Categories
Ink and watercolor wash New York Outdoors/Landscape Sketchbook Pages

NYC Part 5: Central Park Conservatory Water, John Zorn at the Met, NYC Food Oddities

Central Park Conservatory Water, NY, ink and watercolor, 5x5"x7.5"
Central Park Conservatory Water, NY, ink and watercolor, 5×5″x7.5″

Saturday mid-day we met Brooklyn art blogger (and funny lady) Carol King by the Conservatory Water (above) in Central Park, named for the Conservatory of Flowers building it was meant to reflect but that was never constructed.

In the sketch above, I abused the rules of perspective, enlarging the boathouse and model boats but not the distance to the front of the pond, making the water look more like a kids pool than the small lake you can see in the photo below. Oops.

Photo of Central Park's Conservatory water from where we were sketching in the park
Photo of Central Park’s Conservatory water from where we were sketching in the park

Before Central Park, we went to the Metropolitan Museum where they were presenting hourly performances of John Zorn music to celebrate the avant-garde composer’s 60th birthday. I’d heard him interviewed on Fresh Air and was blown away by his dedication to a life of creativity, stripping almost everything else out of his life. You can read the full transcript here. This (slightly edited by me) quote really got me:

GROSS: What does turning 60 mean to you?

ZORN: There are no more doubts...That little guy that sits on my shoulder…that used to whisper in [my] ear, you know, “you could be really wrong about this,” that guy’s not around anymore. I brushed him off.

Everything is very clear: what I need to do, why I’m on the planet, the best way to accomplish it, what is a distraction, what helps me focus. Everything is really there. And…I work very hard, I work all the time, I’m not really interested in vacations or getting away from my work….

Now there are no more solutions because there are no more problems. I just turn the tap, and the music comes pouring out.

We chose the 11:00 a.m. performance Volac – Masada; Book of Angels with Erik Friedlander, cello, held in the Assyrian Gallery.

Assyrian Lamassi at Met during John Zorn Cello Concert, ink, 7.5 x 5'
Assyrian Lamassi at Met during John Zorn  Concert, ink, 7.5 x 5′
Assyrian Lamassi
Assyrian Lamassi protective being, after the concert and the crowd left

The sketch above left started out quite nicely, despite drawing standing in a crowd. But later, forgetting I’d used a water-soluble pen, I added watercolor. The ink spread and smeared all over. I tried restating the lines with a brush pen but don’t like the results.

I filmed the clip below holding my iPhone over my head; I couldn’t see what I was recording since my actual view was the crowd in front me as in the sketch above, but at least it is a snippet of the sights and sounds:

Next Carol was taking us to Brooklyn. We followed her down 5th Avenue to the subway, stopping quickly along the way for her to pick up a new-to-me food item. Pronounced as one word, “butterroll,” according to internet sources a “buttered roll is a big, pre-buttered, pre-wrapped roll, soft in the inside, chewy on the outside. Usually eaten in the morning with a cup of coffee, regular.”

And that’s another New York food oddity: when you order coffee most places you’re supposed to say “regular” if you want it with a “normal” amount of milk and sugar, or specify dark, light, sweet, or no sugar if you want something different because they put the stuff in there for you. I’m glad we had a coffee grinder filled with dark, rich beans and a French Press pot in our apartment. It was the best coffee I had in New York, with just the right amount of modifiers, added visually not verbally.

Categories
Building Ink and watercolor wash Landscape New York Sketchbook Pages

NYC Part 4: Micaela Arrives, We Walk the Highline, Get Lost, Greenwich Village

Washington Square Park Arch and Fountain, ink and watercolor, 7.5 x 5"
Washington Square Park Arch and Fountain, ink and watercolor, 7.5 x 5″

On Friday morning Micaela arrived after an all-night flight from Berkeley. We were both tired but excited to plan our first day exploring the city together. After coffee and bagels at Irving Farm Coffee we made our way by foot and subway to the High Line, a 1.5 mile long park built on railroad tracks up above the street. The rail line operated from 1934 to 1980 to carry mail, meat and produce to the meatpacking district.

Views from the High Line

We’d planned to sketch there but the High Line is so narrow we couldn’t find a spot with a view that wasn’t blocking the path so I took photos instead. (Click in a photo to enlarge.)

Next we began a long, crazy, circuitous walk to Greenwich Village, first trying to use Google map directions on my phone (FAIL), then print maps, and finally just asking people on every corner. Sometimes we were told to turn around and go the other direction; once someone told us it was too far to walk, to take a taxi. Often the people I asked were from other countries (some really cute guys from Norway tried to help) or were just as lost as we were.

