Brennan's Bar Decked Out for the Holidays, ink & watercolor, 5x7"
I hope your holidays are full of love and joy (and some sketching too!) The picture above is from Brennan’s Hoffbrau and Sports Bar, one of my favorite indoor places to sketch (and to eat—they have roasted turkey legs all year long!). Although our Tuesday night drawing group spread out to sketch at different tables in the cavernous space (a former train station) we all ended up drawing these same guys at the bar. Micaela did an amazing panorama of the whole joint including me sketching (seen here on our Urban Sketchers blog).
Big Guy and Photo of Prize Steers, ink, 5x7"
The “decor” at Brennan’s includes many old framed photos on the walls of men in suits showing off their prize-winning steers. This guy was as big as a steer and when he got up and left before I could finish drawing him at the table I added the steer photo to complete the picture.
Caffe Trieste (she's saving seats with her backpack) before the band (then six people crowded around those 2 tiny tables, sitting on laps), ink & watercolor, 7x5"
Caffe Trieste was crammed with people when we went to sketch and listen to the wonderful Randy Craig Trio—probably double the little café’s legal limit. The title of the post: “Your Style is a Mistake…” comes from a Robert Genn quote that I noted in my journal below:
People at Trieste and Genn note
How to Find Your Style as an Artist
In an interview, Robert Genn was asked, “How does an artist find their own style?” His answer was brilliant. He said (paraphrased here) that typically what makes your style yours, what makes it unique, is the thing you do “wrong;” it is the way you break the rules intentionally or just don’t do something “correctly” that defines your style.
In other words (mine), quit hating and start embracing those wonky lines that won’t behave, that paint applied differently than those artists you aspire to emulate or the hard edges or soft focus or pale washes… Keep studying and learning and practicing, but appreciate what you can do now and cherish those quirks. (Talking to myself here!)
Randy Craig Trio guitarist, ink & watercolor
You don’t have to be perfect to be wonderful and neither does your art. As a matter of fact, “perfect” art (in my opinion) is boring art.
When you make mistakes, think about how you’ll do it differently next time, but also look for the bit that worked even if it’s just a small passage. For example in the sketch above, the music stand didn’t work at all, nor did the singer I cropped off on the right, but I did a much better job with the guitar this time than I did last time I sketched at Trieste.
Picante was quite crowded on our Tuesday night sketchcrawl. Sonia arrived early and saved us a booth but since I was last to arrive, my seat faced the wall, without a view of anything to draw. I decided to wait until after I ate to find a spot to stand and sketch the tortilla maker. She was amazing, in constant motion, pulling dough from the bowl, rolling a ball, placing it in the wooden press, squeeze, put on grill, move the tortillas around, squeeze another.
Fish Tacos and salad, ink & watercolor, 5x7"
My dinner was delicious: fish tacos served on Maria’s freshly made corn tortillas and drizzled with avocado sauce. Yum! Picante is one of the best Mexican restaurants in Berkeley with a friendly, festive atmosphere and delicious food made with high quality ingredients.
The title is true: both the tea and the sketches were awkward. It was a warm November evening during our weird extended summer and the doors to the patio were open. But that didn’t diminish the smell of frying food and the annoying sound of constant chopping from the small kitchen. I totally botched the perspective when I drew the tables. The little girls look like they’re floating but they were sitting on a bench, also drawn awkwardly.
Cup of tea with lid, ink, watercolor & gouache, 7x5"
At the Imperial Tearoom, they serve the tea Gaiwan style: the loose tea floats in a cup with a lid but no handle (foreground above). To drink it, you’re supposed to tilt the lid and drink from the cup using the lid as a strainer. Awkward.
I’d recently given up caffeine so selected some sort of ginger, ginseng and weed concoction. Fortunately it tasted yucky so it didn’t matter how hard it was to drink. I was really just there to sketch, but the sketches turned out mostly yucky too. I added gouache to the teapot above at home to try to fix the anemic painting I’d done on site and to the saucer below to try to hide all the trouble I had with ellipses that night.
