Do you have a happy face right this moment? I didn’t until I received a blog comment/email from a German blogger whose email and blog name is happyface313. It made me wonder what it would be like to be that committed to a happy outlook.
She inspired me to lose the grumpyface I’ve had the past few days while working on helping a loved one with difficult challenges, and to try out being Ms. HappyFace instead. I put on a smile, made the mental shift from grumpy to grateful, and surprise! It worked!
Happy Donuts, watercolor painting, 15×22″ (sold)
What does all that have to do with donuts? Well, “Happy Face” made me think of Happy Donuts and my old painting of their shop (above), which reminded me I needed to post my recent sketch of Dream Fluff Donuts (at top). And donuts used to be my shortcut to happiness but I stay far away from those deep-fried, greasy sugar bombs now.
Molly B’s is a shop in North Berkeley’s Walnut Square with great window displays. They were closed but the window was lit up when I was there sketching. I think they sell ladies clothes and underwear. According to one Yelp reviewer, the store has “Beautiful fabrics, witty designs, and some amusingly bizarre skirts and trousers.”
Imperial Tea Court, Ink & watercolor
After I finished my sketch at Molly B’s we met upstairs at the Imperial Tea Court for a little more sketching and sharing. These were a couple of large containers on the counter (and a guy sitting at a table).
And if I’m ever going to get caught up on my blog posting (I’m not even out of September yet!), I am going to have to learn to keep it short. So that’s it for this post.
LuluLemon, Corner of Ashby & College, Berkeley, ink & watercolor, 5×8″ (I don’t know what that huge loudspeaker thing is on the roof–maybe for the neighborhood’s emergency alert warning signal? There’s one in my neighborhood that runs a test every Wednesday at noon)
I’ve spent the past couple of days looking back over my artwork from the past decade while sorting and labeling it in the process of learning to use Lightroom* for managing my digital files. It’s been interesting to see what has changed (mostly for the better), and what has stayed consistent.
Along with turning a major corner in my life (more about that next week), I’ve also been looking back (and forth) through my current journal to find the pages I haven’t posted yet. So I thought it would be appropriate to post sketches of two corners I pass often. The sketch above shows LuluLemon where I bought my periwinkle runner’s hat (photo, sketch) that I wear whenever I go out sketch or walking.
Peet’s Coffee and Albany Hill, El Cerrito, ink & watercolor, 5×8″ (shape on right near bottom is the roof of the Old West Gunroom)
Peet’s Coffee in El Cerrito is a one mile walk from my house, a pilgrimage that I make often. Albany Hill is immediately behind it: an odd uprising in an otherwise flat area. The hill is forested with eucalyptus trees.
In the late 19th century Judson Powder Works manufactured dynamite at the foot of the hill and planted the trees to catch debris and muffle the sound of their many accidental explosions. The stop on the transcontinental railroad tracks just to the west was called Nobel Station, after the inventor of dynamite.
*If you’d like more information about Adobe Lightroom, leave a comment and I’ll either write about it here or send you the information directly. I discovered some great free resources for learning why and how to use it and set up a solid workflow for editing and managing digital image files.
Trying to get in one last outdoor evening sketch session of the season, we sketched at the bottom of Solano Avenue in Albany. I stood under a street lamp and by the time I finished drawing it was dark out.
The proprietor of the Burger Depot who has owned the shop for over 30 years saw me trying to paint standing, with my palette and water on the ground, and brought over a plastic chair and a little table for me. The street light and light from inside the shop gave me just enough light to see what I was doing.
I was initially drawn to the scene by two seedy looking guys sitting in a window seat but they left before I could draw them. Fortunately the other two guys eating there were wonderful models who kept returning to the same positions, making it easy-ish to draw them.
We were all a little late for our Tuesday night sketching. We met by Peet’s Coffee and then wandered off to sketch what caught our interests. It was cold out and the sun was setting but Cafe Rouge looked warm and inviting with their red chairs and umbrellas.
