camellia – Jana Bouc, Artist

A Flowering Gift: Anthurium; plus Camellias Old and New

Anthurium 2, ink & watercolor, 5x8" — Anthurium 1, ink & watercolor, 5×8″

My friend Amy gave me the lovely gift of an Anthurium plant. I couldn’t wait to sketch its interesting shapes and colors.

I keep it in the studio because my cats eat house plants and then give them back partially digested. The plant held up well during the week and a half I was too sick to go out to the studio. It just wanted a little water and repotting.

Camelia in Blue Bowl, ink & watercolor, 5x8" — Camellia in Blue Bowl, ink & watercolor, 5×8″

I can never remember the name of this large flowering bush in my yard. I have to go through the same stupid chain of thoughts to get to it, always starting with “It’s not a gardenia it’s a….” which always leads to remembering when I moved to New York City at the age of 19 with one suitcase, a few hundred dollars in savings, and lots of dreams.

When I arrived and opened my suitcase, my bottle of (cheap, intense) Jungle Gardenia perfume had spilled all over everything. I still hate the scent of gardenia. Camellias have no scent and are a wonderful vibrant pink color, but are challenging to sketch. I did this large watercolor of a camellia (below) several years ago.

Ruffled Camelia, watercolor on paper, 16x19.5" — Ruffled Camellia, watercolor on paper, 16×19.5″

Seeing my earlier watercolor work makes me want to go back to doing large watercolors. My process was so different when painting rather than sketching with watercolor. I worked slowly and with control, section by section, on very exact drawings or tracings from photos. You can see more of my watercolor flowers on my website JanaBouc.com here.

Citrus and Camelia Plein Air

Oil on panel, 9×12″ (Larger)

You really have to work fast to do a still life outdoors in the afternoon. In less than two hours the sun moved overhead far enough that I had to stop because everything was in shadow. I’d gotten all the objects and their shadows well blocked in and probably should have stopped there, calling it a sketch or a study. But of course I couldn’t.

I had to bring it into the studio to “just touch up the edges.” Then I was going to do another quick painting. But I spaced out and before I knew it, overworked areas that I’d originally painted very freely, made more problematic since I’d forgetten exactly what the pattern of light and shadow was on the objects.

Someday I’ll learn to stop while it’s fresh. Nevertheless, I think I did capture the feeling of a bright sunny afternoon, which was my main goal.