, actually are full-sized trees. So it’s not an oxymoron, but I wonder if there is a word to describe this situation: “A full-sized tree cultivated to look like a miniature tree that is cultivated to look like a full-sized tree, only in miniature.” ????

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Berkeley Building Drawing Ink and watercolor wash Landscape Life in general Outdoors/Landscape Painting Places Sketchbook Pages Urban Sketchers

Sketching the Northside While Chevron Refinery Burned

Northside Sketch - U.C. Berkeley University Library, ink & watercolor 8x5"
Northside Sketch – U.C. Berkeley University Library, ink & watercolor 8×5″

Last week Gail Wong, Urban Sketcher from Seattle was in the Bay Area visiting and we had the privilege of sketching with her. You can see Gail’s sketch, story and the photo she took of us that evening on the Seattle Urban Sketchers blog here. I loved getting to see her amazing work and it was fun sharing sketchbooks all around even though I was a bit distracted all evening, because….

As soon as I sat down to sketch I got an emergency auto-dial call on my cellphone from the county with this terse warning: “There is an emergency situation at the Chevron Refinery! Shelter in place. Close all doors and windows and turn off heaters and air conditioners. Do not go outside until further notice.”

There was a huge fire at the Chevron refinery and while I thought it was at least 20 miles away, my house is actually only 5.5 miles south (I checked Google maps). The air was clear where we were so I decided to worry about it later. Friends seeing the smoke or the news kept texting and phoning to make sure I was OK. The smoke could be seen from all over the Bay Area, but not where we were.

Fortunately, when I arrived home the air was clean with the usual fresh sea breeze and everything was fine. The smoke stayed very close to the refinery which was really fortunate (except for those living close by and people who buy gas since the price is going up for the West Coast area supplied by the now damaged refinery).

The county called me back at 1:30 a.m. and again at 2:30 a.m. to let me know it was now safe to open windows or go outside. Gee thanks, county! I would have rather slept through the night!

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Drawing Ink and watercolor wash Landscape Painting Places Plein Air Sketchbook Pages Sketchcrawl Urban Sketchers

Saints Peter and Paul Church, Aquatic Park Bay Panorama: Sketchcrawl Part III

Saints Peter & Paul Church, viewed from Washington Square, Ink & watercolor, 8x5.5"
Saints Peter & Paul Church, Ink & watercolor, 8×5.5″

We brought our lunches from Molinari’s Deli to Washington Square Park where we sat in the shade of a tree to eat and then sketch Saint Peter and Paul’s Church. I started in a smaller sketchbook first (below) and then decided to start over (above) in the larger watercolor Moleskine I’ve been using lately.

Saints Peter and Paul Church, with rubber stamps, 4x4"
Saints Peter and Paul Church, 4×4″

Then we made the long walk to the Fisherman’s Wharf Holiday Inn for the Tease-O-Rama sketching. From there we walked down to Maritime Museum where I stamped the page (above) with their National Park rubber stamps when we arrived at Aquatic Park.

San Francisco Bay from Aquatic Park, ink & watercolor 16x5.5"
San Francisco Bay from Aquatic Park, ink & watercolor 16×5.5″

Above is the last sketch of the day, my view sitting on the stairs at Aquatic Park, across the street from Ghirardelli Square, the Sketchcrawl meet-up spot.

Golden Gate, Marin County and Aquatic Park (left side of spread)
Golden Gate, Marin County and Aquatic Park (left side of spread)

Above is a bigger picture of the left side of the spread, looking out towards the Golden Gate Bridge on the left, Marin County in the middle, and people playing at Aquatic Park.

Marin County, Alcatraz and the Balclutha (ride side of spread)
Marin County, Alcatraz and the Balclutha (right side of spread)

Behind the big ship Balclutha on the right (part of the San Francisco Maritime National Park), is Alcatraz. On the left is the ferry, taking people from San Francisco to Larkspur in Marin County. The bay was full of sailboats, kayaks and even people swimming on this unusually warm and sunny spring day.

I feel so blessed to live in such a gorgeous area with an incredible variety of people, places, and scenery! I’m also very grateful to both Enrico Casarosa who started the International Sketchcrawls and Gabi Campanero who created Urban Sketchers, and the opportunities their organizations offer for us to enjoy the art of sketching together.

