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Bay Area Parks Ink and watercolor wash Landscape Oil Painting Outdoors/Landscape Plein Air Sketchbook Pages

Sunny Landscapes, Summer, Spring, and Smelly

Briones Park, Sunny Afternoon, oil on panel, 10x8"
Briones Park, Sunny Afternoon, oil on panel, 10×8″
Briones Park Sunny Afternoon available for purchase here

I didn’t realize until I saw these two pictures together, that it was easy to tell that I painted one in summer (above) and the other in the spring (below), just by their color palette, even though they were both painted on warm, sunny days. I started the painting above plein air, but only got halfway done before it was time for the group critique. I finished it from memory and a photo but didn’t touch areas I already loved, like the yummy turquoise color in the background.

Briones Park (above) is gorgeous, but dogs are allowed off-leash there so the grasses along this beginning stretch of the trail are littered with stinky dog poo, thanks to irresponsible dog owners. But like bugs, wind and weather, smells are part of the plein air experience too.

Castle Rock Park and Mt. Diablo, Spring, 8x10"
Castle Rock Park and Mt. Diablo, Spring, 8×10″

I painted this watercolor view of Mt. Diablo in my 8×10 Moleskine. I didn’t have time to set up for oils because although we’d planned a day at Borges Ranch we learned on arrival that a 4-H club had reserved the area and we had to leave. The ranger suggested we go to Castle Rock Park down the road.

I parked at the Borges entrance for a while, catching others as they arrived and directing them to Castle Rock. Finally I left a big note on a brown paper bag taped to the Borges entrance sign, hoping latecomers would see it and know where to find us.

After the drive to Castle Rock and a hike to the top of a hill I only had time for a watercolor sketch. The bright yellow-green grassy field was beautifully spotted with lavender wild flowers. In the summer everything would be pretty much the same color of golden brown. This time it didn’t smell like dog poo; it was the pungent odor of the cows that graze there that accompanied the view.

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Building Ink and watercolor wash Landscape Outdoors/Landscape Places Sketchbook Pages Sketchcrawl Urban Sketchers

Oakland’s Lake Chalet Plus Drawing Rocks and Milk Cartons

Lake Chalet on Lake Merritt, Oakland. Ink & watercolor, 5x7.5"
Lake Chalet (and Plumbing) on Lake Merritt, Oakland. Ink & watercolor, 5×7.5″

Lake Chalet was originally built over 100 years ago as a high-pressure salt water pumping station for the Oakland Fire Department. In 1913, two wings were added to serve as boathouses. In 2009 the building was transformed into a lively restaurant and bar with outdoor seating on the docks behind it on the lake.

What attracted me to draw this scene wasn’t the lovely building; it was the multiple plumbing features on the grass that slopes down to the restaurant from the sidewalk where I sat to draw. And of course the antique street lights that circle the lake.

Milk at Picante, ink & watercolor, 5x5"
Milk Carton at Picante, ink & watercolor, 5×5″

I struggled trying to draw these two milk cartons so issued a challenge to the other sketchers at my table to draw them too. We all had different views of the cartons set in the middle of the table so it was fun to see the variety of approaches and points of view.

Drawing Rocks Practice on Sculpture at Oakland Museum, ink & watercolor, 5x7x5"
Drawing Rocks Practice on Sculpture at Oakland Museum, ink & watercolor, 5x7x5″

After a workshop on drawing rocks (part of John Muir Laws’ Bay Area Nature Journal Club) Susan and I walked down to the Oakland Museum’s sculpture garden, looking for rocks to practice on. The only rock-like object we could find was this clay sculpture. It’s so helpful to practice new concepts before they slip from my mind, as most things do these days.

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Building Ink and watercolor wash Landscape People Sketchbook Pages Sketchcrawl Urban Sketchers

San Francisco Sketchcrawl Part 2: Ferry Building, Ferries & Ladies Room Lines

Ferry Building Clock Tower, ink & watercolor, 7x5"
Ferry Building Clock Tower, ink & watercolor, 7×5″

While I waited for the Sketchcrawl to begin I started drawing the Ferry Building clock tower. The clocks weren’t really set for different times. It looks that way because I drew what I saw: by the time I got to the right clock it was 7 minutes later.

Sketchers Sketching on the Embarcadero
Sketchers Sketching on the Embarcadero

Next I tried to draw the sketchers on the little plaza across from the Ferry Building (above). My perspective got way wonky on the street on the right. Although there are many hills in San Francisco, this street is actually quite flat.

