Pyramid Brewery Tanks and Tipplers, ink & watercolor 7x5"
We’d sketched at Pyramid in the evening before, (here and here) but this was the first time it was light in the brewery area. We could see the network of pipes and vessels where they brew the beer through the giant windows.
I’m not sure why I decided to do two sketches on one page that night. I guess I was feeling a little stingy with the paper. I did a couple more scribbly sketches of people that weren’t worth posting.
Our waitress was so kind and patient, not minding that four of us took over a large booth for two hours only ordering a few things. We left a good tip and thanked her. She said she was a musician herself and understood.
Randy Craig Trio at Caffe Trieste, ink & watercolor, 7x5"
On a rainy Tuesday night (in June! it never rains in June here!) we met at Caffe Trieste, a small very “North Beach” coffee house in Berkeley. The place was packed, but Micaela arrived early and saved a great table for us. Soon the wonderful Randy Craig Trio squeezed their equipment into a corner and started playing, accompanied by a woman singer.
Gelato at Trieste, ink & watercolor
I loved getting to sketch accompanied by live music! The musicians were great and their choice of songs was really interesting and brought back memories of the records my dad used to play, including a great rendition of Twisted, made famous in the 50s by Lambert, Hendricks and Ross (seen here playing with Count Basie at the Playboy Club):
and later by Joni Mitchell. We ended up staying later than our usual Tuesday night 6:30-8:30 because we didn’t want to leave while the band was playing (and we probably couldn’t have squeezed out between the crowded tables anyway).
Warm up sketches, the singers and the audience
So I used the extra time to add to the warm-up sketches page above. They’re nothing special, but as my boss often says, “Good enough for jazz!”
Trying to sketch while recovering from a migraine and dopey from medication doesn’t always work out well. While everyone else in my plein air group painted the Berkeley Rose Garden on a sunny Saturday morning, I sat on a nearby bench and focused on drawing one tree.
I liked how it looked until I added watercolor, which I thought ruined the effect. So I stupidly added more watercolor. And more. And a bunch of lines. And then I went home and took a nap. Today I washed off as much of the paint as I could, trying to get back to the original line drawing. Then I added some muted blue and grey washes and now I like it again. Tree saved! It was actually a sunny day, just not in my head.
And now for some interesting tidbits on making choices:
Hell Yeah! On Derek Silver’s blog he explains that as a perpetually over-committed person, if he’s not enthusiastically saying “HELL YEAH!” about something, then he’s saying “NO.”
When deciding whether to commit to something, if I feel anything less than, “Wow! That would be amazing! Absolutely! Hell yeah!” – then my answer is no.
Why the Hell Not? Sid Salvera counters “Hell Yeah!” with the flip side on his post: Why the Hell Not? He asks:
Does this philosophy lead us to pass up opportunities we really should be saying “yes” to?
The most important thing I’ve learned about making choices is that if the word “SHOULD” appears in my decision-making thoughts (I should do that…) I need to swap it with “want to” or “don’t want to.”
Do you find it easy to make decisions? Do you get stuck in the “shoulds,” or say yes to things you don’t really want to do?
Oscars Burgers at Sunset, Berkeley, ink & watercolor
Now that it stays light later we can finally go outdoors for our Tuesday night Urban Sketching sessions. We met at the corner of Shattuck and Hearst in Berkeley and I sketched Oscars Charbroiler from across the street. They’ve been grilling burgers, hot dogs (and now vege burgers) over fire on that corner since 1950. It was sunset by the time I painted it, hence the pink sky.
Eating French Fries and Watching NBA Playoffs
When we went inside for one more sketch. There was a big screen TV on the wall tuned to sports. It was the end of an NBA playoff game and people were watching while stuffing their faces with burgers and fries like this guy who never looked at his food, just shoveled in the fries while watching the game.
Another guy came by and complemented our drawings and asked if we came there every week to sketch. Uh, no…maybe once a decade? Though I have to admit I’d skipped dinner, got hungry, and ate one of their burgers. It was good.
It is bright and colorful with a large variety of Middle Eastern products and freshly made food. It was quiet there on a Tuesday evening so the gentleman manning the shop was fine with us sitting at the cafe tables in the back and roaming the shop to sketch. I got so drawn into the teapot that I only had time to do one sketch before they closed at 8:00. We usually sketch from 6:30 to 8:30 or 9:00 so it was a short evening.
Teddy Bear Fountain, ink & gouache on hot press paper, 6"x4"
Teddy bears hold hands in a circle in this wonderful, historic fountain* in North Berkeley on Marin Circle. We sketched there on a warm Tuesday evening as the sun was setting.
