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Flower Art Life in general Painting People Plants Portrait Still Life Watercolor

Birthday flowers from my neighbors

Birthday Flowers

Watercolor painted quickly and directly on Arches hot press watercolor paper without preliminary drawing and then when dry, Pentel brush pen to draw/paint the lines. 7.5″ x 11″
Click here for enlarged view

My wonderful next-door neighbors brought this potted azalea for me as a birthday gift yesterday, along with a nice card and a hug from each child. I have the sweetest neighbors. Not long after I first moved in I fell in love with their kids and after photographing them at baby Alex’s baptism painted these portraits of Alex, Yessica and Erick which they have hanging in their living room. We help each other with all sorts of things and they often bring me delicious home cooked Mexican food (including delicious barbequed salmon with cactus relish).

Then my sons took me out to good Thai food last night. It was wonderful being with them and realizing more than ever what great young men they’ve become. It made my day, even though I looked like a gimpy old lady with my limping and had to sit on my fleece jacket because the sciatica makes it hurt to sit without extra padding. But the combination of their good company, the good wishes of people who’ve written or called to wish me speedy recovery and happy birthday, the yummy Thai food, some nice pain meds and a Singha beer made for a perfectly happy birthday! And I am getting a little better each day.

Categories
Flower Art Painting

Mothers Day Bouquet

MothersDayBouquet

Acrylic on canvas, 12 x 16″
Click to enlarge

On Mothers Day Robin brought me a lovely bouquet which I started painting that afternoon. The picture below is as far as I got that day. I was liking how loose, free and sketchy it started out:

first layer-mothersdayBouquet

Then it was back to the office for the week. By the time I returned to painting, the flowers had moved and changed. I kept trying to work from the flowers, but once they got stinky I gave up and used a photo reference I’d taken, but it was from a  slightly different point of view:

Bouquet

My main goal in doing this painting was learn more about working with acrylics and to try to find a way to make them work and blend more like oils. I’ve been told that you can do everything with acrylics that can be done with oils but I’m not convinced yet. I did learn a whole bunch while doing this, and did find a good way to blend (misting the canvas before applying the paint which has been mixed with gloss glazing medium or gloss gel…and not the satin medium I’d been using which has dulling matting agent added).

The thing I’m having the most trouble with is mixing the colors I want and getting bright light colors. Acrylics dry quite a bit darker than they look when wet because the acrylic medium is white which makes the colors seem lighter until they dry because then the medium is transparent, no longer white. Also I’m finding that acrylics seem more transparent than oils  and don’t cover as easily (although you can always go over any area mid-painting with gesso for an instant undo).

I don’t like how stiff this painting is and how corny (although I do like the way the vase turned out). I think that for me to enjoy easel painting I’m going to have to work bigger

Any suggestions or advice would be greatly appreciated!

Categories
Flower Art Painting Watercolor

Iris wet-in-wet

Iris wet in wet

Watercolor on arches paper 10×10 inches
To enlarge, click image, select All Sizes

I drew this in pencil from an iris I cut from my garden tonight. I painted each petal or group of petals with water and then dropped in paint, working one section at a time. As each section got less wet I added a little more paint for detail, still trying to keep the overall effect loose and free. If it wasn’t so late I would have added another layer of water and darker paint here and there, but I have a great new book on acrylics I want to go read so I’ll keep my notes here short, AND avoid overworking the painting,  just for something different.

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Flower Art Plein Air Watercolor

Irises Plein Air

Irises

Watercolor on Arches paper 12 x 9″ (scanner cut off inch on bottom)
To enlarge, click image, select “All Sizes”

I work from home Monday mornings and when we finished a conference call at 12:30 my boss said, “Bye Jana, now go have a nice afternoon painting.” So I did! But first I had lunch in my sunny backyard on the chaise lounge, eating a salad and reading a book on painting. Then I dozed off and had a lovely outdoor nap (I’m so much happier since I gave up being a workaholic!). When I woke up, I made a cup of coffee and got out my wonderful Valpod watercolor easel which I set up on the sidewalk in front of this bunch of irises in full bloom in my front yard.

irises in progress

Stopping point before moving indoors

I drew the irises in pencil and then quickly started painting since the sun had moved and the shade was quickly moving over the flowers. The roses behind them were already dark in shade. I got as far as the picture above before moving indoors for dinner. After dinner I worked a little more on darkening the background and negative painting around the stems and leaves, trying to suggest lots of foliage without drawing it all.

Categories
Acrylic Painting Flower Art Painting Plants

Cactus Flower Again

Cactus Flower Again

Acrylic on canvas, 12 x 16″
To enlarge, click image, select All Sizes

I started this painting a couple weeks ago and posted it in progress here and also did a watercolor from the photo here. Originally I was going to block in the shapes and colors in acrylic and then paint the final layer in oils but enjoyed working with the acrylics and stuck with them. I think it’s finished, though it might benefit from some cleaning up and touching up here and there.

