Temescal Clark Street Victorian, ink & watercolor, 5.5×8″
Although my wonky sketch makes it look rather spooky, this is actually a lovely, well-maintained home in the Temescal district of Oakland. I was sitting on the curb sketching at sunset and a woman walked by and said, “Oh, I just sketched that house yesterday!”
Temescal Alley Barber Shop door
We met for our Tuesday evening sketching in Temescal Alley, a historic semi-restored block of tiny shops that was formerly a horse stable. Temescal Alley Barber Shop is an amazing place with old-fashioned everything (except the barbers who are anything but old-fashioned). They were closing so I only had time to draw their door and barber’s pole but really want to go back and draw inside the shop.
Barber’s motorcycle, ink, 4×6″
Since all the other shops were closed I started drawing the motorcycle outside the barber shop. Then the barber closed up and drove off. So we walked down the street where we spotted the Victorian at the top of the post and sat down to sketch. We finished the evening at Scream, a tiny shop that sells tiny cups of homemade vegan sorbets, where we sat on a bench and shared our sketches.
Saints Peter & Paul Church, Ink & watercolor, 8×5.5″
We brought our lunches from Molinari’s Deli to Washington Square Park where we sat in the shade of a tree to eat and then sketch Saint Peter and Paul’s Church. I started in a smaller sketchbook first (below) and then decided to start over (above) in the larger watercolor Moleskine I’ve been using lately.
Saints Peter and Paul Church, 4×4″
Then we made the long walk to the Fisherman’s Wharf Holiday Inn for the Tease-O-Rama sketching. From there we walked down to Maritime Museum where I stamped the page (above) with their National Park rubber stamps when we arrived at Aquatic Park.
San Francisco Bay from Aquatic Park, ink & watercolor 16×5.5″
Above is the last sketch of the day, my view sitting on the stairs at Aquatic Park, across the street from Ghirardelli Square, the Sketchcrawl meet-up spot.
Golden Gate, Marin County and Aquatic Park (left side of spread)
Above is a bigger picture of the left side of the spread, looking out towards the Golden Gate Bridge on the left, Marin County in the middle, and people playing at Aquatic Park.
Marin County, Alcatraz and the Balclutha (right side of spread)
Behind the big ship Balclutha on the right (part of the San Francisco Maritime National Park), is Alcatraz. On the left is the ferry, taking people from San Francisco to Larkspur in Marin County. The bay was full of sailboats, kayaks and even people swimming on this unusually warm and sunny spring day.
I feel so blessed to live in such a gorgeous area with an incredible variety of people, places, and scenery! I’m also very grateful to both Enrico Casarosa who started the International Sketchcrawls and Gabi Campanero who created Urban Sketchers, and the opportunities their organizations offer for us to enjoy the art of sketching together.
Dr. Sketchy’s Anti-Art School was holding a free Tease-O-Rama drawing session during the afternoon of the Sketchcrawl at a Holiday Inn. The models, all burlesque artists, were beautiful, with surprisingly natural bodies from heavy to thin, and without any apparent enhancements except makeup and feathers (and maybe wigs; their hair was just a little too perfect).
They were in town for a burlesque convention so the hotel was filled with people from this interesting subculture. Some looked quite ordinary when they changed out of their costumes (I was in the restroom when two ladies did that). Others were extraordinary in a variety of ways, costume or not (head to toe tattoos for example).
First pose of the day, ink & colored pencil, 8×5.5″
They really knew how to pose like pin-up girls and hold that come-hither look. The poses were each 15 minutes which was perfect. There were about 50 artists in the plush conference room, sitting audience-style in chairs, so I couldn’t get out my watercolor set. I just had my pens and a red watercolor pencil I borrowed from Cathy.
Least favorite model/sketch, ink & colored pencil
The model’s outfit above was actually white but so was her skinny body, which was kind of boring to draw. I used a Micron Pigma pen and black and yellow Pitt Artist Brush Pens and Cathy’s red pencil.
Miss Redd, in green, ink. (Watercolor added later) 8×5.5″
I was delighted to discover that I could to do a competent job at not only drawing the models, but also fitting them on the page. If you do any figure drawing, I’m sure you know how easy it is to end up with no room for the feet (or worse, the head)! Frequent drawing practice and study has led to my being able to better see the angles, shapes, negative space, and plumb lines within the subject, which makes drawing easier. Yay!
