Tag: People

Francis: Work in progress, oils

Post author By Jana Bouc
Post date July 31, 2007
3 Comments on Francis: Work in progress, oils

Grisaille underpainting, oil on canvas, 9×12 (larger)

Francis is a little boy I photographed (with his mom’s permission) in the cafe at the Museum of Modern Art in San Francisco. Something about his red hair and sweet, wise nature made me want to paint him. This is a second attempt–the first got tossed. I’m trying a technique I recently saw demonstrated at the California Watercolor Association meeting. The goal is to end up with strong darks, high contrast and glowing skin. The artist who demonstrated the technique started her demo by showing slides of Caravaggio‘s paintings. He is known for strong contrast of glowing light in an otherwise dark scene, known as Chiaroscuro.

Once this layer dries I will be painting over the underpainting with a thin layer of color, trying to allow the darks and lights to remain and show through.

(above) First I started by toning the canvas with a thin wash of acrylic burnt umber paint. Burnt sienna would have been better though–this color is too dark and not warm enough. Then I used Saral transfer paper to trace the enlarged photo onto the canvas. Portraits are the one subject that I still do that kind of transfer instead of drawing freehand when I want to be sure to get a resemblance with all the features the right size in the right place.

(Above) Next I started blocking in the dark shapes and lines I saw using burnt sienna oil paint thinned with Gamsol Odorless Mineral Spirits.

(Above) Once I had the shapes blocked in I was ready to start adding the black paint, trying to keep it thin so some of the burnt sienna would show through.

(Above) Then I started adding white paint, trying to make smooth transitions between dark and light. And this brought me to the finished grisaille underpainting at the top. Now I just need to let it dry and then start adding the thin layer of color and see what happens.

Tags Faces, People

Art theory Life in general People Sketchbook Pages Subway drawings

Art Shows on TV & Subway Drawings

Post author By Jana Bouc
Post date July 25, 2007
11 Comments on Art Shows on TV & Subway Drawings

Above, on the train to work in the morning, 5 minute drawing.
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All are ink in Moleskine sketchbook

Above, waiting for the train on the platform, 3 minute drawing

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Above, people on the train to work, probably 3 minutes each (my trip is only 13 minutes)

I’m sooooo tired tonight. I think I used up all my brain juice at work today which seemed more intense than usual, multi-tasking, solving problems, meeting needs, responding to questions, ticking one thing after another off the bottom of my to-do list as more things piled on top of it. At the end of the day I had 48 work email messages I still hadn’t dealt with yet, some left over from Monday. I get about a hundred a day, most needing me to do something. Thank goodness tomorrow is Thursday and Friday starts my weekend. How did I ever manage a 5-day work week? It’s only 8:15 and it feels like 10 p.m. so I’m going to go watch some mindless TV and then go to bed.

Art History Shows
I’ve TiVo’d and have been gradually watching the Simon Schama series, The Power of Art, on PBS. It’s really weird. Each week a different seedy-looking British actor portrays another famous artist (most of whom weren’t British) while Schama narrates bits of history, trying to make everything sound as lurid as possible. The actors dramatize the artists’ darkest, most desparate moments of depravity, criminality, mental illness, illicit affairs, and bizarre behavior, focusing not on their most famous work, but the work they were most infamous for. It’s kind of like the Jerry Springer/National Enquirer/tabloid TV show version of the world of art. Some of the scenes are really disturbing such as Van Gogh squeezing tube after tube of brilliant oil paint into his mouth and swallowing it. Yechh!

I’ve also TiVo’d a CPB show, “Art of the Western World” with another British guy narrating the history of art, period by period, with just the opposite approach–a bit on the “good for you” but boring side. It was originally made as a college course, I think. I love my TiVo, by the way. It’s easy to use and I can set it to record every episode of a show with one click of the remote, and search for shows about art and painting and click to record them (which is how I found these programs). One more excellent program is American Masters on PBS. Recent episodes have featured David Hockney: “The Color of Music” and John James Audubon: “Drawn from Nature.”

