Category: Outdoors/Landscape

Categories
Landscape Oil Painting Outdoors/Landscape Painting Photos Places Plein Air

Fairmead Park, Richmond, Suburban (?) Oil Painting

View from Fairmead Park, Oil on Gessobord, 9x12"
View from Fairmead Park, Oil on board, 9x12"

Sometimes painting in a pretty park with views leads to painting surrounding suburbia (or is it “urbia”?)  instead of the park.  The scene I wanted to paint (a picnic area between big eucalyptus trees) was occupied by teenage boys smoking pot and I decided to leave them alone. I didn’t think they’d appreciate me setting up my easel and staring at them, and they were there first.

Fairmead Park in Richmond is a little, hidden gem of a park. It is almost at the top of a hill with interesting views, the sounds of birds and squirrels, and the wonderful scent of eucalyptus. I got a good start to the painting while I was there and took some photos so I could finish it at home. I tried to focus on values, color and getting the paint down and leaving it alone and I really like the way it turned out.

Here is the photo I used, taken from the edge of the park which goes up the hill behind where I stood:

Fairmead Park photo reference
Fairmead Park photo reference

So is this Suburbia or Urbia — it’s on the edge of a very urban area in the town of San Pablo but it looks pretty suburban, doesn’t it?

Categories
Building Landscape Mexico Oil Painting Outdoors/Landscape Painting Places Virtual Paint-Out

San Miguel de Allende, Mexico (Virtual Paintout)

San Miguel de Allende, Mexico, 9"x12, oil on panel
San Miguel de Allende, Mexico, 9"x12, oil on panel

It was so wonderful traveling around sunny San Miguel Allende, Mexico (virtually via Google street view and my paintbrush!) while it was cold and rainy here. I tried “driving” around to find the church at the end of the road, but just like I do with real driving, I got lost and never found it.

Once I’d adjusted the image in Photoshop to straighten the walls, crop to 9×12″ and warm the color a bit, I used the “gridding-up” method to create a drawing first. I displayed the image in Photoshop using”View/Show Grid” set to overlay a tic-tac-toe like grid). Then I drew a matching grid on my paper and started drawing, one square at a time.

Using the grid makes it easier to accurately see and draw the shapes in the image, section by section. Drawing first instead of going directly to paint helped me to understand what I was seeing and to notice interesting patterns like the pipes sticking out of the buildings and the circular motif of the windows in the building on the left as well as the church in the distance.

What a gorgeous little town! I’d love to visit there sometime!

Categories
Drawing Ink and watercolor wash Landscape Outdoors/Landscape Painting Places Sketchbook Pages Urban Sketchers

Roof Garden Lunch at the Cathedral, Oakland

 

Lunch in the Cathedral Garden, ink & watercolor
Lunch in the Cathedral Garden, ink & watercolor

 

Every now and then I manage to get out of the office at lunch time long enough to eat and even sketch for a few minutes. Across the street from our office building is a huge modern cathedral that looks more like a concrete prison with an upside down glass ship on the roof.

Their roof garden follows the concrete theme, with a sort of maze of square concrete planters with benches that force you to sit straight upright on them. But there are trees, shrubbery, and perfectly maintained grass (a delightful treat to pull off sandals and enjoy on bare feet).

I keep wondering why I never see any birds in the roof garden even though it is across the street from Lake Merritt which is a bird refuge, full of pigeons, waterfowl, pelicans, egrets and more. And it is kitty-corner from Snow Park favored by huge flocks of Canadian geese and pigeons (and always covered in big slimy goose turds). Do the guards chase the birds away? Are pigeons Catholic?

Update: I wrote to the Cathedral’s contact person and she explained why there are no birds: “With regard to the birds, I think the main reason for the lack thereof is the cleanliness of the facility. Birds will congregate wherever there is food. Our janitorial staff is always sweeping and keeping the grounds neat and clean.” It’s true, the place is very clean.

Categories
Building Landscape Oil Painting Outdoors/Landscape Painting Places Plein Air

Alvarado Bar, Grill and Pupusas: Painting Plein Air in Gritty Richmond

Alvarado Bar and Grill, San Pablo; oil on panel, 8x10"
Alvarado Bar and Grill, San Pablo; oil on panel, 8x10"

I recently began painting twice a week with the East Bay Landscape Painters whose members are preparing for a show of urban paintings of unexpected, nothing-special spots. For two Saturdays we painted on the unlovely corner of McBryde and San Pablo Avenue in Richmond.