On the Walk to the Village

I wanted to see if the funky Village tenement on MacDougal Street where I lived when I was 19 (I moved to Manhattan from San Diego with big dreams) and my old hangouts, Kettle of Fish bar across the street and Cafe Figaro on Bleecker  were still there. The funky tenement looks unchanged, but according to this New York Times article the Figaro and original Kettle of Fish are long gone.

Me and my sketch of Washington Square, Greenwich Village
Me and my sketch of Washington Square, Greenwich Village

We finally arrived around 3:00, explored the area a bit and then sat and sketched in Washington Square Park. It was a cloudy, breezy day and we kept getting sprinkled with spray from the fountain.

Cutie and the Boxer

At 5:00 we decided to try to make it to the 5:20 showing of the documentary Cutie and the Boxer about the art and lives of married, now elderly, artists Ushio and Noriko Shinohara, who came to New York from Japan when they were young (FYI the only boxing is with sponges on boxing gloves dipped in paint).

One of "Cutie's" drawings with the Washington Square Arch in the background
One of Noriko Shinohara’s “Cutie” drawings with the Washington Square Arch in the background

it was nearly 5:00. There were people trying to get taxis on each corner so we walked a block, waved down a cab and arrived at the theater in time to grab a couple of fish soft tacos next door before the movie started. (They were a mess to eat in the dark but delicious). Getting around most of NYC is so much easier and cheaper than the SF Bay Area!

We both liked the thought-provoking film; I especially enjoyed seeing Noriko drawing the Washington Square Arch (above) in a sketch that looked a lot like my sketch of the arch. There’s a great video trailer on this NY Times review that shows many of the best parts of the film.

But wait there’s more….

Taking the subway home afterward we had to change trains and walk through Union Square. There was a group of Hare Krishnas playing music, singing and dancing, but with added NYC flair: the saffron-robed guys were doing occasional break-dance and Bollywood moves!

Across the street we at spotted a Whole Foods and went in to shop for supplies. We were way tired and overstimulated and Whole Foods was packed with shoppers who knew their way around. We finally figured out the two-story layout, got the basics and stumbled to the long check out lines. Like the subways, there was a complicated system of numbers and colors and electronics meant to guide you to your destination, in this case one of 35 or so cash registers in five lines from the queues of shoppers standing under different colored banners.

I thought I had the system figured out so when the person in front of me didn’t go when it was her turn, I tapped her and told her to go. She and others in the lines gave me a pitying look. Apparently I got it wrong.

Finally, heads spinning, shopping bags and hearts full, we got back on the subway and found our way home. We plugged in and inflated the airbed our Airbnb host had left for Micaela (having to hold it up on its side in order to reach the one visible outlet) and soon we were sound asleep in our own semi-comfortable beds.

To be continued…

Categories
Figure Drawing Ink and watercolor wash Landscape New York Outdoors/Landscape People Sketchbook Pages Urban Sketchers

New York City Part 2: Battery Park, Statue of Liberty, Ellis Island and Figures al Fresco

Battery Park, Statue of Liberty, Ellis Island, ink and watercolor, 5.5x7.5"
View from Battery Park, Statue of Liberty, Ellis Island, ink and watercolor, 5.5×7.5″

My first morning in Manhattan I woke to sun streaming through the trees and hurried to get ready for a day of sketching in Battery Park with Shirley Levine and Pat Gaignat. Above is my first sketch of the day: the view from Battery Park of the Statue of Liberty and Ellis Island, where my grandfathers first arrived in the U.S. from Russia. It seemed like a perfect way to mark my arrival too.

Pat had created a multi-media iBook titled “Way to Go, Jana!” with directions for finding my way to the park at the other end of Manhattan. I downloaded it to my iPhone and headed out the door.

At my first intersection I stepped off the curb at a green light and BAM! a truck hit a motorcycle right in front of me. The bike went down but the rider didn’t seem injured. The drivers began their negotiations and I scurried across the street.

Below are a couple of screenshots from Pat’s e-book that I literally would have been lost without!

Pat's guide map page
Pat’s guide map page
Pat's guide  featuring Shirley with video and audio instructions
Pat’s guide starring Shirley

In the afternoon we joined a dozen artists on benches around a small plaza for the start of “Figures al Fresco,” a weekly, free, clothed figure-drawing session sponsored by the city, complete with teacher. She drove up in an electric cart filled with art supplies to use during the session, including drawing boards, paper pads, watercolors, charcoal and pencils. I did most of my figure drawings on a newsprint pad from the cart. The last one (below) I did in my journal with my new Pentel Tradio Stylo water-soluble pen and a water brush.

