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Art Gouache Painting Still Life

Gouache Painting Practice

Apple Still life in gouache on Stonehenge Kraft colored paper, 10 x 12 inches
Apple Still life in gouache on Stonehenge Kraft colored paper, 10 x 12 inches

Gouache is a water-based paint similar to watercolor in some ways, but opaque and more like oil paint in other ways. Like any art form, it takes practice to build knowledge and experience and eventually be able to just paint. I was pretty happy with the painting above, done from life.

The paintings below were earlier experiments.

My New Kitchen, gouache on Arches watercolor paper, 12 x 9 inches
My New Kitchen, gouache on Arches watercolor paper, 12 x 9 inches

I made an attempt to paint my tiny but comfy galley kitchen in response to James Gurney’s “Paint A Kitchen” challenge. My kitchen is so small I had to set up my easel in the pantry and look through a doorway. The colors are really weird, thanks to being completely unfamiliar with gouache.

Onions, garlic and shallot. Gouache sketch in Strathmore Mixed Media journal, 8.5 x 8.5 inches
Onions, garlic and shallot. Gouache in Strathmore Mixed Media journal, 8.5 x 8.5 inches

I thought the onions and shallots were pretty and wanted to try painting them but had lots of problems with getting chalky colors and trying to paint too many layers until the paint got too thick and yucky.

Fruity Still life, Gouache in Strathmore Mixed Media Journal, 8.5 x 11 inches
Fruity Still life, Gouache in Strathmore Mixed Media Journal, 8.5 x 11 inches

More gouache practice, trying to get the hang of the medium. It seems like the Strathmore Mixed Media Journal maybe isn’t the best paper for gouache if it’s going to be layered as it is a little too thin and smooth.

Categories
Drawing Sketchbook Pages

Catahoula Coffee Roaster & Smog Certificate

Catahoula Coffee Roaster, ink, marker & watercolor, 8x5"
Catahoula Coffee Roaster, ink, marker & watercolor, 8×5″

When I went to get my car smogged there was a 30 minute wait so I walked down the street to Catahoula Coffee for a latte and some sketching. I only had my pens and a couple of markers with me so I added a little watercolor over the ink and markers when I got home.

The coffee was good and the beautiful coffee roasting machine provided an inspiring challenge to draw. The counter in front of it curves around the shop. That’s an (empty?) burlap bag of coffee beans next to the barista reading his soccer magazine when business slowed down.

Categories
Berkeley Drawing Ink and watercolor wash Interiors Life in general Painting People Places Sketchbook Pages

Sketching on a Stormy Night at Au Coquelet

Au Coquelet, Ink & watercolor
Au Coquelet, Ink & watercolor

It was a dark and stormy night when Cathy and I met at Au Coquelet Cafe to sketch while listening to people debate the existence of reality and/or study English in Chinese.

I started by sketching the guy in the middle with black hair and just kept on going, seeing more and more stuff to draw. At one point he walked by our table, saw what we were doing, pulled out his cellphone and took photos of our sketches of him. That was a first! But it seemed a fair trade.

A group of four (perhaps retired professors from the university) seemed to have gathered for the sole purpose of defining reality, or proving it’s existence, or both, punctuated regularly by “huh?” “what did you say?” as one of the gents was hard of hearing (but not hard of “talking” as he blathered on and on).  On our other side were Chinese college students studying English, but mostly in Chinese, with the occasional English phrase thrown in such as “I am a pretty girl” and “I am eating an apple” (which she wasn’t).

Au Coquelet is a perfect place to sketch.  It’s large, open very late, has a couple of rooms,  and counter service only so you don’t have to worry about waiters.  There’s lots of wood, bricks, brick-a-brack and plants, design left over from the hippie days.

I have fond memories of sketching there on another stormy night, New Year’s Eve 1997, when I was supposed to be in Yosemite National Park but had canceled the trip due to rain. And it was good I didn’t go: the next day Yosemite had the worst flooding in 100 years, with roads and bridges so damaged that people were stranded there for weeks without sanitary facilities or food.

So with no plans for the evening, I headed up to the café to draw people who did have plans, partygoers coming in before and after their parties. After a while, a tall, handsome artist sketching at another table came over and joined me. We sketched together and talked, and ended up dating for a few months until I decided that the tales he told were too good to be true.