I set up my easel by the air and water pumps at this gas station and set to work. I sketched out the composition and started painting the building when a huge semi truck double-parked right in front of it and began unloading produce for the market next door. My view was just about like this so I started on the empty lot next door. Half an hour later the truck left and I could finally paint the bar. I was happy with the above painting; a rare occurrence when I paint plein air.

Pupusas and Desayunos; oil on panel, 8x10"
Pupusas and Desayunos; oil on panel, 8x10"

The next Saturday afternoon we returned to the same corner. It was hot so I set up in a shady spot under this tree in front of a used car dealership and painted the Pupusas place across the street. Rebeca Garcia-Gonzalez also painted the Pupuseria, except she worked on an enormous canvas (maybe 24×30″) and her painting was fantastic! She also tells a funny story here about the day and the idea behind painting nothing-special spots.

While we were having our critique in the shade of the Fish and Chips place, one of the artists who’d left her chair and easel set up across the street by the pupusas shop just happened to look over her shoulder. She saw a guy jump out the side door of a van and pick up her folding chair. She started yelling at him, ran across the street and grabbed it back before he could stick it in the van. He took off and returned to our critique.

Categories
Building Landscape Oil Painting Outdoors/Landscape Painting Places

TOOL Adult Books and Movies, an Urban Oil Painting

TOOL Adult Books and Movies, oil on panel, 10x8"
TOOL Adult Books and Movies, oil on panel, 10x8"

The signage and awnings on this corner in El Cerrito caught my eye, being an interesting eyesore. Only the icky Golden Gate Adult Books and Movies store still exists, just the signs remain for “Shirt Laundry &” and “TOOL.”

The “Tool” sign made me laugh since it has many connotations including one I’ve heard  used lately to mean a dorky, loser of a guy (e.g. “What a tool!”)

Categories
Building Drawing Ink and watercolor wash Landscape Life in general Outdoors/Landscape Painting Places Sketchbook Pages Urban Sketchers

Summer Squash on a Messed Up Wienerschnitzel

Summer Squash on a Messed Up Page, brush pen & watercolor
Summer Squash on a Messed Up Page, brush pen & watercolor

Last week we went to a fairly desolate corner in El Cerrito with the intention to sketch a church and the local Wienerschnitzel fast food drive-thru. I was starting to get a migraine and feeling generally stupid so my first attempt just left a page with a bunch of black lines that I could see were all wrong.

I left the page and moved on to the next one (below). The next day I went back and drew right over the messed up page with my green Pitt Brush Pen to paint the squash above. (I’d cooked and eaten its delicious brethren but saved this one to draw.)

Wienerschnitzel, El Cerrito, Ink & watercolor
Wienerschnitzel, El Cerrito, Ink & watercolor

Here’s my second attempt. I love the way even the stupidest building can be pretty at sunset. At 7:30 it was already too dark to see so we gave up on drawing the church. By time we left at 8:00 I was happy to go home, take my migraine meds and head for bed.

Categories
Drawing Ink and watercolor wash Landscape Life in general Outdoors/Landscape Painting Places Plein Air Sketchbook Pages Urban Sketchers

Pumping Something in Snow Park, Oakland

Pumping Something in Snow Park, ink & watercolor
Pumping Something in Snow Park, ink & watercolor

I don’t know what they were pumping out of the ground but the name on the truck—”Environliners”—made me think I probably wouldn’t want to know. It was a gorgeous summer day and I was determined to get outside for a few minutes at lunchtime. I spent it eating a take-out salad and sketching in Snow Park across the street from our building in Oakland.

Our office culture is to eat with co-workers in the office kitchen and get right back to work since there’s always more to do than hours in the day. We’ve even been trying to figure out how to add a new month to the calendar to fit it all in.  But some days you have to forget about all that and just enjoy the moment and the all-too-rare sunshine in the Bay Area this summer.

Categories
Berkeley Drawing Ink and watercolor wash Landscape Life in general Outdoors/Landscape Painting People Sketchbook Pages Urban Sketchers

Sketching at the Berkeley Pier

Fishing & Strolling the Pier, ink & watercolor
Fishing & Strolling Berkeley Pier at Sunset, ink & watercolor

It was the hottest August day in the history of San Francisco, smack in the middle of the coldest summer since 1975. So for our Tuesday night sketch-out we headed for the cooling breezes coming in off the Pacific Ocean through the Golden Gate Bridge (in the center of the picture above, to the right of the San Francisco skyline). We weren’t alone. The pier was full of people strolling and fishing and enjoying the rare warm evening.

