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Building Ink and watercolor wash Landscape People Sketchbook Pages Sketchcrawl Urban Sketchers

San Francisco Sketchcrawl Part 2: Ferry Building, Ferries & Ladies Room Lines

Ferry Building Clock Tower, ink & watercolor, 7x5"
Ferry Building Clock Tower, ink & watercolor, 7×5″

While I waited for the Sketchcrawl to begin I started drawing the Ferry Building clock tower. The clocks weren’t really set for different times. It looks that way because I drew what I saw: by the time I got to the right clock it was 7 minutes later.

Sketchers Sketching on the Embarcadero
Sketchers Sketching on the Embarcadero

Next I tried to draw the sketchers on the little plaza across from the Ferry Building (above). My perspective got way wonky on the street on the right. Although there are many hills in San Francisco, this street is actually quite flat.

Marin Ferry, ink & watercolor 5x14"
Marin Ferry, ink & watercolor 5×14″

Behind the Ferry Building I watched the huge Marin ferry arrive. I knew I only had about ten minutes to draw it while passengers got off and on. I nearly finished the drawing before it headed back out so added the colors I remembered afterward.

Standing in Line for the Ferry Building Restrooms, ink & watercolor 7x5"
Standing in Line for the Ferry Building Restrooms, ink & watercolor 7×5″

I’m glad I didn’t wait until the last minute to use the restroom in the Ferry Building. There were 35 women in line for the ladies’ room and only about 3 for the men’s. Why? It was interesting drawing the women right in front of me because of the odd foreshortening I perceived looking down their backsides. Next time you’re waiting in line, try to draw the person right in front of you and you’ll see what I mean.

Later someone gave me a valuable tip I’ll share with you: there’s a little used ladies room on the second floor of the building. I wonder why the Ferry Building management doesn’t include that information in the signage directing people where to stand in line for the downstairs restrooms.

 

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Ink and watercolor wash Landscape Sketchbook Pages Sketchcrawl Urban Sketchers

Sketchcrawl San Francisco Part 1: Coit Tower

Coit Tower, from Levi Plaza, SF Sketchcrawl 40, ink & watercolor 7x5"
Coit Tower, from Levi Plaza, SF Sketchcrawl 40, ink & watercolor 7×5″

The San Francisco Sketchcrawl was so much fun and had a great turnout of around 75 people. It was great seeing old friends and meeting new ones. This was actually my last sketch of the day, finished just before our 4:00 meetup.

Micaela and I were going to walk the hundreds of stairs up to Coit Tower to draw it but got distracted by all the other events going on along the Embarcadero on our way. We realized there a was a great view of the tower from inside Levi Plaza, a beautiful, somewhat hidden park that I’d like to return to for more sketching.

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Ink and watercolor wash Interiors People Sketchbook Pages Urban Sketchers

The Exotic Loring Cafe and On a Starbucks Bag

Loring Cafe, Oakland, ink & watercolor, 8x10"
Loring Cafe, Oakland, ink & watercolor, 8×10″

Oakland’s Loring Cafe has the most eclectic decor and architecture I’ve ever seen in a restaurant. In addition to the arches, pillars, sculptures, palms and vibrant lighting, the restroom is like a brick-covered Hobbit house with no sink. To wash your hands you step out of the restroom where there is a large, round, stainless steel, multi-user industrial sink with little signs explaining how to turn on the faucets and get soap. Quite a unique washroom experience!

I’m glad I had my jumbo Moleskine watercolor journal with me since there was so much to capture in one drawing (above).

Sketched at Starbucks on Starbucks Pastry Bag
Sketched at Starbucks on Starbucks Pastry Bag

As my note in the sketch above says, I was just recovering from a bad cold and was so tired after my walk to return movies to the video store I had to stop at Starbucks to sit before I could walk back home.  I’m always grateful there are still video stores to provide entertainment during an illness. The only good thing about being sick is the opportunity to catch up on movies. Fortunately I don’t get sick often, and this sketch was done back in April. I think I’m caught up now on old sketches.