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Ink and watercolor wash Landscape Painting Places Plein Air Sketchbook Pages Urban Sketchers

A Walk By the Park, A Guy on the Roof

Putting Up the Xmas Lights by the Park, Ink & watercolor, 7x5"
Putting Up the Xmas Lights by the Park, Ink & watercolor, 7x5"

It was such a beautiful sunny day (our drought continues) I decided to go for a walk and find a spot to paint outdoors instead of in the studio. I walked the mile to Peet’s Coffee and then, with a cup of their dark, rich (decaf) coffee in hand, I turned towards home, still looking for inspiration.

I passed the little urban creek behind Peet’s, and considered sketching it but it was shaded by trees and very chilly.  As I walked by the little pocket park alongside Albany Hill, this little cul-de-sac called out, “Paint Me!” With a handy picnic table right there to lay out my paints, how could I resist?

Although I usually sketch directly in pen, this scene was so complicated I decided to draw in pencil first. As I was completing the drawing I spotted a guy on his roof with a string of holiday lights. Do you see him? I know it looks like he’s standing on top of a tree but the roof of his house is just behind the tree. I think I made him a bit of a giant!

Categories
Animals Bay Area Parks Drawing Ink and watercolor wash Landscape Outdoors/Landscape Painting Places Plein Air Sketchbook Pages

Earthquake Weather Sketching

Miller-Knox Park Sketches, Journal Spread, 11x7"
Miller-Knox Park Sketches, Journal Spread, 11x7" (see enlarged individuals pics below)

We are having the most glorious Indian summer this October, with nicer weather than we had during the real summer. I always think of this hot, dry weather as Earthquake Weather because of the earthquakes and fires during other hot Octobers. And sure enough there have been several earthquakes the past week.

The little tree, from my car, sketch #1, ink & watercolor
Little tree, from my car, sketch #1, ink & watercolor

When I arrived at Miller-Knox park for a plein air group paint out at 10:00, I decided to sketch the first thing I saw: this little tree. I sketched from where I parked my car. At the end of the paint out, when we returned to the parking lot, everyone was laughing at the dope who parked their car all wonky and it was my car they were pointing at.

Apparently in my enthusiasm to get sketching, I managed to park at such an angle that I went around the cement parking stop blocks, ending up half on the grass and half in the next space, none of which I’d noticed doing.

Lagoon view, geese in the shade
Lagoon view, geese in the shade

I took a walk and found a nice spot in the shade with a view of the lagoon and lots of white geese and Canadian geese. I lost the white geese when I repainted the shaded area so later added some white watercolor (which never quite works) to try to get them back. Since they’re in the shade, it’s OK that they’re not super white.

Lagoon and bridge view
Lagoon and bridge view

In the Bay Area you can be in a stunningly beautiful park but have views of freeways or bridges in the background that remind you you’re still in an urban area.

People Picnicking in the Park
People Picnicking in the Park

My last sketch of the day was of these folks setting up a picnic under the trees. This was one of those days when the weather was perfect, the scenery beautiful, and my pen and paint just worked.

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Art supplies Drawing Landscape Oil Painting Outdoors/Landscape Painting Studio

Painting Pt. Bonita Part 2: Oils and Oil Pastels

Point Bonita #3, Oil on Gessobord Panel, 12x9"
Point Bonita #3, Oil on Gessobord Panel, 12x9"

After I did the watercolors I posted yesterday, I set up the sketch, the watercolor and my iPad displaying the photo on the table beside my easel and painted the scene once again, this time with oil paint. After a month or two of being totally frustrated with oil painting, trashing everything I made and about ready to give it up, suddenly painting was easy and I was loving it!

Point Bonita Painting set up in studio
Point Bonita Painting set up in studio

The entire painting worked like a charm except the foreground mount of dirt and ice plant which was the last thing I painted and which I did over and over. It kept trying to call too much attention to itself. I think I finally successfully muted that foreground while still keeping the light on it.

Then I was looking at some delightfully free and vibrant oil pastel work on Aletha Kuschan’s blog which inspired me to try the scene in oil pastels too. I know nothing about oil pastels so I quickly read a few how-to’s on the web and dug in.

BUT before I show you the drawing, I have to say that I made a fatal misstep: I chose a sheet of the totally wrong paper to work on. Instead of starting small on a sheet of white or blue pastel paper, I chose a large sheet of brown Stonehenge drawing paper. What was I thinking? Brown under a turquoise sea?