Battery Park Figure Sketching, ink, 7.5x5.5"
Battery Park Figure Sketching, ink, 7.5×5.5″

John, the model was excellent, with many interesting poses that simulated working in fields and other kinds of manual labor. The teacher requested he remove his shoes so we could draw his feet. He took off the shoes, but wouldn’t remove his socks.

Me sketching in Battery Park
Pat’s photo of me sketching in Battery Park

When the session ended at 4:30,  in a hurry I returned my drawing pad to the cart, forgetting to remove my sketches. Then I joined Pat to walk the High Line, a public park built on a former elevated railroad line, as part of our journey back uptown.

You can see Shirley’s drawings here and Pat’s here. Shirley’s figure drawings show such sensitivity for the human form and Pat’s work is strong and unique. She draws on an iPad using a digital tool meant for drawing and filling shapes, not making lines. It seems extra challenging to me, but gives her line work a really dynamic look.

One funny thing about Pat who I only knew through our blogs…I didn’t realize until I saw her gentle face that I had pictured her looking the way she draws people, with thick, edgy, sharp, black outlines!

To be continued….

Categories
Building Ink and watercolor wash Sketchbook Pages

Toot’s Saloon, Crockett

Toot's Bar, Crockett, Close Up, Ink/watercolor, 8x5"
Toot’s Bar, Crockett, Close Up, Ink/watercolor, 8×5″

I struggled sketching the building containing this rundown bar on site (below) in downtown Crockett. The many bay windows were especially challenging. Despite my love for detail, I realized I needed to crop my view. So later I worked from a photo and did the better sketch above. I actually liked the version below before I added watercolor to the ink drawing.

Toot's Bar in Crocket - Second Try , ink/watercolor, 5x8"
Toot’s Bar in Crockett; ink/watercolor, 5×8″

And below, another sketch where I struggled: first to find something to draw in the short time remaining after a plein air watercolor demo at St. Mary’s College. Then I struggled with using another artist’s watercolor palette that had way too many colors. I couldn’t tell which colors were which and ended up with a lot of mud. 

St. Mary's College Student Union Detail, ink & watercolor, 5x8"
St. Mary’s College Student Union Detail, ink & watercolor, 5×8″

Since I always seem to get behind on posting I’m tempted to just post my best work and keep the funky ones to myself. But my journal is the record of my journey and each sketch is a stop along the way.

Categories
Berkeley Building Ink and watercolor wash Sketchbook Pages Urban Sketchers

Elmwood Theater, Berkeley

Elmwood Theater, Ink & Watercolor, 8x5"
Elmwood Theater, Ink & Watercolor, 8×5″

The Elmwood Theater was originally named The Strand and was built in 1914 in an Art Nouveau architectural style. Admission was ten cents for adults and five cents for kids. It closed in 1941 and reopened as the Elmwood in 1947 with a new “zigzag Moderne” decor.

All the zigzags and neon made for a fun drawing challenge. I sat on my stool on College Avenue, sheltered from the wind in the doorway of a shop closed for the evening, while people went in and out of the Korean restaurant next door carrying their fragrant food to go.

Halfway through the drawing a man climbed up a ladder and started changing the movie titles. I considered including him in the sketch but couldn’t figure out a way to make it work. By the time I finished drawing it was time to meet up so I added color at home. My favorite part of the sketch is the pigeons.

Categories
Ink and watercolor wash Landscape Places Sketchbook Pages

Santa Cruz Retreat and Surfers

Santa Cruz Beach from Bluff, in & watercolor, 5x7"
Santa Cruz Beach from Bluff, in & watercolor, 5×7″

I attended a weekend retreat in Santa Cruz, held in a remodeled former convent still operated by nuns. I stayed there once before in the 90s, when it was still an operating convent. Then I had a tiny room with a single bed, a cross on the wall and a bathroom down the hall. This time I had my own bath and a nice big bed and the nuns were wearing Bermuda shorts, t-shirts and flip-flops.

Santa Cruz Wetsuits, ink & watercolor, 5x7"
Santa Cruz Wetsuits, ink & watercolor, 5×7″

The retreat center is located on a bluff above the ocean, with stairs leading down to the beach. The weather was sunny but windy. The ocean is cold in Northern California so surfers always wear wetsuits. They’re not easy to put on so the guys in the sketch helped each other get into them. When I went through scuba certification many years ago, the hardest part of the whole program was getting into the darn wetsuits.