Tea with floaty stuff in it, ink & watercolor, 7x5"
When I ordered my tea I didn’t see prices on the menu, just the teas to choose from. When I paid the bill, I discovered the stupid cup of tea cost $6.00!
The scent of bay leaves perfumed the air as I sketched the John Muir House in Martinez. I love details and although I hear often that “good” art demands simplifying, I give myself a treat and break that rule whenever I please.
I intentionally drew the house with the top smaller than the bottom because that’s how it appeared to me, sitting close and looking up. Later I realized the palm trees also appeared to tilt in towards each other at the top. Drawn parallel, they make it look like the house is tilting back away from them. Oops.
I took a break between drawing and painting to explore the house and climb up to the attic lookout/bell tower. The view from there incongruously includes not only the lovely grounds with fruit tree orchards and gardens, but also the nearby freeway. You can see my friend Cathy’s sketches of the John Muir property (and the freeway) on our Urban Sketchers blog here.
On the John Muir Trail in High Sierras, photo copyright Robin Bouc
John Muir is known as the father of our National Park system; he convinced President Roosevelt to protect Yosemite, Sequoia, Grand Canyon and Mt. Rainier as National Parks. My son Robin has been hiking the High Sierra John Muir trail in sections for several years now and has taken some amazing photos, including the one above. You can see more of the photos he took this year in the remote wilderness on the trail here, and here (including his cute dog, Nilla who was one tired pooch on that trip!)
Boy Scouts Waiting to Parade, ink & watercolor 5x7"
I was supposed to go to a plein air paint-out but woke up in an ornery mood with a headache and decided to stay closer to home. Kensington, a nearby community of hills, big houses and trees was having their annual Harvest Parade so I drove the mile or so up there and perched on a low wall outside the combination drugstore/post office. These boy scouts above were fooling around on the bench beside me, waiting for the call to line up. They were constantly moving but I somehow managed to draw them as if they were holding still.
Ready to march, ink & watercolor, 7x5"
Across the street in front of the Sugar Cone Cafe in the hardware store parking lot staging-area, people started lining up. The El Cerrito High School Gaucho’s marching band practiced their flute and drum routines, cub scouts hug-wrestled, and a girl in a fairy costume twirled.
Once the parade started moving I followed along the six blocks to the library/community center destination. It was a charming, small-town event that had everyone smiling.
Kitchen on Fire: Tools of the Trade, ink & watercolor, 7x5"
Don’t worry, nothing’s burning! “Kitchen on Fire” is the name of a cooking school in the heart of Berkeley’s Gourmet Ghetto. We ended our sketching evening there when it got too dark to draw on the street. The chefs were cleaning up after an evening class and were nice enough to let us hang out and sketch until they finished. I’ve heard classes there are a lot of fun.
Freddy Hughes Band, ink & watercolor, 7x5"
The Cheeseboard Collective (PLEASE see wonderful sketches on their website here) has over 400 kinds of cheese and in the evening sells their pizza of the day to people who line up for it. They host bands who entertain the diners sitting on benches, at cafe tables or picnicking on the grass in the median strip of the street.
Be sure to watch this video long enough to see the two “Keep off the median” street signs and the guy using it as a back rest: pure Berkeley.
My first sketch of the evening was of this group of burly gentlemen below, enjoying their pizza crowded around a table in the dark, lit by streetlights and storefronts.
Eating pizza outside the Cheeseboard, ink & watercolor, 5x7"
I had a hard time with the sketch. There were actually 6 guys but they arrived one at a time, and kept changing places at the table outside the Cheeseboard. I had a whole story going in my mind about how they were Greek or Russian furniture movers.
I thought they didn’t notice me drawing them but when they got up to leave they asked to see. I was mortified since I’d done them no favors with my rendering. They were very nice anyway, recognized each other in the picture and laughed as much at themselves as at my sketch.