The next model was way too creepy for me: a guy wearing a rhinestone-studded gas mask, a sequined g-string and black leather body straps. My sketch buddy Cathy had left after the first model, wanting to be outdoors, and I decided this was a good time to join her.
More sketches from the beautiful outdoors in the next post.
Waiting with flowers at MacArthur BART Station (sketched standing on the platform and color added at home)
Sketchcrawl 35 was fantastic! The weather in San Francisco was unusually beautiful, warm and sunny and there was so much to see and do. I’m posting the sketches in three parts since what we saw in each part of the day was so different. Part I covers the trip into the city through lunch.
Reading an Actual BOOK on BART (paint added at home)
So rare to see someone reading a real book and not just fidgeting with their digital whatevers.
He reminded me of Jay from the movie Clerks
The guy in the sketch above reminded me so much of the slacker Jay from the movie Clerks I had to post this photo of him and Silent Bob below.
Jay and Silent Bob in Clerks
Thank goodness for the Internet or I would have been saying, “Doesn’t he look just like that guy in that movie….” and had no photo to show you.
Cathy and another sketcher at Caffe Trieste in North Beach (sketched and painted on site)
Cathy was sitting at my sidewalk table sketching someone behind me so I sketched her while the group gathered at Caffe Trieste, the starting point for the sketchcrawl. There was scaffolding over the entryway, which provided an interesting drawing challenge.
Molinari’s Deli where we bought lunch (sketched in the store, painted at home)
Cathy and I bought lunch for later and then stood in opposite corners of the store to sketch the counter guys at Molinari’s Deli in North Beach. (Click the link to Molinari’s to see the picture prominently displayed in their store of their salame with the Pope). They turned up their radio for the end of the Barcelona vs. Madrid soccer finals. It was fun hearing the super-excited announcer yelling the play-by-play in Spanish as a player ran down the field, made a goal and won the game.
Part II will be my drawings from Dr. Sketchy’s Tease-O-Rama and Part III is more in North Beach and Fisherman’s Wharf.
Our sketch group took a train trip to Sacramento and visited the California State Railroad Museum. The enormous building ( 225,000 square feet) contains many full-sized trains. This one called out to me so after looking around a bit, I sat against a pillar on the hard floor and started drawing.
I used pencil first to get the basic shapes down since it was so complicated. Then I switched to ink and the time flew by. A friendly docent started talking to me and I realized I only had a few minutes left before we had to leave for our train ride home, so I quickly added watercolor, which I touched up a bit when I got home.
Micaela and Susan sketching on the train ride
The museum has a Pullman-style sleeping car, a dining car, and a Railway Post Office, all of which you can walk through, along with many life-size displays demonstrating railroad life in the early years of California. I especially liked the little telegraph office with the lady at her desk with a little dish holding egg shells and a salt shaker from her breakfast. She must have had to work long hours in her lonely outpost. Click here to take a 360 Virtual Tour of the museum (or go in person—it’s fantastic!)
Davis Train Station as it rolled by
We walked from the train museum to the train station for our ride back home. When we stopped at the Davis station I tried to draw it. But it must have been a “whistle stop.” I barely had time to sketch the tree and a bit of the lamp-post when we were rolling again.
1950 Royal Typewriter just like my grandpa's, Quick sketch, Pitt Brush Pen, 5x6"
Automatic Response Systems offers drive-in shredding service for your boxes of old bank statements and tax returns, secrets on your hard drives, naughty videos, or anything in between. Their Willy-Wonka like equipment rolls your papers up a ramp, grinds them in a massive shredder and flies them away through huge see-through tubes.
They recycle everything they shred, from the paper to the paper clips. Their old, brick, northwest-Berkeley industrial-zone warehouse is also home to an amazing collection of antique office and industrial equipment. The owners graciously allowed us to come sketch there on a stormy Tuesday night.
This enormous drill press is about 8 feet tall and much more substantial than my sketch makes it look. I started drawing it from the top which was further away from me (so appeared smaller) than the base, but not as much as I drew it (oops). It was incredibly complicated and a fun challenge to draw. Be sure to see my friends’ much better drawings of this amazing equipment posted here and here on our Urban Sketchers blog.
1840s French Deposé (pot metal) Sculpture, sepia ink, grey brush pen, black brush pen, 8x5"
When we first arrived I warmed up by sketching this life-size bust of a beautiful woman who, unlike in my sketch, did not look at all worried about how I was drawing her.
