Category: Plein Air

Categories
Benicia Drawing Ink and watercolor wash Landscape Life in general Outdoors/Landscape Painting Places Plein Air Sketchbook Pages Urban Sketchers

Losers, Finders, Keepers: Sketching Benicia

Benicia Waterfront Street Light, ink and watercolor,7x5"
Benicia Waterfront Street Light, ink and watercolor,7x5"

I accidentally overslept so when I finally arrived at our Benicia paintout at 11:00 I was an hour late. I didn’t see any other artists around. The wind was blowing so hard that I sat in my car to sketch, listening to NPR on the radio. Everything was going great, I was drawing with my favorite Lamy Safari Extra Fine Fountain pen and then painted with my watercolors set up on the passenger seat.

Benicia Waterfront, Ink and Watercolor, 5x7"
Benicia Waterfront, Ink and Watercolor, 5x7"

I turned to draw a different view, but when I reached for my pen it was gone. I searched everywhere, inside the car, under the car, nearby on the ground. No pen. I retraced my path when I’d gotten out of the car to look around and take photos. Nothing. I asked people walking by but nobody had seen my pen. I returned to the car and searched every nook and cranny again, twice.

An hour later I gave up and used a Pitt Artist Pen to do the drawing and added watercolor. I was so sad. I’d really come to love that pen. When I finished the sketch I used my iPhone to look up and call all the stationary and art stores in the Bay Area, but nobody had a Lamy with an Extra Fine nib.

Just then fellow painters Carol and Ling drove up and I told them what happened. They insisted on helping me find the pen despite my whining, “It’s hopeless, it’s just gone.” Carol checked under the seats and in the driver’s side door pocket. She told me to check the passenger’s door pocket. It was the one place I hadn’t looked (why I hadn’t looked there I can’t explain) and there it was! Yay! Joy!

I went from a sad loser to a happy finder and now every time I use my pen I get that happy feeling again. Definitely a keeper.

Categories
Animals Bay Area Parks Landscape Oil Painting Outdoors/Landscape Painting Places Plein Air Walnut Creek

Landscape Painting with Coyote Soundtrack

Borges Ranch View, oil on Raymar panel, 6x8"
Borges Ranch View, oil on Raymar panel, 6x8"

Last Saturday my plein air group met at Borges Ranch in Walnut Creek’s Shell Ridge Open Space. It’s a beautiful place that feels far away out in the country, and is surrounded by strange, tall hills covered in a hundred shades of green.

While I was painting I kept hearing the strangest sounds: yips, yelps, squeals and howls. I ruled out the sheep, goats, pigs and roosters and decided it was either the world’s most annoying beagle or a coyote. Later I asked the ranger who confirmed that there were three coyote families in the three nearby hills. He said they all have pups in their dens and are very talkative now. Want to hear a coyote? Click here to go to a site with a coyote sound clip.

To see wonderful photos and stories about life with an adopted coyote who was orphaned at 10 days old when his parents were shot for killing sheep, please visit The Daily Coyote blog, “a story of love, survival and trust.”

Now back to the painting–I tried to simplify, avoid details and focus on color, light and big shapes. The sky was completely covered in a thick layer of clouds and I noticed a painting “rule” in action: cool light creates warm shadows (and vice versa). Although the heavy cloud cover meant there weren’t obvious shadows, I could see how darker areas leaned toward red while areas in light were cooler (e.g. lemon yellow, not an orange-yellow).

When I got home I broke my rule of not touching up plein air studies and fussed with it, eventually ruining it and throwing it in the trash. I’m glad I took a photo first…and that I had the joy of painting to a coyote soundtrack!

Categories
Landscape Oil Painting Outdoors/Landscape Painting Photos Places Plein Air Sonoma

Viansa Vineyard: Final Touches on Final Plein Air 2010

Viansa Vineyard, 11/2010-1/2011, Oil painting, 9x12"
Foggy Morning at Viansa Vineyard, 11/2010-1/2011, Oil painting, 9x12"

My plein air group had our last meeting of the season in November at Viansa Winery in Sonoma. I’d made a good start on the painting plein air, but it needed work. Today I got tired of looking at the unfinished painting and completed it (above), using both brushes and palette knife.

I’d set up my easel at the edge of the parking lot and had a great view of the vineyard. But there were so many interesting things to see that I included all of them in my original painting below (except maybe the cars and the birds and bees—that’s some progress I suppose).