Then the guy on the left told me he was an artist who loves to draw and he was very encouraging. That’s the nice thing about sketching in public. Nobody ever criticizes your work, no matter how bad you think it might be.
Miller-Knox Park Sketches, Journal Spread, 11x7" (see enlarged individuals pics below)
We are having the most glorious Indian summer this October, with nicer weather than we had during the real summer. I always think of this hot, dry weather as Earthquake Weather because of the earthquakes and fires during other hot Octobers. And sure enough there have been several earthquakes the past week.
Little tree, from my car, sketch #1, ink & watercolor
When I arrived at Miller-Knox park for a plein air group paint out at 10:00, I decided to sketch the first thing I saw: this little tree. I sketched from where I parked my car. At the end of the paint out, when we returned to the parking lot, everyone was laughing at the dope who parked their car all wonky and it was my car they were pointing at.
Apparently in my enthusiasm to get sketching, I managed to park at such an angle that I went around the cement parking stop blocks, ending up half on the grass and half in the next space, none of which I’d noticed doing.
Lagoon view, geese in the shade
I took a walk and found a nice spot in the shade with a view of the lagoon and lots of white geese and Canadian geese. I lost the white geese when I repainted the shaded area so later added some white watercolor (which never quite works) to try to get them back. Since they’re in the shade, it’s OK that they’re not super white.
Lagoon and bridge view
In the Bay Area you can be in a stunningly beautiful park but have views of freeways or bridges in the background that remind you you’re still in an urban area.
People Picnicking in the Park
My last sketch of the day was of these folks setting up a picnic under the trees. This was one of those days when the weather was perfect, the scenery beautiful, and my pen and paint just worked.
I almost didn’t post these sketches from the Tilden Park Merry-go-round because I was so frustrated drawing them. But I think it’s interesting to see when others post things that challenged them so here you go.
I try to find something positive in work that doesn’t succeed overall. The one above was the last one I did as I was leaving. I really like the trees in the background and most everything else EXCEPT the messed up shape of the building that houses this wonderful 100-year-old carousel.
Carousel structure, ink & watercolor, 7x5"
I did the one above sitting on a bench inside the building trying to sort out the perspective and the way the whole thing fits together. Meanwhile the smells of burning popcorn and greasy hot dogs were making feel rather ill. I really struggled but in the end I think I got the understanding of what is a merry-go-round and how it works, though you can’t tell from this mess.
Carousel quickie, 7x5"
Another one that I struggled with. The little girl calmly rides while the horse seems to be expressing my struggle. And boy are the perspective and ellipses way, way off!
Get me out of here!
Another quickie with the horse expressing my feelings: “Get me out of here! It’s too hard to draw!” My friend Cathy did some nice sketches of the carousel, posted here on our Urban Sketchers blog.
When I got frustrated with painting from life last month, I took a break and experimented in working from the same photo in different media. First I did the sketch above in my journal from the photo below which I took at Point Bonita in the Marin Headlands last year.
Point Bonita photo cropped to 9x12"
I took the photo during a very cold and windy plein air paint out where I did a plein air sketch (posted here) and planned to eventually paint the scene in the studio. As you can see, I did what I call “imaginating” (a combination of imagining and exaggerating the colors I see in a photo or a scene) instead of rendering the photo as is.
Point Bonita #2, Watercolor, 12x9"
After I did the little journal painting at the top of this post (which I like very much), I tried it again 4 times bigger on a 12×9″ Arches watercolor block (above). It was fun to get back to painting in watercolor on something other than a small journal page. I didn’t use any masking on either of these, just painted around areas I wanted to stay white.
I enjoyed working larger on a watercolor block–I could work at a slant, mix juicy washes, and not have to worry about trying to keep the pages flat and the journal open. I’m falling in love with watercolor painting all over again.
Stay tuned for the oil and oil pastel versions tomorrow.
Jana Bouc, Artist 