Zut Restaurant, 4th Street Berkeley, Ink & watercolor
When I saw that a restaurant named Zut! opened on Fourth Street, I remembered Zut the dog, who lived next door to me in Berkeley in the 70s. Zut and his owner Denny lived in a tiny cottage behind a two-story house owned by a man named Huckleberry that he shared with the Arkansas Sheiks‘ (Karana Drayton’s folk group whose fiddler was Laurie Lewis.)
Denny and Zut were also musical; Denny played piano and Zut sang (howled) along with him. Zut and my dog Kangaroo were good buddies and liked to wander the neighborhood together, usually ending up at Bulky Burgers on the corner, cruising for hand-outs.
So when we were sketching on 4th Street last Tuesday night, I asked the hostess about the name. She showed me their mural that included a wonderful portrait of good old Zut and told me that Denny Abrams was indeed an owner of the restaurant.
A La Folie, Undies on 4th Street, ink & watercolor
I always enjoy sketching manikins in shop windows and this one at A La Folie displaying expensive undies didn’t disappoint.
Fourth Street Holiday Lights, ink & watercolor
Fourth Street’s holiday lights were hung so we expected they’d also be lit but only these two were. I guess they are waiting to light them until after Thanksgiving when the shops stay open evenings. Even without the grand lighting, we were grateful for the relatively warm evening that allowed us to sketch outdoors at night in November.
We met at the corner of Alcatraz and College on a warm evening and sat at tables outside A Cuppa Tea to sketch. Two women sat down beside me with cups of tea and began talking about prison while counting passing dogs. They asked about our sketching group, noticing us drawing, and then shared that this was their Tuesday night routine, and they were up to a dozen dogs already.
Although I didn’t mean to eavesdrop, hearing them talk about life in prison and the girls in their halfway house was just too interesting. It seemed ironic that having recently gotten out of prison they chose to meet on the corner of Alcatraz (the infamous prison located in the middle of the San Francisco Bay).
A Cuppa Tea, Berkeley, Ink & watercolor
It was great having the light of the cafe to sketch by as it got dark. When I could no longer see the street scene I turned around and drew the inside of the cafe through their window.
When we all finished sketching we went inside to see each others sketches. There were signs all over saying, “Tables for customers only!” (To fend off the students who clog all the cafes in town with their computers and piles of books). So Sonia bought another lemonade and when we left a few minutes later we left tips for the waitress.
Sala Berkeley Back to School Sale Window, ink & watercolor
Cedar and Shattuck in Berkeley on a warm fall night was perfect for our Tuesday night sketch-out. I started a few blocks south to draw the window display at “Sala.” Their windows are always great and have inspired me to draw them before. I was hurrying and didn’t quite get the proportions right so instead of tall willowy mannequins, these gals look a bit squat.
Cedar & Shattuck corner signs, ink & watercolor
It got dark so quickly there was time for just one more sketch before we went indoors. There’s a new Philz Coffee a couple of doors down from the corner with a large upstairs room filled with comfortable sofas, arm chairs, and big dining tables with fancy dining room style chairs. They were having a special event, “The Insect News Network.”
Insect News Network Show, ink & watercolor
The host with a microphone interviewed a bug scientist guest about the life cycle of various bugs that are found in urban gardens. They displayed slides and passed around live bug specimens in jars. Both were good speakers and made it all seem quite fascinating. It was great having entertainment while drawing. Their summing up statement was that “insects rule the planet; humans are only along for the ride.”
District 12 at Mrs. Dalloway's Bookstore, Ink & watercolor
Since I’d read, and surprisingly enjoyed, The Hunger Games, Suzanne Collins’ first book in her dystopian futuristic trilogy, I understood why this display was in the Mrs. Dalloway’s Bookstore window: it was advertising the third book in the series, Mockingjay.
The Hunger Games trilogy is about a boy and a girl struggling to survive an annual contest where teenagers from 12 impoverished districts are forced to fight for their lives in the ultimate televised reality show, with the winner bringing honor to her district. When a reliable friend recommended this young adult novel, I was highly skeptical on so many levels. But I found it to be a good read (or listen really–I borrowed the book on CD from the library).