I did the one above very quickly at the end of the evening when just as I was about to pack up a worker came and switched on the fountain’s lights and adjusted the water so it sprayed up from the top. I had to give it one more try.
Teddy Bear Fountain, ink & gouache, 5 1/2 x6 1/2"
This one was done first and I spent a longer time with it—more than I should have probably, as it began to get overworked. My friend Cathy did several wonderful sketches while we were there, which you can see here.
*An interesting bit of history about the fountain: In 1908, a real estate developer came up with the idea to make Berkeley the state capitol and lobbied hard for his proposal. The Circle and the fountain were to be part of a grand entry to the new capitol building to be built nearby. The California Legislature passed the proposal and the governor signed the bill, but Berkeley was a dry city and the liquor lobbyists were successful in convincing the voters to narrowly defeat the bill.
A few weeks ago Cathy and I were sketching guests at the Spring Meet of the Golden Gate Live Steamers Club in Berkeley’s Tilden Park. The train people were as curious about us as we were about them, and they wanted to see what we were doing. I usually don’t care when people look at my sketches, but I was drawing their trains that they had lovingly built from scratch, designing and engineering everything from the wood-burning boilers to the screws that held them together. It was like drawing their children—one thing out of place and they would know it.
Train guys
Many of their members maintain and operate trains that their fathers or grandfathers built and they are now apprenticing their sons in the craft. Over the years the club has built a complete course of tracks with trestles, tunnels, and small buildings to match the 1.5″-to-the-foot scale of the trains. You can see photos and videos on their website including this one below of me sketching at the meet (much to my surprise!)
The American Institute of Architects named this church one of the three finest uniquely American churches. I saw a picture of the spectacular interior and knew we had to sketch it. I contacted the architectural heritage group, Friends of First Church (see photos on their site), and one of their members was generously willing to open the church for our Tuesday night Urban Sketchers group.
She graciously gave us a tour and told us a little about the history and architecture and then we picked our spots and started drawing. The interior is sweeping and complicated, with “a pair of great crossed trusses spanning the central pace overhead.”
Interior photo from where I sat, First Church Christ Scientist
I tried to envision how I would get everything I wanted onto my page and then just started drawing in the left corner, working my way across the page, drawing directly in ink. I drew up until the last minute so had to add the watercolor at home.
That’s a pipe organ behind the choir loft. They’re trying to raise funds to restore it. Everything is embellished with gilt so the room has a golden glow. The architecture and design includes many styles and periods, including Gothic, Romanesque Byzantine and Arts and Crafts.
Spending the evening in that beautiful, quiet, exquisite space was so special and we are very grateful to the Friends of First Church for so graciously sharing this jewel with us.
Albatross Pub Berkeley: the bar (painted in near darkness), ink & watercolor
The past couple of weeks our Tuesday night sketch group has met at pubs to draw and sample the beer. First stop was the Albatross, Berkeley’s oldest pub. It’s a very friendly and comfortable place with several different rooms. I left the group sitting at a big table in the back and moved up front near the bar.
Albatross Pub, couple with hat, ink and watercolor
The Albatross stocks a variety of board and card games for its patrons. There were some men playing chess nearby and a couple on a date playing a card game while talking about their travels. I felt comfortable sitting by myself drawing and painting. Nobody bothered me. The only difficulty was seeing the colors I was painting.
Dart players, ink
Tuesday nights The Albatross hosts dart tournaments. These two guys didn’t actually overlap like this, they took turns approaching the line and throwing their dart. Each player has his own style of aiming and throwing, and they repeat it exactly the same each time. I drew them in stages capturing a little more with each throw. The short guy on the left leaned way forward, held the dart by his forehead, then tossed it with his left foot coming off the ground. His much taller partner stood upright and very still, and just tossed the dart without moving his body.
It’s become an annual tradition for our sketch group that when Cathy’s wisteria explodes into bloom she invites us to spend the evening in her serene Berkeley backyard garden sketching and painting. This year it was a cool, foggy evening so we bundled up and drew until our fingers were too cold and the light was gone.
Wisteria close up, ink & watercolor
Then we went indoors and shared our work while snacking on ginger cookies and pistachios.
Our excellent online Berkeley newspaper, Berkeleyside, published this wonderful photo essay “The Hanging Gardens of Berkeley” with pictures of wisteria in brilliant bloom all over Berkeley, in some cases completely hiding the buildings.
Sharing art with other sites is fun (and as it turns out profitable). Berkeleyside features my sketches of Berkeley from time to time (linked here) and I’m always honored when they do. Then a few months ago a natural foods specialist asked if she could use some of my paintings on her website. I’m glad I said yes. One of her readers just bought three of those paintings. It’s good to share!
Jana Bouc, Artist 