Marin Ferry, ink & watercolor 5x14"
Marin Ferry, ink & watercolor 5×14″

Behind the Ferry Building I watched the huge Marin ferry arrive. I knew I only had about ten minutes to draw it while passengers got off and on. I nearly finished the drawing before it headed back out so added the colors I remembered afterward.

Standing in Line for the Ferry Building Restrooms, ink & watercolor 7x5"
Standing in Line for the Ferry Building Restrooms, ink & watercolor 7×5″

I’m glad I didn’t wait until the last minute to use the restroom in the Ferry Building. There were 35 women in line for the ladies’ room and only about 3 for the men’s. Why? It was interesting drawing the women right in front of me because of the odd foreshortening I perceived looking down their backsides. Next time you’re waiting in line, try to draw the person right in front of you and you’ll see what I mean.

Later someone gave me a valuable tip I’ll share with you: there’s a little used ladies room on the second floor of the building. I wonder why the Ferry Building management doesn’t include that information in the signage directing people where to stand in line for the downstairs restrooms.

 

Categories
Ink and watercolor wash Landscape Sketchbook Pages Sketchcrawl Urban Sketchers

Sketchcrawl San Francisco Part 1: Coit Tower

Coit Tower, from Levi Plaza, SF Sketchcrawl 40, ink & watercolor 7x5"
Coit Tower, from Levi Plaza, SF Sketchcrawl 40, ink & watercolor 7×5″

The San Francisco Sketchcrawl was so much fun and had a great turnout of around 75 people. It was great seeing old friends and meeting new ones. This was actually my last sketch of the day, finished just before our 4:00 meetup.

Micaela and I were going to walk the hundreds of stairs up to Coit Tower to draw it but got distracted by all the other events going on along the Embarcadero on our way. We realized there a was a great view of the tower from inside Levi Plaza, a beautiful, somewhat hidden park that I’d like to return to for more sketching.

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Landscape Sketchcrawl Urban Sketchers

This Weekend! West Coast Urban Sketchers’ Sketchcrawl in the SF Bay Area

Lake Merritt View, Copic Sepia Multiliner
Lake Merritt View, Copic Sepia Multiliner

If you’re in the Bay Area the weekend of July 12-14, you’re invited to join in the sketching fun. We’ll be meeting Friday evening in Berkeley, all day Saturday in San Francisco and half a day on Sunday at Lake Merritt in Oakland.

You can find all the details, including schedules and downloadable maps on the 1st West Coast Urban Sketchers’ Sketchcrawl website or Facebook page.

Several art supply companies are supporting the event by donating sketching supplies and the local press have interviewed Urban Sketchers and are helping to promote the event with articles and arts and events columns.

We’re expecting over 100 people each day for this exciting event taking place at the same time as the Urban Sketchers Symposium in Barcelona, Spain and the Worldwide Sketchcrawl.

If you’re around this weekend, I hope you can join us. If you’re not, be sure to check out the Worldwide Sketchcrawl site to see if there is a sketchcrawl in your area on Saturday July 13.

Categories
Building Ink and watercolor wash Landscape Places Sketchbook Pages Urban Sketchers

Women’s Work: Rosie the Riveter and Super Wonky Singer Sewing Machine

Craneway Pavillion and Rosie the Riveter Museum, ink  & watercolor, 8x10"
Rosie the Riveter Museum (left) and Craneway Pavillion (right), ink & watercolor & National Park rubber stamp, 8×10″

When my plein air group met at the Rosie the Riveter Museum alongside Craneway Pavilion (a former auto factory where “Rosie’s” riveted during WWII) on the San Francisco Bay in Richmond, everyone else painted the bay view on the other side of these buildings.

But as soon as I drove into the parking lot, this industrial backside grabbed me. From the row of street lights to the giant smokestack and thousands of windows, I was sold. I set up, sketched and painted in the parking lot. Then I toured the museum. My mother, RivaLee was a “Rosie” and worked in an airplane factory in L.A. where she was known as “Riv the Riveter.”

Singer Sewing Machine circa early 1900s, ink & watercolor
Singer Sewing Machine circa early 1900s, ink & watercolor & gold pen

I don’t know what happened to my sense of perspective when I sketched this early 1900s Singer sewing machine in a warehouse full of antique industrial equipment. It was very heavy, almost impossible for me to move, so I guarantee it wasn’t lifting off the table or sliding downhill like it looks in my sketch.