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Berkeley Ink and watercolor wash Interiors Sketchbook Pages Urban Sketchers

Swingin’ at Caffe Trieste, Berkeley

Tuesday Night at Cafe Trieste, ink & watercolor, 8x10"
Tuesday Night at Cafe Trieste, ink & watercolor, 8×10″

We’ve been going to Caffe Trieste in Berkeley for our Tuesday night sketching once or twice a year and each time we’ve been lucky to be there when the Randy Craig Trio is playing. I love their assortment of classic jazz and swing with piano, standup base, guitar and two women singers.

They seem to have a regular following because each time we go I see many of the same people in the audience.

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Building Ink and watercolor wash Landscape Places Sketchbook Pages Urban Sketchers

Women’s Work: Rosie the Riveter and Super Wonky Singer Sewing Machine

Craneway Pavillion and Rosie the Riveter Museum, ink  & watercolor, 8x10"
Rosie the Riveter Museum (left) and Craneway Pavillion (right), ink & watercolor & National Park rubber stamp, 8×10″

When my plein air group met at the Rosie the Riveter Museum alongside Craneway Pavilion (a former auto factory where “Rosie’s” riveted during WWII) on the San Francisco Bay in Richmond, everyone else painted the bay view on the other side of these buildings.

But as soon as I drove into the parking lot, this industrial backside grabbed me. From the row of street lights to the giant smokestack and thousands of windows, I was sold. I set up, sketched and painted in the parking lot. Then I toured the museum. My mother, RivaLee was a “Rosie” and worked in an airplane factory in L.A. where she was known as “Riv the Riveter.”

Singer Sewing Machine circa early 1900s, ink & watercolor
Singer Sewing Machine circa early 1900s, ink & watercolor & gold pen

I don’t know what happened to my sense of perspective when I sketched this early 1900s Singer sewing machine in a warehouse full of antique industrial equipment. It was very heavy, almost impossible for me to move, so I guarantee it wasn’t lifting off the table or sliding downhill like it looks in my sketch.

As I drew I was struck by the beautiful decoration and the rounded shapes that seemed to echo the curves of the women who used them. What a lovely tool it is compared to the sterile, boxy, plastic computerized sewing machines of today.

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Bay Area Parks Blake Gardens Building Gouache Ink and watercolor wash Landscape Martinez Plein Air Sketchbook Pages Watercolor

Spring Into Summer

John Muir Home and Orchard, ink, watercolor & gouache, 8x10"
John Muir Home and Orchard, ink, watercolor & gouache, 8×10″

After I filled the jumbo Moleskine watercolor journal I discovered I forgot to post several pages. From March! So here are a few of those sketches from early spring. Above and below are the John Muir home, with a bit of the fruit tree orchards and redwoods on the property. I sketched and painted these on site, with a little gouache added to the fruit tree blossoms at home.

John Muir Landscape, ink, watercolor & gouache, 10x8"
John Muir Landscape, ink, watercolor & gouache, 10×8″
Spring at Blake Gardens, watercolor, 10x8"
Spring at Blake Gardens, watercolor, 10×8″

Above is another spring sketch, painted directly with watercolor, of  magnolia trees and the pretty little flowers planted around the tree.

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Building Ink and watercolor wash Landscape Outdoors/Landscape Sketchbook Pages

Oakland Museum: View From Sculpture Garden

View from Oakland Museum Sculpture Garden, ink & watercolor, 8x10"
View from Oakland Museum Sculpture Garden, ink & watercolor, 8×10″

After my monthly workshop at the Oakland Museum, with John Muir Laws and his Bay Area Nature Journal Club, I stayed to sketch in the beautiful sculpture garden. There are lovely trees and plantings, colorful sculptures and interesting urban views. The building with the flag atop it is the County Courthouse on the next block.