Painting How-To Shows
Another show I’ve been enjoying is Your Brush with Nature. Each week the host, Heiner Hertling, paints a plein air oil painting on site in different locations. It’s not corny like some painting shows and he’s a good teacher, thinking out loud as he tackles the challenges of painting outdoors. There are two watercolor painting shows I record: Terry Madden’s Watercolor Workshop and Gary Spetz’s Painting Wild Places. I’ve gotten a little tired of Spetz because he does SO MUCH detailed masking with masking fluid, but both Madden and Spetz make attractive paintings and demonstrate techniques worth knowing about. For acrylics, Jerry Yarnell demonstrates how to paint what look like traditional oil paintings but using acrylics. I was having a really hard time figuring out acrylics and watching his show really helped to understand. I tried watching the ubiquitous Bob Ross oil painting shows on PBS but just couldn’t stomach them because they were way too gimicky and not at all about painting what you see (“here’s how to paint happy little trees”). I do love his voice though.

I’ve recently discovered an art video rental company like Netflix only for art videos called Smartflix. I haven’t rented from them yet (it’s a little expensive–$10 a video rental) but it seems like it might be worth it–cheaper than taking classes (though without the teacher feedback on your own work) –to see masters at work whose books I’ve read but seeing them work adds another whole dimension.

Tags Pen and Ink, People, Subway drawings

Art theory Oil Painting Painting People Photos Portrait Puerto Vallarta

Work in Progress: Puerto Vallarta Cowboy in oil

Post author By Jana Bouc
Post date July 15, 2007
6 Comments on Work in Progress: Puerto Vallarta Cowboy in oil

Oil painting IN PROGRESS – 22 x 28 inches
Click here to see larger

I started this oil painting today from a photo I took in Puerto Vallarta a few months ago (see bottom of this post for the original photo). I thought I’d track my process and progress and post the results as I go.

(Clicking on any of the pictures below will take you to Flickr where you can click All Sizes to see larger)

Above are the thumbnail sketches (each about 2″ x 3″) that I did first, trying to work out the composition and colors. I needed to make the sketch match the dimensions of the canvas. Unlike watercolor paper that you can cut to any size, with canvas you either have to stretch it yourself (been there, done that) or use standard sizes.

Above top right: I used grey markers to work out the values but I didn’t change the composition from the photo. Above bottom left: In this grey marker sketch I moved the cowboy to the right, adding more wall between him and the door and added some white gel pen to put back light I lost. Above bottom right: I used gouache to work out the colors.

(Above left) I placed the original photo in InDesign so I could print it out in grey scale in”tiled” pieces and then I taped the printed sections together so that it would be the same size as my 22×228 canvas. Then I printed just the cowboy in color and stuck him where I wanted him on the large printout. I could have done this in Photoshop but decided it was quicker to do manually. It’s placed over the canvas in this photo.

(Above right) I toned the canvas with acrylic paint mixed to a sort of orangey-brown. I used a sponge brush and kind of messed it up, going over an area that was partially dry, which took off paint instead of putting it on. Fortunately it was in an area where there’s a textured wall so it didn’t matter. Then I put a sheet of Saral graphite “carbon paper” between my enlarged printout and the canvas and using a stylus originally designed for using on a Palm Pilot PDA, drew (invisibly) along the outline of the shapes on the enlarged photo. The Saral paper transfered those lines to the canvas. Unfortunately I didn’t notice the enlargement slipped so I had to retrace the guy again, half an inch to the left which left a lot of confusing double lines. The main reason I wanted to trace was to get the shapes on his face right and they were totally messed up. So I redrew him over the graphite lines with a fine point Sharpie instead of tracing, which worked OK.

Above: I scanned my thumbnail value sketch, enlarged it to 8×10 and printed it out and stuck it on my easel along with the reference photo and then….

Above: Using black acrylic gesso I referred to my value sketch to make a grisaille or monochrome underpainting over the orange. Now that I’m looking at this I realized I forgot to put the grey rectangle behind his head that will have the text on it and the orange is looking paler than it really was.

Above: I was having trouble with the face so I enlarged his face and printed it, then turned the canvas and the printout upside down and tried to get the shadows and value patterns right on his face.

Then I blocked in the first layer of color with oil paints over the underpainting (picture at top of post). Once it dries I’ll paint another layer. I plan to work loosely, avoiding overworking, especially the door on the left which I like just the way it is.

Below, the original photo. Isn’t he wonderfully macho?

Tags People, Photos, Puerto Vallarta

Drawing People Sketchbook Pages

Sketching musicians in the dark

Post author By Jana Bouc
Post date July 10, 2007
4 Comments on Sketching musicians in the dark

All sketches are ink in small Moleskine notebook
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The Fishtank Ensemble performs a fascinating mix of Eastern European/Klezmer/Gypsy/Flamenco/Japanese music and their beautiful lead singer has the most astonishing, operatic voice. They were performing at Ashkenaz on a Wednesday night while I was on vacation and I went by myself to hear them since for everyone else it was a “school night.”