I was listening to a digital book from Audible.com called “Eat, Pray, Love” by Elizabeth Gilbert while I painted. It’s a sort of spiritual travelogue of her journeys to Italy, India and Bali. I actually preferred a book I listened to previously on a similar theme: “Holy Cow” by Australian, Sarah Macdonald. Both women are journalists who find themselves in India because of relationships. Gilbert is running away from a bad breakup and Macdonald is following her journalist lover to India where he is a stationed as a reporter. Both managed to get book deals to write about their travels and their spiritual seeking. Holy Cow is funny, interesting and irreverant while Eat, Pray, Love takes itself and it’s spiritual quest much more seriously.

My favorite book I’ve listened to lately was “Water for Elephants” by Sarah Gruen. More about that another time…

Categories
Flower Art Life in general Sketchbook Pages Watercolor

Jana’s Emergency Clinic and Hotline

Purple-vine purple-vine-sketch

Ink and watercolor in 6×9 Aquabee sketchbook and ink in my AM/PM journal
To enlarge, click image, select All Sizes

Since my studio time got thwarted by emergencies this afternoon (read about it below), I just took a few minutes to do this watercolor using the little sketch on the right as a reference (a branch of the tree outside my bedroom window that I did this morning in my AM/PM journal). I was really surprised as I drew the flowers how many different shapes there were since at first glance all I saw was a bunch of little round flowers.

I’d planned to have the whole afternoon and evening in the studio but right after lunch, Brian, the young man who lives across the street, came over and asked me to call an ambulance for him, that he was having trouble breathing, felt dizzy and faint, had a headache, and that something was wrong with his vision. At the same time, I got a call from work with technical problems that urgently needed my help.

The good news is that I went through this a week ago with Brian. I had called 911 for him, knowing that strong young men don’t knock on the doors of total strangers asking for that kind of help unless they really need it. My living room was soon filled with half a dozen incredibly handsome and hunky firemen and emergency medical techs while their fire engine and ambulance waited outside. They checked him out and took him to the hospital where he was told he was having an anxiety/panic attack, they gave him a pill that put him to sleep. When he woke up he was OK and was sent home.

I know people who have panic attacks and I get stress-related migraines and I was sure that’s what was happening with him, so I knew what to do. Instead of calling an ambulance I sat him down, gave him a brown paper bag to breathe into (to reverse the effects of hyperventilating–dizziness, faintness and the sensation of not being able to breathe). While he sat on my couch doing that I sorted out the problems at my office by conference call.

Then I asked Brian (who I’d only met last week) what had been going on in his life (other than being a job-hunting African-American male in the U.S. which is stressful enough). He said that a year ago he’d had a good job, was writing and performing music with his girlfriend and was happy. Then they were in a horrible car accident in which he’d had a head injury, fractured a vertebrae, had a collapsed lung and had been in a body cast for 3 months. Right after he got out of the hospital his best friend was shot 17 times and killed. He and his girlfriend drifted apart and he misses her.

At this point work called me again and so did his mother. Switching back and forth on the two lines, I solved the work computer problem and explained to his mom what was going on. She said she didn’t know why he was stressing right now, since everything seemed fine. I told her how he’d never dealt with all the trauma he’d experienced and listed the traumas. She said, “That’s true…AND we had a house fire and lost everything–that’s why we moved to this house in September.” While we were sitting there a bill collector called him on his phone, and I’m sure that’s getting to him too.

I explained to him what I know about depression, anxiety, stress, migraines, medication, grieving, the importance of counseling, etc. and then I gave him the phone numbers for the local free clinic with volunteer doctors and peer counselors and also the number of the Suicide Prevention Hotline where he can call anytime to talk to someone when he’s in that panic attack condition. I hope he will use those numbers. I’m glad to have been able to help him but I can’t be doing this regularly!

He’s such a bright and sweet young man who’s been through so much! I know if he just had help working through everything he’s gone through and a chance to cry and grieve his losses he’d be able to get on with his life. It’s such a crime that there’s no public healthcare in the U.S. If you know of any good (free) counselors who would be interested in helping him in the East Bay area, please let me know.

Categories
Every Day Matters Flower Art Gardening Plants Plein Air Sketchbook Pages Watercolor

Iris in my Garden (EDM: Fresh)

Iris in my garden

Watercolor in Canson 7 x 10″ Sketchbook
To enlarge, click image, select All Sizes

I’d planned to spend my painting time in the studio today but it was too gorgeous outside to stay indoors. So I pulled up a lawn chair and painted this iris in my front yard. I drew it in pencil and then added watercolor,  all the while listening to birds chirping (and the sounds of the nearby freeway which I pretend is the ocean), with the sun shining, the bees buzzing around me and the wind blowing my hair.

These irises are heart-breakingly beautiful. They are so fragile and temporary. One day they’re proudly blooming, thrusting their strong, wild purpleness proudly up to the sun and the next day they’ve turned to a little wisp of gelatinous film, drooping sadly from their stalk. I’m glad I was able to sit with this one for an hour and enjoy it’s beauty before it’s gone.

Categories
Acrylic Painting Flower Art Plants Still Life

Eggs and Cactus Flower in Acrylic

Eggs-acrylic

Acrylic on canvas board, 10 x 8″
Click image, select All Sizes to enlarge

This weekend I again tried working in acrylic and oils, doing this practice still life of brown eggs in a white bowl in each medium. I wasn’t happy with the way the acrylics weren’t letting me blend and the hard edges I ended up with. The oil painting is still drying, waiting for another layer.