Viansa Vineyard, unfinished plein air
Viansa Vineyard, unfinished plein air

There are some passages in the painting I liked, especially the top fourth, but there were some problems too: the strong yellow diagonal line leading you out of the painting, the bright gold triangle top right, the green line of bushes beside the purple road, both of which weren’t needed even though they were there in real life.

Viansa photo reference
Viansa photo reference

This is the photo I took at the beginning of the painting session. The sun and fog and clouds kept changing but the overall impression I had of the day was sunny.

A previous Viansa painting can be seen here. It’s nice to see the progress I’ve made since then.

 

Categories
Landscape Oil Painting Outdoors/Landscape Painting Places Plein Air

Tormey, CA: Plein air oil painting

 

Tormey View, Oil on board, 9x12"
Tormey View, Oil on board, 9x12"

 

It’s nice to remember those sunny summer and fall days when painting outdoors required sunscreen, not rain gear. Back in October I painted this view from the former refinery “company town” of Tormey. Now Tormey is just a couple blocks long on the edge of the Tosco Oil Refinery near Crockett. At the end of the main (only?) street  is a small paddock with horses and goats. It was a fun place to paint.

I did 75% of the painting onsite and finished it in the studio from this photo:

 

Reference photo for Tormey, CA
Reference photo for Tormey, CA

Now it’s another rainy Sunday here in the San Francisco Bay Area, but after a great walk in the hills between showers, I’m happy to be in the studio working on several paintings in progress.

 

Categories
Art theory Bay Area Parks Landscape Oil Painting Outdoors/Landscape Painting Places Plein Air

Pointlessly Persistent? It’s Just What I Do

Hills Above Crockett, oil on board, 9x12"
Hills Above Crockett, oil on board, 9x12"

This oil landscape painting started as a poorly drawn, wrongly colored plein air painting which I’ve reworked many times until I am now finally ready to call it done. The painting started on a hot September day when I dragged my painting gear up a trail and set up my easel amidst dried cow pies and weeds near the Bull Valley Staging Area above the hills of Crockett. You can see my learning process below.

First, here is the washed-out reference photo I had to work from back in the studio. It’s really not even an interesting scene and doesn’t at all capture the way the hills were glowing a brilliant end of summer California gold.

Continue reading “Pointlessly Persistent? It’s Just What I Do”
Categories
Art theory Bay Area Parks Berkeley Landscape Oil Painting Outdoors/Landscape Painting Places Plein Air

Grey Day at Lake Anza

Grey Day at Lake Anza, plein air (mostly) oil on Gessoboard, 10x8"
Grey Day at Lake Anza, plein air (mostly) oil on Gessoboard, 10x8"

Only two of us showed up to paint at Lake Anza in Tilden Park on an almost-drizzly, grey Monday morning last month. The air smelled fresh and clean and it was so quiet there; a wonderful change from the noise of the city just a few miles away.

I painted most of this onsite, with some corrections and clean up later in the studio from the photo below.

Lake Anza reference photo
Lake Anza reference photo

One of the corrections I made was to the little clumps of marsh grasses on the other side of the lake (barely visible in the revised painting). They had been my focal point but I realized when I got home and looked at the photo that I had made them three times bigger than they should have been.

Yesterday I was painting in Sonoma and saw the same problem when I got home: I painted some distant trees way bigger than they should be. It’s interesting to me how as I focus on one element of painting and begin to improve it (like composition, values, color, etc.), I discover another area needing work. Next time I’ll pay attention to measuring/comparing sizes of the things in the painting.

While I’m still miles of canvas away from mastering plein air painting, at least I am beginning to grasp the principles and see that while there are many important concepts to consider out there, the list isn’t endless (as it once seemed). Maybe eventually it will become more automatic like driving; I’ll  still have to pay attention and keep my eyes on the “road,” but I won’t be driving over curbs, crashing into things, or totaling my car/canvas.

Categories
Landscape Oil Painting Outdoors/Landscape Painting Photos Places Plein Air

Fairmead Park, Richmond, Suburban (?) Oil Painting

View from Fairmead Park, Oil on Gessobord, 9x12"
View from Fairmead Park, Oil on board, 9x12"

Sometimes painting in a pretty park with views leads to painting surrounding suburbia (or is it “urbia”?)  instead of the park.  The scene I wanted to paint (a picnic area between big eucalyptus trees) was occupied by teenage boys smoking pot and I decided to leave them alone. I didn’t think they’d appreciate me setting up my easel and staring at them, and they were there first.

Fairmead Park in Richmond is a little, hidden gem of a park. It is almost at the top of a hill with interesting views, the sounds of birds and squirrels, and the wonderful scent of eucalyptus. I got a good start to the painting while I was there and took some photos so I could finish it at home. I tried to focus on values, color and getting the paint down and leaving it alone and I really like the way it turned out.