It was a fabulous, thrilling performance, and much of the music was very fast so I was drawing really fast too, even though I could just barely see what I was doing. Here are some more of my sketchy drawings from that night. If only they could convey the excitement of the music!

To see larger click here.
The square instrument above is a Japanese shamisen. The lead singer plays violin and saw and can make her voice sound just an ethereal saw.

Left above: The lead singer is tall, slim and dazzling, (my drawing doesn’t do her justice), wearing a flippy little black skirt and a very small jeweled black velvet top with bare midriff and delicate high heeled sandals.

Right above: On the other hand, this woman who was dancing in front of me looked like she was trying to make herself look dumpy. She was wearing striped kneesocks with oxford shoes, a short baggy sweater on top of a long baggy shirt and a bulky pleated knit skirt. She had her hair in pigtails and was wearing big glasses. But she was having a ton of fun dancing up a storm.

Tags Pen and Ink, People

Figure Drawing Gouache Life in general People Sketchbook Pages

Learning to Vacation

Ink in Moleskine sketchbook – Peaberry’s Coffee in Oakland’s Rockridge District, land of yuppies with strollers
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Today was my first official day of vacation. There’s something about a week off that makes me want to hoard every moment and then I start worrying about it ending before it’s even gotten started. It usually takes me until the very end of vacation to get into the swing of relaxing. I’m so grateful that the physical pain in my back and hip is gone. Tomorrow I’m going celebrate feeling good and being free.

Today I had a wonderful hour and a half of massage and bodywork that my sister treated me to for my birthday and then I took an hour long walk along College Avenue in the Rockridge District of Oakland/Berkeley and had a latte at Peaberry’s Coffee (above) where I listened to the guy in the foreground rant for 20 minutes to a very patient woman about how he brought dessert and cheese to a dinner party where the hosts didn’t put his dessert out and stole the cheese for themselves and never said thank you. Then I drove over to Telegraph Avenue in Berkeley and exchanged a couple CDs at Amoeba Records. I really like one I brought home today: Rodrigo Y Gabriela–sort of flamenco/rock guitars from Mexico–wonderful!

Ink in moleskine: at Berkeley’s Skateboard Park
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Yesterday I rode my bike to REI looking for a Klean Kanteen which is a lightweight stainless steel water bottle to avoid polluting the world with jillions of plastic water bottles and my body with the chemicals in plastic that are now found to be absorbed into the water and the body. They were all out. Riding home I discovered the Berkeley Skate Park (above)– like a whole bunch of concrete ski-slopes, jumps, rails, curbs and swimming pools where skaters try out their tricks (video) without endangering anyone but themselves.

Afterwards I did some figure drawing using a brushpen, adding gouache later to some of the sketches. Here’s a couple of them.

Brush pen in Aquabee sketchbook

Brushpen and goauche on hot press Arches paper

I’m also a little frustrated because I’ve finished all of my work in progress and it’s time to start some new work but I can’t seem to settle on what I want to do next. After a couple days of trying to make myself settle down and get to work in the studio I’ve realized what I really want is to just be outdoors, drawing and painting what I see, rather than working in the studio. So that’s what I’m going to do because it’s my birthday vacation and I get to do whatever I darn please, so there!

Tags Figure Drawing, Pen and Ink, People

Flower Art Life in general Painting People Plants Portrait Still Life Watercolor

Birthday flowers from my neighbors

Post author By Jana Bouc
Post date June 20, 2007
12 Comments on Birthday flowers from my neighbors

Watercolor painted quickly and directly on Arches hot press watercolor paper without preliminary drawing and then when dry, Pentel brush pen to draw/paint the lines. 7.5″ x 11″
Click here for enlarged view

My wonderful next-door neighbors brought this potted azalea for me as a birthday gift yesterday, along with a nice card and a hug from each child. I have the sweetest neighbors. Not long after I first moved in I fell in love with their kids and after photographing them at baby Alex’s baptism painted these portraits of Alex, Yessica and Erick which they have hanging in their living room. We help each other with all sorts of things and they often bring me delicious home cooked Mexican food (including delicious barbequed salmon with cactus relish).

Then my sons took me out to good Thai food last night. It was wonderful being with them and realizing more than ever what great young men they’ve become. It made my day, even though I looked like a gimpy old lady with my limping and had to sit on my fleece jacket because the sciatica makes it hurt to sit without extra padding. But the combination of their good company, the good wishes of people who’ve written or called to wish me speedy recovery and happy birthday, the yummy Thai food, some nice pain meds and a Singha beer made for a perfectly happy birthday! And I am getting a little better each day.