Goorin Hats, Berkeley
Before sketching Mrs. Dalloways, this little brown craft-paper sketchbook from the UC Davis college bookstore (a gift from my friend Pete Scully) was perfect for warm-up sketches with a brush pen. College Avenue is full of interesting, upscale little shops like this hat shop.
This previous sketch of Mrs. Dalloway’s is one of my favorites. It’s a wonderful bookstore with a special focus on books about gardens.
For Worldwide Sketchcrawl 27 today I headed to San Francisco on BART for a 10:30 meetup at the Ferry Building, sketching along the way. The couple at the top of the picture seemed to be on an unsatisfactory date. The woman seemed passive-aggressive: she’d gone along with bringing her clunky bike on BART and her stupid, ancient, ill-fitting helmet, but wasn’t going to have fun. Her date adjusted her helmet straps for her but while he kept his on all the way to the city (complete with duct tape patch), she wouldn’t put hers on.
The guy in the middle above is Pete Scully, sketched outside Peets’ Coffee at the Ferry Building. I had a great time sketching with him and my friend Sonia and other sketchcrawlers wandering the Financial District of SF.
Waiting for Sketchcrawl to Start, ink & watercolor
There were too many people at the Ferry Building, shopping at the upscale foodie shops, being annoying tourists, and/or waiting for ferries. I waited in a line of 20 women for the restroom and didn’t even bother trying to get a cup of coffee at Peets. While we waited for Enrico to give us the “Go,” we sketched the scene. Yes, I exaggerated the crowds and the closeness of the Bay Bridge.
There’s a clarinetist (see Sketchcrawl 21 sketch) who is a permanent fixture at this spot, playing annoying screechy “music” that he segues into “Mary Had a Little Lamb” or “Popeye” whenever a kid approaches. Moms and their tots stop and dance while dads take photos and stuff money in his case. I couldn’t wait to get away from the crowds.
View of Ferry Building from Atop Hyatt Regency
Pete had the brilliant idea of going to the top of the nearby Hyatt Regency Hotel to sketch the view from above. We tried to go to the top floor (17) but the elevator would only take us to 14. We met a bellman on 14 and he said you had to have a key card to get there. I brazenly asked if he had one and he said yes. “Could you take us there?” I asked. He opened the door and swiped his card and sent us on up. What a sweetie! I wish I’d thought to tip him.
When we got off the elevator a gentleman informed us that the 360 degree-view-Regency Lounge was only for Regency Members and asked if we were members. I said no, but asked if we could just look at the view and draw pictures. He asked “For how long?” and I said “Oh, about 10-15 minutes” and he said OK. We were there for nearly an hour and nobody bothered us. We did tip him when we left and he invited us to help ourselves to any of the complimentary food and beverages but we declined.
Cable Car Turnaround, Drumm & Market
Sonia and I were hungry so while Pete started sketching a cable car we bought lunch at a deli across the street. We ate sitting at a bus stop, the only seats around. People kept coming up to us and asking about buses. Then I tried sketching the cable car and the hill it goes up and down. I was doing pretty good until I somehow planted a street light in the path of the street car.
Pete Sketching in front of McDonalds
Heading north, Pete sketched an old German hofbrau that didn’t inspire me (though his sketch did, which I will link to when he posts it) so I drew him from across the street, sitting on his stool in front of McDonalds.
Victoria's Secret Window, Embarcadero
I was tired and about ready to call it a day but managed one more sketch. I was more interested in the almost spiral staircase, the shadows, and odd architecture than the mannequins in their jungle print undies. I’m not a fan of the Victoria’s Secret brand or their ads and I think maybe it shows in the way I subconsciously made the mannequins look like they were giantesses, trapped in the store window and trying to get out.
It was 4:00 and although the end-of-Sketchcrawl meetup was happening at 4:30 in Union Square I decided to just go home and relax rather than head towards more crowds. It was a great day!
Jana Bouc, Artist 