Point Bonita #4, Oil pastel on Stonehenge paper, 17x13"
Point Bonita #4, Oil pastel on Stonehenge paper, 17x13"

It was impossible to cover all the brown paper because even though the oil pastels got really thick in some areas—so thick that no more could be applied—in other spots they just wouldn’t cover.

Although my Holbein Oil Pastels are very old, purchased for a small project I did more than 20 years ago, they were still in good shape. But I didn’t have the right colors, and I had trouble blending. I didn’t have blending stumps, didn’t want to use my fingers and was wearing gloves which didn’t work. I tried a paper towel but it just smeared and left paper towel lint.

Compared to paint, oil pastels seems like a lot of extra work, having to fill in so much area by scribbling over and over. And it was messy; my gloves and the pastels got dirty from colors transferring onto them.

But maybe if I knew what I was doing, or had used the right paper it would have been easier or less messy? (Not to say that oil painting isn’t messy! Everything I own has paint on it!) I like the look of oil pastels done well so I’ll try another experiment with them. But on the right paper this time! Any tips?

Categories
Animals Bay Area Parks Ink and watercolor wash Landscape Outdoors/Landscape Places Sketchbook Pages

Summer Stinky Bridge at Pt. Isabel

Pt. Isabel in the Dry Summer, ink & watercolor 5x7"
Pt. Isabel in the Dry Summer, ink & watercolor 5x7"

Pt. Isabel is the USA’s (if not the world’s) largest off-leash dog park with 500,000 doggie visits a year. It is situated on what would be prime waterfront property if it weren’t all landfill that will likely return to the sea in an earthquake.  Since it doesn’t rain all summer in California, gold, brown and grey-green are the primary colors of the landscape.

Without rain, there’s nothing to wash away the “marks” made by every dog who crosses the stinky bridge that goes from one part of the park to another.  I always hold my breath when I cross in the summer. In a few months rain will wash the park clean and everything will be green again.

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Ink and watercolor wash Landscape Outdoors/Landscape Painting Places Plein Air Sketchbook Pages

Sunset at Sunset View Cemetery

Sunset View Cemetery shadows, ink & watercolor, 5x7"
Sunset View Cemetery shadows, ink & watercolor, 5x7"

The shadows and ridges in the grass (and what might have caused them) fascinated me so I tried to capture them before the light changed, which it does rapidly at sunset. At one point I had to stop drawing and just watch the glorious sunset over the bay and the way the fog moved in and out and back in.

View of the Chapel, the flat lands and the Bay from the cemetery, ink & watercolor 5x7"
View of the Chapel, the flat lands and the Bay from the cemetery, ink & watercolor 5x7"

The light was so odd when I painted this last one before it was too dark to see that the colors came out really pale. I tried over painting later at home and only ended up overworking instead, I’m afraid.

I’ve struggled with trying to paint the view from the hills to the bay many times. I either put in too much detail so it doesn’t read distance or get the proportions wrong. Someday soon I’ll challenge myself to paint it again and again until I get it.

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Drawing Ink and watercolor wash Landscape Outdoors/Landscape Painting Places Plein Air Sketchbook Pages

Sketching Lily Ponds at Sunset View Cemetery, Part I

Sunset View Cemetery Lily Pond #2, ink & watercolor 5x7"
Sunset View Cemetery Lily Pond Sketch #1, ink & watercolor 5x7"

When I was hiking with a friend in the large, beautiful, hilly cemetery near my house, we discovered a small pond full of lily pads and flowers. That afternoon I drove back up to the cemetery with my sketchbook and paints and set up my chair beside the pond. It was such a peaceful spot; quiet, serene and green.

Sorting out the shape of lily pads and flowers with Pentel Pocket brush pen
Sorting out lily pads and flowers with Pentel Pocket brush pen

I took a break to figure out the shape of lily pads and flowers, filling up a page of lily shapes, first with my regular pen and then the Pentel Pocket Brush Pen, until I understood the lilies.

Sunset View Cemetery Lily Pond Sketch #1, ink & watercolor 5x7"
Sunset View Cemetery Lily Pond Sketch #1, ink & watercolor 5x7"

The water was really confusing because of all the reflections of the sky, trees and shrubbery, and the quickly encroaching shadows since it was nearing sunset.

Sunset View Cemetery Trees, ink & watercolor 7x5"
Sunset View Cemetery Trees, ink & watercolor 7x5"

When the pond was completely in shadow, I turned my chair around to face the other direction and do a quick sketch of a meadow glowing in the sunset, surrounded by shadows.