Tags Ink, Pen and Ink, People

People Sketchbook Pages

Waiting for an x-ray

2 unfinished sketches – ink in Moleskine
Click here to enlarge

Today is my birthday but instead of celebrating I went to see my back doctor and then to the hospital for a hip xray. They aren’t sure if my hip pain is sciatica from a flare up of an old herniated disk in my back or something wrong with my hip. While I was waiting for the doctor I drew the spine on the right hanging in the office but didn’t get to finish because he was right on time. Then while I was waiting for the xray I drew the waiting woman on the left but got called in before I could finish that either.

This morning Barbara took me out to breakfast for our traditional annual pilgrimage for a french apple pancake at Fat Apples but instead of our usual hike up there, we drove. I had to bring my shoes for her to help me put on because the pain makes it impossible to reach my feet. I’ve got my fingers crossed that this will be gone before my birthday vacation which I postponed to next week to be able to help with all the last minute preparations for several institutes at work but I’ve ended up working from home instead. It’s a little hard to go into the office when you can’t put your own shoes on! Thank goodness for my comfy new home computer workstation and for modern pharmaceuticals! My neighbors just brought me a lovely plant for my birthday and my sons are taking me out to dinner tonight. Now I just need some birthday cake and candles to blow out to make my birthday wish for completely recovery by Thursday.

Tags Pen and Ink, People

Drawing People Sketchbook Pages Subway drawings

Subway Drawings

All are ink in Moleskine sketchbook.

This is the busiest week of the busiest month of the year at my day job. We’re holding five institutes in the next few weeks across the country and 10 hour days are norm.

As a result these drawings done on our subway system known as BART are the sum total of my art output this week.

I’ve been too tired at night to draw and too late rising in the morning to do dream drawings after not sleeping well.

But there’s just one more week to go and then I’m on vacation and it will be 12 glorious days of drawing, painting, rest, reading and relaxation. I’m planning lots of fun trips around the Bay Area to do mini-sketch crawls with art buddies.

Tags Pen and Ink, People, Subway drawings

Digital art Illustration Friday People Sketchbook Pages

IF: Suit (Birthday Suit)

The Illustration Friday challenge “suit” really didn’t grab me until I remember it was my birthday this month…

(above) I scribbled the idea for this on a handy notepad with pencil at midnight while I was waiting for my neighbor’s party to end so I could get some sleep. Then I inked over the outline today and followed the steps below to get to the finished picture. The color in the picture above comes printed on the notepad.

Techie notes:

I outlined the sketch in ink and scanned into Photoshop, using Levels to erase the background (paper had designs on it) and improve the contrast. Then I opened it in Illustrator and used “Trace” command to get clean outlines. I imported that into Painter, doing some more drawing and then creating layers defined as “Multiply” to paint it without losing the outlines. I mostly used the digital airbrush. Then I opened it in Photoshop to use the handy “Save for Web” option (Phew!) It took about 2 hours total.

This is my first project on my new electric sit-stand desk/computer workstation. It was a massive project requiring lots of computer and furniture wrangling in my studio to get it all set up and functional and some really late hours. That’s why I haven’t posted the past few days. Tomorrow I’ll post some pics of my new desk and write about the project, my ridiculous goof-ups, the fixes and the complicated but very groovy computer setup that my friend Richard, tech consultant extraordinaire, helped me plan and assemble.

Tags Painter Digital Art, People, Photoshop painting

Art theory Faces Gouache Painting People Portrait

Girl in Gouache

Gouache on hot press watercolor paper, 7×10″
Click here to see large (then click again)

I painted this from a photo I took of a little girl at my niece’s high school graduation. I’m learning a lot from working with gouache–it’s a great way to experiment with seeing values and color temperature which is so important, especially for working with oil paint. I’m also learning that while you can repaint layers with gouache you do eventually get unpleasant paint build-up and it becomes more difficult to blend, as layers beneath get reactivated (unlike acrylics).

One note for anyone who’s interested in working with gouache: Many of the colors are not at all permanent since many artists who use gouache are painting for publication and the work only needs to look good until it’s photographed. When shopping for gouache, make sure the tube of paint has an A or AA permanence rating. Anything below that (B or C) and the paint may fade or change color rapidly (just in case you paint a “keeper”).

Tags Faces, People