The Pub in Albany was originally an old house and though long ago it was (minimally) converted to a pub, it is as comfy as hanging out in my living room (except a lot more interesting). People come to drink beer or espresso, play card or board games and sit around in big overstuffed chairs to chat. There are interesting collections of objects in every room.
The Pub: Like a Living Room, ink & watercolor
Until we started sketching in pubs I had no idea that there was so much game playing going on. Beer drinking aside, it just seems so wholesome the way groups of friends meet in person to play games instead of playing digital games alone or with virtual friends online.
A note about the picture above–the white shape above the bottom right chair is the head of the bald guy who was sitting there. I liked how it looked even though you can’t tell what it is.
Albatross Pub Berkeley: the bar (painted in near darkness), ink & watercolor
The past couple of weeks our Tuesday night sketch group has met at pubs to draw and sample the beer. First stop was the Albatross, Berkeley’s oldest pub. It’s a very friendly and comfortable place with several different rooms. I left the group sitting at a big table in the back and moved up front near the bar.
Albatross Pub, couple with hat, ink and watercolor
The Albatross stocks a variety of board and card games for its patrons. There were some men playing chess nearby and a couple on a date playing a card game while talking about their travels. I felt comfortable sitting by myself drawing and painting. Nobody bothered me. The only difficulty was seeing the colors I was painting.
Dart players, ink
Tuesday nights The Albatross hosts dart tournaments. These two guys didn’t actually overlap like this, they took turns approaching the line and throwing their dart. Each player has his own style of aiming and throwing, and they repeat it exactly the same each time. I drew them in stages capturing a little more with each throw. The short guy on the left leaned way forward, held the dart by his forehead, then tossed it with his left foot coming off the ground. His much taller partner stood upright and very still, and just tossed the dart without moving his body.
Last Saturday my plein air group met at Borges Ranch in Walnut Creek’s Shell Ridge Open Space. It’s a beautiful place that feels far away out in the country, and is surrounded by strange, tall hills covered in a hundred shades of green.
While I was painting I kept hearing the strangest sounds: yips, yelps, squeals and howls. I ruled out the sheep, goats, pigs and roosters and decided it was either the world’s most annoying beagle or a coyote. Later I asked the ranger who confirmed that there were three coyote families in the three nearby hills. He said they all have pups in their dens and are very talkative now. Want to hear a coyote? Click here to go to a site with a coyote sound clip.
To see wonderful photos and stories about life with an adopted coyote who was orphaned at 10 days old when his parents were shot for killing sheep, please visit The Daily Coyote blog, “a story of love, survival and trust.”
Now back to the painting–I tried to simplify, avoid details and focus on color, light and big shapes. The sky was completely covered in a thick layer of clouds and I noticed a painting “rule” in action: cool light creates warm shadows (and vice versa). Although the heavy cloud cover meant there weren’t obvious shadows, I could see how darker areas leaned toward red while areas in light were cooler (e.g. lemon yellow, not an orange-yellow).
When I got home I broke my rule of not touching up plein air studies and fussed with it, eventually ruining it and throwing it in the trash. I’m glad I took a photo first…and that I had the joy of painting to a coyote soundtrack!
It’s become an annual tradition for our sketch group that when Cathy’s wisteria explodes into bloom she invites us to spend the evening in her serene Berkeley backyard garden sketching and painting. This year it was a cool, foggy evening so we bundled up and drew until our fingers were too cold and the light was gone.
Wisteria close up, ink & watercolor
Then we went indoors and shared our work while snacking on ginger cookies and pistachios.
Our excellent online Berkeley newspaper, Berkeleyside, published this wonderful photo essay “The Hanging Gardens of Berkeley” with pictures of wisteria in brilliant bloom all over Berkeley, in some cases completely hiding the buildings.
Sharing art with other sites is fun (and as it turns out profitable). Berkeleyside features my sketches of Berkeley from time to time (linked here) and I’m always honored when they do. Then a few months ago a natural foods specialist asked if she could use some of my paintings on her website. I’m glad I said yes. One of her readers just bought three of those paintings. It’s good to share!
Saturday was the 31st Worldwide Sketchcrawl and I joined the San Francisco group to explore the Mission District and sketch. I tagged along with my friend Pete Scully who had mapped out a route that included stops at two famous S.F. comic book stores.
Sketcher at a.m. meetup at Dolores Cafe
While waiting for the crawl to begin everyone sat and stood around drawing everyone else. See Pete’s sketch of me seriously sketching here.
Pete Sketching atop stairs
Later, while Pete climbed up a set of stairs to draw a Victorian house, I sketched him sketching and then picked up some lunch at a cafe up the street.
Fire Hydrant and Mission Dolores
Since I was sketching with Pete, of course we had to stop and draw a fire hydrant (see Pete’s fire hydrant series here). I was amused by the similarity of shapes in the tower atop Mission Dolores and the fire plug.
Mission Mariachis standing around
I don’t know what these guys were waiting for but they never did play.
Old "New Mission Theatre"
The theater is defunct, the sign peeling and is dwarfed by neighboring Giant Value big box store. I bet the theater was beautiful when it was new.
Below, some BART people on the very bumpy ride to SF. I’m finding that as much as I love my fountain pen for its smooth flowing, I have less control, especially when drawing on transit or when standing.