I also visited the fabulous “Summoning Ghosts: The Art of Hung Lui exhibit.” The show features several rooms of her very large paintings plus early sketchbooks and painting studies completed in China before she came to the U.S. in 1984. The film of her painting with luscious juicy paint (and her signature drips) made me want to run to the studio and pick up a brush.

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Every Day Matters Ink and watercolor wash Sketchbook Pages

Every Day in May 21-26: Laugh, Tote, Screw, Joy, Bought and a Map

EDiM 24-25-26, Laugh (Fiona), Tote, Screw,  ink & watercolor, 8x10"
EDiM 24-25-26, Laugh (Fiona), Tote, Screw, ink & watercolor, 8×10″

I’m running out of days in May and pages in my sketchbook so here are two pages with 3 days each. First, “Something that makes you laugh” is watching my silly cat Fiona trying to catch a piece of cotton twine I swing around for her on my bed. It was interesting drawing her standing from the perspective of looking down at her (from a blurry photo of her in motion).

Next is “Draw a Tote Bag.” I was surprised how fun it was to sketch. For “Draw a Screw” I drew this big, rusty screw I found in the garden. It was hard to focus on each turn of the thread so I generalized. It might have been a good concentration exercise to draw each one.

EDIM 21-22-23, Last Thing Bought, Summer Joy, Map
EDIM 21-22-23, Last Thing Bought, Summer Joy, Map

For “Draw the last thing you bought” I sketched the New Wave Palette I bought at Blick’s with a 40% off coupon. I’d never used a hand-held palette before and I’m liking it. Next is “A Summer Joy.” I tried to draw the water drops on the window of the studio on a rare and surprising rainy day in May. I should have made the rain drops transparent instead of using a white china marker to create a resist. For “Draw a Map.” I made a map of how to get to the bathroom from the studio.

Only one more day in May but 5 more days of prompts left to sketch. That just means I get to keep going into June. Yay!

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Every Day Matters Ink and watercolor wash Sketchbook Pages

Left Palm, Something Owned by Another and Favorite Drink (EDiM 18, 19, 20)

EDiM 18-19-20 Left Palm, Something Owned by Another, Favorite Drink, ink & watercolor, 8x10"
EDiM 18-19-20 Left Palm, Something Owned by Another, Favorite Drink, ink & watercolor, 8×10″

On my left palm above is a kitty toy owned but not loved by my kitties. Their favorite toy is a 2-foot piece of cotton twine that they chase and jump for and carry to bed with them or bring to me to play with them. They were never interested in this toy but since it “belongs to someone else” it fits the Every Day in May challenge.

The other sketch is my afternoon cup of coffee, sitting on a mirror. I only drink decaf now, with just a little stevia in it. I miss my lovely lattes and the energy they gave me, but not the insomnia or headaches when I didn’t have my coffee on schedule.

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Drawing Every Day Matters Ink and watercolor wash Life in general Sketchbook Pages

Something That Scares Me (My Back) & First Aid Kit: Timely EDiM Topics

EDiM 16-17, Something that Scares You (Back Pain) and Something from First Aid Kit, ink & watercolor 8x10"
EDiM 16-17, Something that Scares You (Back Pain) and Something from First Aid Kit, ink & watercolor 8×10″

The Every Day in May cue #16 was “Draw something that scares you.” And I was mighty scared when I drew this because my back was in terrible pain. A couple times a year an old back injury flares up and I get really scared the pain will never go away. Fortunately it does, with good care and treatment. The funny crosses on my back above are special tape that my physical therapist put on my back to keep me from moving in directions that would make the pain worse. It really helped.

After a week of using the items in the drawing, “Something from the first aid kit” (pain relievers, ice packs including good old frozen peas) plus two appointments with my brilliant physical therapist Christine at Physical Therapy Innovations, my back was nearly back to normal.  I was able to go to my holiday weekend getaway in Santa Cruz and return home in good shape, even with two 2-hour drives.

Yay! Life is good again and now I can get caught up on the Every Day in May project and back to painting in the studio and plein air.