Men's Bathroom on the Pier at Sunset, ink & watercolor
Men's Bathroom on the Pier at Sunset, ink & watercolor

Although my sketch buddies selected a more scenic perspective from the same vantage point (which you can see on our Urban Sketchers Bay Area blog here), the men’s bathroom and shoreline rocks glowing pink and orange in the sunset attracted me instead. Apparently I was holding my sketchbook at a strange angle as I was drawing and painting (or else the world temporarily tilted) causing the wonky slanted horizon and bridge.

The sky turned indigo blue as we walked back down the pier towards land, and a huge full moon rose over the hills. Then a group of half a dozen kayakers with little headlights on their boats paddled right under the pier and out the other side below us. It is special sights like this that make getting out in the world to sketch so special.

Categories
Albany Building Drawing Ink and watercolor wash Landscape Outdoors/Landscape Painting Places Plein Air Sketchbook Pages Urban Sketchers

Cool News (Urban Sketchers) and Albany Hill Sketch

Peet's Coffee El Cerrito and Albany Hill, ink & watercolor
Peet's Coffee El Cerrito and Albany Hill, ink & watercolor

Our Tuesday night sketch group is now an official Urban Sketchers group, known as Urban Sketchers SF Bay Area. If you’d like to visit our Urban Sketchers blog, you’ll get to  meet my fellow Bay Area sketchers and see the different ways we interpret scenes in our sketchbooks, often from the same viewpoint.

The sketch above was done while sitting on the steps of the Pier One across from Peet’s in El Cerrito. It was the first sunny day in ages and it felt so good to enjoy a latte and some sketching in the sun. Albany Hill sticks up right behind Peet’s. It’s an odd bit of geography that resembles a very tall cupcake (sprinkled with trees instead of jimmies) in an otherwise flat landscape.

Albany Hill’s “Dynamite” History

In the late 19th century, the Judson Powder Works used the hill for the manufacture of dynamite. The company was forced to move from San Francisco and then Berkeley because of continuing accidental explosions. They planted the eucalyptus trees on the hill to catch debris and muffle the sound of their explosions. The stop on the transcontinental railroad tracks just to the west was called Nobel Station, after the inventor of dynamite.

Continue reading “Cool News (Urban Sketchers) and Albany Hill Sketch”
Categories
Art theory Landscape Oil Painting Outdoors/Landscape Painting Photos Places Plein Air Pt. Richmond Sketchbook Pages

Lifting Fog: Painting at Miller/Knox Park

Lifting Fog, oil on canvas panel, 8x10" (plein air painting finished in studio)
Lifting Fog, oil on canvas panel, 8×10″ (Sold) 

When I arrived at Miller/Knox Regional Shoreline the sky was gray and cloudy but even in the fog the park had so many great views: a salt water lagoon, Mt. Tamalpais across the bay, a fishing pier, an abandoned ferry landing, beautiful trees, and across the road, a railroad museum and a squat yellow building that houses a motorcycle club.

Miller Knox thumbnail
Miller Knox thumbnail

I finally picked a spot and got started with the above thumbnail sketch. I set my ViewCatcher to 8×10 and looked through its “window” to choose the composition. Then I put the ViewCatcher on my sketchbook and traced around the inside of the window to outline a box in my journal of the same proportion. By the time I was ready to add watercolor to the thumbnail sketch most of the fog had lifted except over the hills, and the sun was shining.

After 2-hour plein air session, oil on panel
After 2-hour plein air session, oil on panel

Above is how the painting looked when I brought it home. The composition needed work: the picture is evenly divided in half with 2 trees on left, 2 trees on right and an empty center. The lagoon and bay should have been different colors. Too bad I’d ignored my thumbnail once I started painting because it had a much better composition.

I tried to continue the painting from a photo but the photo didn’t match my memory of the colors and light, even after Photoshopping it (below). But it did at least offer some clues for fixing the composition, like adding the sailboats (duh!).

Miller/Knox Regional Shoreline photo
Miller/Knox Regional Shoreline photo

Maybe I should add in the little “No Swimming” sign (only putting it on the left side as I did in my thumbnail). What do you think?