Macintosh Pipe Band Woman, ink & watercolor in small WC Moleskine
When the Scottish Tartan Festival came to Ardenwood Historic Farm in Fremont, Cathy and I arrived at the start of the festivities to sketch. We were greeted by a royal retinue of people in full costume. They stayed in character all day, acting out scenes from Scottish history. Along with the re-enactors there was a bagpipe band, booths for clans, beer, food, craft vendors, demonstrations of kilt wrapping, and pole-tossing competitions.
Macintosh Pipe Band Woman, ink & watercolor in small WC Moleskine
I’d filled my last handmade sketchbook and didn’t have time to bind another so I was using a small watercolor Moleskine and my fountain pen. I wasn’t used to such a small page and it was a bit of a struggle with a too thick line on a very small page.
Sporran: Furry man purses worn with kilts (two sketchbook pages assembled in Photoshop)
All of the men in kilts were wearing frontal fanny packs made of fur or leather called “Sporran” (roll those r’s). I had to take a photo (pasted into sketchbook above) of one gentleman’s sporran made from an actual badger! People were very friendly and happy to explain things to us and didn’t mind us sketching them.
Macintosh Bagpiper and Drummer
I was fascinated by the bagpipes and drew them repeatedly until I understood what I was seeing. They looked like brown corduroy vacuum bags with a bunch of pipes sticking out of them. The bags are lined with leather or Goretex but used to be made from sheep or goat stomachs.
Bag pipe contestant
There were judging stations set up around the park where young pipers performed and judges carefully rated their performances. This guy (above) left before I’d finished drawing him but I like the sketch anyway. Most of the pipe band members appeared to be of retirement age. I asked one when he started playing bagpipes (glad my kids never wanted to learn bagpipe!). He said that he started in his 50s and most of the band had started playing as adults too.
Pipe Band and Dancer
There were some lovely young dancers performing on the stage while the pipe band played but I was so intent on drawing the pipers I nearly missed seeing the dancers.
I thought it was interesting that ALL of the bagpipers wore earplugs.
Next time I’ll post my sketches of the people in period costumes.
Last week the Urban Sketchers Flickr group had lighting as their theme so our Urban Sketchers group focused on lighting too. When I walked into Picante the first thing I noticed was the way the wall sconces shined up at wonderfully bizarre masks all around the room.
Picante Mask Lights, ink & watercolor
Along with the great masks, the ceiling is festooned with row after row of vibrantly colored hanging Mexican cut-paper art work.
Several different diners and children stopped at our table to complement our sketches. The children were particularly enthusiastic. And (as usual) everyone told us they can’t draw. And as usual we told them that anyone can draw if they just practice and that it doesn’t have to be good, just fun.
Capetown Company Gardens, South Africa, oil on panel, 9x12"
During a very rainy week it’s been wonderful to have this sunny view to paint from Google Street View for Virtual Paintout‘s March location of Cape Town, South Africa. It will be interesting to see how (and hopefully if) my winter practice with landscape painting in oil carries over to painting real landscapes outdoors. Now that the rainy season seems at last to be over I will soon find out!
A note about the color in the photo: despite my best efforts, I couldn’t get the foreground shadow on the path to perfectly match the color in the painting which is a little more purple and a little less bright.
Here’s the original Google Streetview image:
Google Streetview image: Capetown
If you’re interested in the actual location, just click here for the map. And if you’d like to purchase this painting for $100, just click here.
Playland Not At The Beach Museum of Fun is an amazing place created by a group of volunteers and artists who are passionate about the circus, history, carnivals, and a San Francisco amusement park (now long gone) called Playland at the Beach.
Laughing Sal, ink, gouache & watercolor
Hidden away behind a nondescript storefront in El Cerrito, Playland Not At The Beach is both a museum and a place to play carnival, penny arcade and pinball games (including historic and 3-D pinball machines), watch movies, see magic shows, have parties, explore the world of the circus and the world of Charles Dickens in miniature and much more, with room after room of visual delights, each surpassing the next.
Circus Diorama Detail, ink & watercolor (the actual scene had about 3 times as many characters, but with so much to capture in 2 hours, I picked my favorites for this sketch)
The circus dioramas contain 300,000 hand-carved and hand-painted realistic figures of every kind of person, animal and behind-the-scenes activity (even including the cooks carving up big fish for dinner and the separate men’s and women’s dressing tents with performers washing up or changing clothes) and all the acts under the big top, all created by a man who joined the circus at 14 and his father, who were both lifelong circus lovers. It took a month just to create one elephant, which were each carved from a separate block of wood and are about an inch tall.
The creativity and dedication to follow one’s passion that went into making the circus dioramas brought tears to my eyes and left me intensely inspired.
Table Mountain View, Cape Town. Oil on 5x7" panel.
This month’s Virtual Paintout is in Cape Town, South Africa. What a beautiful country! I needed a project I could complete in an hour or two so I chose a simple scene and a small panel to paint on (5×7″).
But I think I spent as much time tooling around South Africa on Google Streetview than I did painting. And tonight I had such a hard time getting the color right in the photo (the sky in the painting isn’t turquoise, it’s a warmer blue) that I’ve probably spent an equal amount of time trying to fix the photo and get this blog post finished!
So I will let it be. As my boss always says, “…good enough for jazz!” She knows I can be a perfectionist and has taught me that little mantra so that I don’t get stuck finessing one little thing while all the other work stacks up.
Jana Bouc, Artist 