Categories
Emeryville Ink and watercolor wash Landscape Places Sketchbook Pages

Closed and Open: New and Old Bay Bridges

New and Old Bay Bridges, ink & watercolor, 5x8"
New and Old Bay Bridges, ink & watercolor, 5×8″

They closed down the old Bay Bridge over the long Labor Day weekend to disconnect it and open the new Bay Bridge that took twenty years to plan and build. After breakfast in Emeryville on Monday morning, we walked to Ikea, which is near the start of the bridge, and climbed up to their rooftop parking structure to get a look at the two bridges, which were both still closed.

It’s kind of weird seeing them piggy-backed together like that. We could see where the old bridge had been cut off and barricaded which brought back memories of the big earthquake in 1989 that broke the bridge, leaving a car dangling. I was home sick with the flu when that happened, and remember lying in bed feverish, watching the video of the bridge breaking, the car sliding off, over and over.

The new bridge opened to traffic Monday evening. On Tuesday they opened the bike and pedestrian lanes. You can only walk from the East Bay side to the central tower now, since they have to tear down the old bridge before they can complete the bike/pedestrian lanes all the way to San Francisco.

I’m plan to walk the 5-mile round trip soon, and sketch from the bridge. For this one I had to work from a photo because my breakfast buddy didn’t want to wait while I sketched, especially since we still had a long walk back to our car at the Doyle Street Cafe.

Categories
Berkeley Building Drawing Ink and watercolor wash Life in general Sketchbook Pages Urban Sketchers

Seeing Is Believing or Drawing Is Seeing? Zach’s Snacks on Berkeley’s North Side

Zach's Snacks on Berkeley's Northside, ink & watercolor sketch, 5x7"
Zach’s Snacks on Berkeley’s North Side, ink & watercolor, 5×7″

They say, “Seeing is believing.” I say, “Going through life without drawing is like being nearly blind. Only when I stop to look in order to draw, do I really see!”

Berkeley’s Euclid Avenue ends at the north side of University of California’s Berkeley campus (the greenery on the right, above). This block has everything you’d expect for a street abutting a college: shops with pizza, beer, coffee, burgers, snacks, and oh yeah, books.

There is some great architecture in this neighborhood too, including this apartment building with a snack shop tucked away in a little basement room. I’ve probably walked past here a hundred times and never noticed the interesting features of this building, with porches, pillars, carved wood decorations, fancy brickwork, and cool old lanterns.

Only when I stopped to draw and started really looking did I see what was there all along.

Categories
Building Ink and watercolor wash Life in general Shop windows Sketchbook Pages Urban Sketchers Watercolor

Happy Face? Donuts?

Dream Fluff Donuts, ink and watercolor, 5x7.5"
Dream Fluff Donuts, ink and watercolor, 5×7.5″

Do you have a happy face right this moment? I didn’t until I received a blog comment/email from a German blogger whose email and blog name is happyface313. It made me wonder what it would be like to be that committed to a happy outlook.

She inspired me to lose the grumpyface I’ve had the past few days while working on helping a loved one with difficult challenges, and to try out being Ms. HappyFace instead. I put on a smile, made the mental shift from grumpy to grateful, and surprise! It worked!

Happy Donuts, watercolor painting (sold)
Happy Donuts, watercolor painting, 15×22″ (sold)

What does all that have to do with donuts? Well, “Happy Face” made me think of Happy Donuts and my old painting of their shop (above), which reminded me I needed to post my recent sketch of Dream Fluff Donuts (at top). And donuts used to be my shortcut to happiness but I stay far away from those deep-fried, greasy sugar bombs now.

Categories
Berkeley Ink and watercolor wash Outdoors/Landscape Sketchbook Pages Urban Sketchers

Top of the Top of Solano Avenue, Berkeley

Top of Solano Ave, Berkeley, Ink & watercolor, 5x7.5"
Top of the Top of Solano Ave, Berkeley, Ink & watercolor, 5×7.5″When we

When Cathy said, “Let’s sketch at the top of Solano Avenue Tuesday night” I chose to  literally sketch the top of Solano: looking up and drawing the tops of streetlights, buildings and trees.

It’s common here to refer to the “top” and “bottom” of streets when they’re on a hill, and 2-mile long Solano is on a slight incline as it runs from the start of the Berkeley Hills at The Alameda (just a street, but for some reason called “The Alameda”), down almost to the bay. I sat at a table outside a café and sketched the view at sunset. There are so many beautiful trees in Berkeley!