We hope to go sketching there again as there was so much more to draw. And if you need anything shredded in the S. F. Bay area, this is the place to go (or call—they pick up too)!
Chicken Pot Pie Celebration, ink & watercolor, 5x8"
When we met for sketch night at Fat Apples Restaurant I decided to celebrate my move into the new studio with a sinfully decadent chicken pot pie. It came with a great salad and two unnecessary rolls since there was already too much to eat. By the time I finished sketching it, the pot pie cooled off just the right amount to eat. Yum!
Fat Apples has these two large café umbrellas in the middle of the restaurant at a counter where your can eat instead of at a table. It was interesting drawing them from below and to the side and trying to understand what was going on in there. Everyone finished sketching and was waiting for me so I didn’t get to complete the sketch. That’s a waitress with pigtails behind the counter. She actually had a pony tail but turned her head so I drew it in two places.
(Question: Why is a pony tail single but pig tails come in pairs? Pigs only have one tail, right?)
I’m still working on getting a post written and photos taken about the studio. I tried making a 360 degree video in the studio, explaining what I was showing, but when I watched it I discovered I lost track of where I started and actually did 360 degrees plus another 90. It was fun so I’ll try again.
By the date on this sketch at Saul’s Deli you can see how behind I am in posting. I have just a bit more organizing to do in the studio. Once that’s done I will share pictures of the studio and then can not only catch up on posting but also on sketching and painting.
Actual Cafe: Bike Hangs From Ceiling, Ink & watercolor, 8x5"
We had a great Tuesday sketch night at the Actual Cafe in Oakland. It’s an interesting place with a huge mural on the wall, a lending library, bicycles hanging from the ceiling, and regularly scheduled art events. They host bingo games to benefit non-profits and, being a bike-friendly establishment, use an old bike rigged up to spin a bingo cage and send bingo balls down the chute.
The High Room Taxidermy at Spengers, ink & watercolor, 5x7.5"
Our Urban Sketchers group met Tuesday night at the historic, oldest restaurant in Berkeley, Spenger’s Fish Grotto. I called ahead to see if we could sketch in the room whose walls are covered with taxidermy animals and fish. The manager was very supportive of our visit, even though he was dealing with half the restaurant (which has many rooms, all full of seafaring and other historic artifacts) being closed for carpet cleaning that day.
I arrived a bit late due to continuing construction work at my house, and found the group sitting at a big table in the middle of the taxidermy room (actually called the “High Room” because of the super high ceilings). Richard the manager had opened and designated the room just for us. Thank you Richard!
We are delighted that Berlin Urban Sketcher and illustrator Olga Prudnikova has joined us for the next couple of months while she is in Berkeley. She and the rest of our group managed to do many sketches to my one. You can see their beautiful and quirky sketches on our SF Urban Sketchers blog here and here.
Thank you Spenger’s general manager Richard, for your support and hospitality. We had a great time sketching and snacking on their famous creamy, thick clam chowder.
Under Construction, ink & watercolor 5x7" * I was sitting on the curb just finishing up my sketch when a guy in a truck pulled over and politely asked me to move so he could park in front of his house, where I was sitting. I added the watercolor standing up.
When I returned from my workshop a week ago and told a friend about all I learned, she said something like, “I can’t wait to see your paintings and how what you learned has improved your work.”
If only it were that simple! Learning HOW is quite different from being ABLE to DO what you have learned. Especially when the teacher you study with has painted 8-12 hours a day for 20+ years honing her ability to see, draw and paint. Even when the teacher is extremely generous in her teaching and tries to tell you everything she knows during the intensive week of painting and learning.
I’m still processing what I learned, experimenting with it, and trying to incorporate it into a way of painting that works for me. I promise a post about what I learned soon. But no promises that you’ll see big “improvements” in my work yet. That only comes with practice and time. In fact, after “learning” something new, it’s not unusual for work to show signs of struggle and get “worse,” not “better” for a while.
MEANWHILE…The Studio Conversion
I’m still in the construction/remodeling/moving and sorting stuff process of converting my former studio (half my duplex) back into a rentable apartment and remodeling my former 2-car garage into my new studio (almost done; pictures soon). My carpenter planned to finish a few weeks ago on what turned out to be the only rainy weekend of the winter, which forced postponement. Now he’s tied up on a big job but hopefully will squeeze mine in over the next week or two.
Jana Bouc, Artist 