As I drew I was struck by the beautiful decoration and the rounded shapes that seemed to echo the curves of the women who used them. What a lovely tool it is compared to the sterile, boxy, plastic computerized sewing machines of today.

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Bay Area Parks Blake Gardens Building Gouache Ink and watercolor wash Landscape Martinez Plein Air Sketchbook Pages Watercolor

Spring Into Summer

John Muir Home and Orchard, ink, watercolor & gouache, 8x10"
John Muir Home and Orchard, ink, watercolor & gouache, 8×10″

After I filled the jumbo Moleskine watercolor journal I discovered I forgot to post several pages. From March! So here are a few of those sketches from early spring. Above and below are the John Muir home, with a bit of the fruit tree orchards and redwoods on the property. I sketched and painted these on site, with a little gouache added to the fruit tree blossoms at home.

John Muir Landscape, ink, watercolor & gouache, 10x8"
John Muir Landscape, ink, watercolor & gouache, 10×8″
Spring at Blake Gardens, watercolor, 10x8"
Spring at Blake Gardens, watercolor, 10×8″

Above is another spring sketch, painted directly with watercolor, of  magnolia trees and the pretty little flowers planted around the tree.

Categories
Building Ink and watercolor wash Landscape Outdoors/Landscape Sketchbook Pages

Oakland Museum: View From Sculpture Garden

View from Oakland Museum Sculpture Garden, ink & watercolor, 8x10"
View from Oakland Museum Sculpture Garden, ink & watercolor, 8×10″

After my monthly workshop at the Oakland Museum, with John Muir Laws and his Bay Area Nature Journal Club, I stayed to sketch in the beautiful sculpture garden. There are lovely trees and plantings, colorful sculptures and interesting urban views. The building with the flag atop it is the County Courthouse on the next block.

I also visited the fabulous “Summoning Ghosts: The Art of Hung Lui exhibit.” The show features several rooms of her very large paintings plus early sketchbooks and painting studies completed in China before she came to the U.S. in 1984. The film of her painting with luscious juicy paint (and her signature drips) made me want to run to the studio and pick up a brush.

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Art supplies Ink and watercolor wash Landscape Product Review Sketchbook Pages

EDiM 5-6: Draw A Scented Product (one to counteract another) and a Pine Tree

Draw a Pine Tree  and a Scented Product (perfume and cat litter)
Draw a Pine Tree and a Scented Product (perfume and cat litter), ink & watercolor 8×11″

I had fun with May 6: “Draw a Scented Product.” I sketched two scented “products” — one man-made and one cat-made. The man-made is a lovely (and expensive) room perfume (Vanilla, Bourbon and Mandarin) that I fell in love with at my dentist’s office and unlike most scented products doesn’t give me a headache. It nicely counteracts the scented product my cats produce on a  regular basis.

“Draw a pine tree” was the cue for May 5. Easy…found one in my neighborhood bigger than a house and sketched it and painted it sitting in my car on a cold, foggy, windy day.

I’m experimenting with an inexpensive ($13.00) Winsor Newton Cotman watercolor palette. I like the format, size and light weight very much and the way the paint easily re-wets. Although the colors aren’t as intense as their artist’s grade paints they’re all permanent/lightfast. But that might be fine for sketching since it might help me keep the sketches simpler and save fancy washes for real watercolor paper.

Categories
Berkeley Ink and watercolor wash Landscape Outdoors/Landscape Watercolor

Teddy Bear Fountain, Berkeley

Teddy Bear Fountain, Berkeley, ink & watercolor, 8x11"
Teddy Bear Fountain, Berkeley, ink & watercolor, 8×11″

I was excited to sketch Berkeley’s 100-year-old Teddy Bear Fountain again. We found the perfect viewpoint, I sat down on the carved stone bench, pulled out my pen, opened my bag and discovered I’d forgotten my sketchbook! DUH! Fortunately Cristina had a 9×12 watercolor block with her and she let me use it.

When I sketched the fountain before I wasn’t happy with the results so I decided to start with pencil on the complicated scene this time. There was an odd optical illusion; it appeared that the water was only falling behind the fountain so that’s how I painted it. I also intentionally shrunk the width of the base of the fountain.

The sun was setting when I finished drawing so I added paint at home. Please check out Cristina’s comprehensive sketch of the scene and Cathy’s previous sketch that is now featured on Berkeley Library cards. Below is the photo I took before I started drawing.

Teddy Bear Fountain Photo
Teddy Bear Fountain Photo