But then tonight, although I thought I was too tired to do anything, I got inspired to start another painting –this cactus flower–in acrylics, with a plan to do the first loose wash to block in the painting in acylics (to avoid turpentine washes with oils) and then paint over it in oils for the final layer because I prefer the gooshy slipperiness of oils and the ability to blend and have soft edges. I started the painting with acrylics, squirting in a bunch of glazing medium and using gesso instead of white paint and lo and behold I had something very much like oils, blending beautifully. Here’s the painting in progress:

cactus-flower-in-progress

Acrylic on canvas, work in progress 12 x 15″

So now I think I’ll finish it in acrylic and see how it goes. The other thing I’ve figured out with these paintings is how differently I need to approach color mixing with watercolor vs oils or acrylics. With watercolor I tend to paint in layers, striving for getting the color right on the first try but inevitably doing many layers, building up the darks and saturated colors.

Working opaquely with oils (and to some extent acrylics), especially when trying to work alla prima (completing a painting in one session as one does painting outdoors without letting the paint dry), it’s pretty critical to mix and apply the right color the first time, not diddling around with a dab of this and a dab of that. It really forces me to accurately gauge the colors and values of the colors I see or want to use, getting the dark values right first.

One more thing I learned…I discovered I’d been saying to myself, “I’ll never learn how to mix colors in oils” so every time I caught myself thinking that I changed the thought to “I can learn this!” and now I think I’m getting there.

Categories
Flower Art Glass Still Life Watercolor

Quick Camelia

Camelia

Watercolor on Arches paper, 7.5″ x 10″
To enlarge click image, select All Sizes

Tonight was painting group and it was late by the time we got around to painting (after looking at each other’s paintings from the past week and random chatting). I snipped a camelia off my bush and had an idea of a loose flower with ink over it using some new colors I got from Daniel Smith. Except the colors were recommended at the workshop I attended in February for creating textured backgrounds, not for delicate flowers (oops…Strike One).

While I was painting I got really interested in the glass bowl and completely overworked the flower (StrikeTwo). The colors were muddy (they would have been fine for an old textured wall though) so I started adding white goauche mixed with pink to get back the lights and made a mess (Strike Three, you’re out!) (Please pardon the baseball metaphor.)

I decided to wash off the flower and try again. With a small sponge and clean water I wiped off all the pigment that would come off, used my hair dryer to dry it and quickly and more loosely repainted. It’s cheerier now. Since I scanned the sketch before I painted, I can easily print out the sketch on another piece of watercolor paper and paint it again even brighter without having to redraw it (although the drawing was actually a lot of fun) except for straightening out the bowl a bit since I was working fast and didn’t notice it was a little off.

Here’s the original before the flower got washed off:

Camelia

(Ick)

Categories
Flower Art Plants Sketchbook Pages Watercolor

Black Lilly (aka Devil’s Tongue or Snake Palm)

Black Lilly sketch

Ink and watercolor in large Moleskine watercolor notebook sketched on site
(Click image to enlarge, select “All Sizes”)

These are some weird plants. We spotted them yesterday on a walk and I couldn’t stop and sketch so I took some photos (see end of post). They look like calla lillies except the part that’s normally white and yellow is nearly black and velvety with bright green stalks. Last night I worked on some thumbnail sketches, trying to make sense of the jumble of leaves and flowers so that I could make a painting of the plant.

Black-Lilly-thumbnail

Preliminary pencil thumbnail/value study from last night

But I realized I needed more information in order to understand them well enough to paint them. So today, instead of going to the Sketchcrawl in Berkeley, I drove back up to the North Berkeley hills. I found the house and it looked like nobody was home so I set up my little stool in the driveway and started drawing. I was painting when a woman approached me and said, “May I ask what you’re doing?”

“Painting a picture,” I said, holding up the picture to show her. “Is this your house?”

“No, I live next door and I’m trying to get my house out of foreclosure. I get nervous when I see someone studying my house.” (I was sitting facing her house.) She left me alone after telling me the homeowners were away for the weekend but that she shouldn’t be telling me that.

I love the way working outdoors incorporates all the senses. There’s a park nearby and I could hear kids playing soccer and neighbors discussing plumbing and babies, and the whole time I sat there I kept smelling something like fermenting grapes. With the rich purple of the plant, I imagined it was the scent of the flowers, but probably it was coming from a hidden compost bin.

Black Lilly photo

Here’s a photo of the plant. The pink color is a figment of my camera’s imagination but I like it. The flowers actually range from black cherry to black like the one in the foreground with wonderful variations in spring green foliage. I can’t wait to get started on the painting!

UPDATE: I finally found out what this plant is: Dracunculus vulgaris or dragon arum:

“The purplish-red spathe and foul-smelling stench of dragon arum (Dracunculus vulgaris) attracts flies to the base of its erect, flower-bearing spadix. Although it is colorful, this is probably NOT the flower to give to that special someone in a bouquet.”