Here is the photo I used, taken from the edge of the park which goes up the hill behind where I stood:

Fairmead Park photo reference
Fairmead Park photo reference

So is this Suburbia or Urbia — it’s on the edge of a very urban area in the town of San Pablo but it looks pretty suburban, doesn’t it?

Categories
Building Landscape Oil Painting Outdoors/Landscape Painting Places Plein Air

Alvarado Bar, Grill and Pupusas: Painting Plein Air in Gritty Richmond

Alvarado Bar and Grill, San Pablo; oil on panel, 8x10"
Alvarado Bar and Grill, San Pablo; oil on panel, 8x10"

I recently began painting twice a week with the East Bay Landscape Painters whose members are preparing for a show of urban paintings of unexpected, nothing-special spots. For two Saturdays we painted on the unlovely corner of McBryde and San Pablo Avenue in Richmond.

I set up my easel by the air and water pumps at this gas station and set to work. I sketched out the composition and started painting the building when a huge semi truck double-parked right in front of it and began unloading produce for the market next door. My view was just about like this so I started on the empty lot next door. Half an hour later the truck left and I could finally paint the bar. I was happy with the above painting; a rare occurrence when I paint plein air.

Pupusas and Desayunos; oil on panel, 8x10"
Pupusas and Desayunos; oil on panel, 8x10"

The next Saturday afternoon we returned to the same corner. It was hot so I set up in a shady spot under this tree in front of a used car dealership and painted the Pupusas place across the street. Rebeca Garcia-Gonzalez also painted the Pupuseria, except she worked on an enormous canvas (maybe 24×30″) and her painting was fantastic! She also tells a funny story here about the day and the idea behind painting nothing-special spots.

While we were having our critique in the shade of the Fish and Chips place, one of the artists who’d left her chair and easel set up across the street by the pupusas shop just happened to look over her shoulder. She saw a guy jump out the side door of a van and pick up her folding chair. She started yelling at him, ran across the street and grabbed it back before he could stick it in the van. He took off and returned to our critique.

Categories
Drawing Ink and watercolor wash Landscape Life in general Outdoors/Landscape Painting Places Plein Air Sketchbook Pages Urban Sketchers

Pumping Something in Snow Park, Oakland

Pumping Something in Snow Park, ink & watercolor
Pumping Something in Snow Park, ink & watercolor

I don’t know what they were pumping out of the ground but the name on the truck—”Environliners”—made me think I probably wouldn’t want to know. It was a gorgeous summer day and I was determined to get outside for a few minutes at lunchtime. I spent it eating a take-out salad and sketching in Snow Park across the street from our building in Oakland.

Our office culture is to eat with co-workers in the office kitchen and get right back to work since there’s always more to do than hours in the day. We’ve even been trying to figure out how to add a new month to the calendar to fit it all in.  But some days you have to forget about all that and just enjoy the moment and the all-too-rare sunshine in the Bay Area this summer.

Categories
Albany Building Drawing Ink and watercolor wash Landscape Outdoors/Landscape Painting Places Plein Air Sketchbook Pages Urban Sketchers

Cool News (Urban Sketchers) and Albany Hill Sketch

Peet's Coffee El Cerrito and Albany Hill, ink & watercolor
Peet's Coffee El Cerrito and Albany Hill, ink & watercolor

Our Tuesday night sketch group is now an official Urban Sketchers group, known as Urban Sketchers SF Bay Area. If you’d like to visit our Urban Sketchers blog, you’ll get to  meet my fellow Bay Area sketchers and see the different ways we interpret scenes in our sketchbooks, often from the same viewpoint.

The sketch above was done while sitting on the steps of the Pier One across from Peet’s in El Cerrito. It was the first sunny day in ages and it felt so good to enjoy a latte and some sketching in the sun. Albany Hill sticks up right behind Peet’s. It’s an odd bit of geography that resembles a very tall cupcake (sprinkled with trees instead of jimmies) in an otherwise flat landscape.

Albany Hill’s “Dynamite” History

In the late 19th century, the Judson Powder Works used the hill for the manufacture of dynamite. The company was forced to move from San Francisco and then Berkeley because of continuing accidental explosions. They planted the eucalyptus trees on the hill to catch debris and muffle the sound of their explosions. The stop on the transcontinental railroad tracks just to the west was called Nobel Station, after the inventor of dynamite.

Continue reading “Cool News (Urban Sketchers) and Albany Hill Sketch”