Carole Baker is an amazing painter in remote northern Alaska who I’ve known through our blogs and correspondence for years. When she was in Berkeley for a visit we met in North Berkeley to sketch. Above is a photo of my wonky sketch (held by Carole so that I could photograph it) of Earthly Goods, the store on one corner of Vine and Shattuck.
Carol holding her sketch of the corner of Shattuck and Vine
We sat on the same bench but looked in opposite directions. Here is Carole and her sketch of the produce market on the opposite corner of Shattuck and Vine.
I was so inspired by Carole and her art on the beautiful greeting cards she gave me as a gift. You can see Carole’s art on her blog Carole Baker’s Art Journal.
Wildcat Canyon Walk Remains, ink and watercolor sketch, 7.5 x 11 in
I’ve started collecting items on my daily hikes with my pup to sketch in the studio since I haven’t quite worked out sketching while dog walking yet. Sometimes Millie helps me by carrying the items for me. Once they’re sketched she’s quite happy to shred them into compost for me.
I continue to enjoy spending a lot more time outdoors walking than indoors sitting in front of the computer (hence the gaps between posts!). It’s finally started raining in the SF Bay Area but I got some good rain gear so I can even walk in the rain.
One of our favorite spots to hike starts at the Alvarado staging area of the Wildcat Canyon Regional Park. It’s so beautiful and quiet up there in the Richmond hills and there are many friendly people and dogs out walking off leash.
Canadian Goose, Knox Miller Park, ink and watercolor, 5×7 in
After an extraordinary autumn and early winter, with many things other than art going on in my life, I’ve gotten way behind on posting. This goose isn’t really a Christmas goose, it’s a summer goose, as are the rest of these sketches from Knox Miller park.
Knox Miller Park Clouds, watercolor, 5×7 in
Knox Miller Park in Pt. Richmond is so pretty, with a lagoon of sorts, grassy meadows and the bay and mountains of Marin in the distance. The birds were all sketched from photos, the little landscape above was the only sketch I managed to do on site, after arriving late and feeling poorly that day.
Knox Miller Goose, ink and watercolor 5×7 in
Silly goose. My first attempt at drawing him from a photo.
White Pelican, Knox Miller Park, ink, watercolor and gouache, 5×7 in
I struggled and struggled trying to draw and paint this unusual white pelican from a blurry photo. I ended up adding some gouache to get back some white, which never really works well.
Birdwatching at Albany Bulb 1, ink and watercolor, 5×7 in
While I was having my car’s oil changed at Toyota Albany I took a hike down to the SF Bay Trail to sketch. I followed a confusing bike and walking path that goes up onto an overpass and then down under the freeway. It leads to the marsh on the way out to Albany Bulb, a spit of land homesteaded by the homeless that the city is constantly trying to reclaim. There were birds everywhere, including the beautiful, delicate white Snowy Egrets that always delight me (above).
Pigeons on the Freeway, ink and watercolor, 5×7 in
I even spotted birds living right on the freeway walls; the family of pigeons above didn’t seem disturbed by the constant roar of cars. The hike was a bit isolated, and it felt spooky walking under the freeways, even on a sunny weekday morning. Fortunately the few people I saw along the way were polite bicyclists. No trolls living under these bridges like the Brothers Grimm fairytale I remember with horror from my childhood.
Birdwatching at Albany Bulb, ink, 5×7 in
While I was sketching, a man was photographing birds nearby and he told me the names of the birds we were seeing, and how to differentiate them. I made notes on my sketch as I tried to figure out the basic shape of the birds.
Empress Hornblower at Sunset, ink and watercolor, 5×7 in
Sounds like a great title for a children’s book, no? The Empress Hornblower (above) is part of a fleet of party boats moored behind the ritzy hotel at the northern Berkeley marina, an area long-time residents remember as the old Berkeley dump.
Before “ecology” and “global warming” were common words, cities dumped their garbage, old cars, construction rubble, etc. in the San Francisco Bay. As they filled in the bay with garbage, they created new land on which they built housing, freeways, and, when they finally closed the dump, parks and hotels.
Wanna Be Cantaloupe, ink and watercolor, 5×7 in
My tenant (I own/live in a duplex) loves to garden so I put in a raised bed for her and we prepared the soil along the side of our property for flowers and veges. When she planted cantaloupes I warned her they wouldn’t thrive in our foggy climate but she ignored me.
They were cute but never got bigger than chubby cucumbers, and probably most of that was skin. She pulled them out before she left on vacation in October. I didn’t have the heart to ask her if she ate them or put them in the green bin for recycling.
World Journal News Box at Clark Kerr, ink/watercolor, 7x5x5.5 in
Although cold autumn weather and even snow already arrived in much of the western hemisphere, always radical Berkeley begs to differ. We had an unusually unfoggy and warm summer, a toasty fall, and now, with temperatures in the 70s we’re back to summer again. So far 2013 is the driest year in Bay Area history with less rain than any year in recorded history, all the way back to the Gold Rush.
After a delay posting work from the summer due to various health issues, at least it doesn’t feel awkward to be posting them now, thanks to our seemingly endless summer.
In the sketch above, this bright red Chinese newspaper box on the Clark Kerr Campus immediately drew my attention. Clark Kerr was built in the 1930s as a residential school for the blind. When blind students began mainstreaming into regular public schools, the University of California Berkeley bought the complex for student housing. Clark Kerr’s beautiful, serene grounds and Spanish style buildings provide an oasis of sketching opportunities in the middle of a busy urban area.
Lima, Peru, ink and watercolor from Google Streetview, 4×5 in
I love doing the Virtual Paintout, strolling around a city in Google Streetview and picking a scene to paint. This sketch is a preliminary study for an oil painting still in progress. The location is Nicolas de Pierola and Jr. Cańete Streets in Lima, Peru. Here’s a link to the map: http://goo.gl/maps/hQdsp.
Below is the original screenshot plus a few other streetview pictures from around Lima. Although the city looked very beautiful, I’m often drawn to funkier parts of town.
Original Scene
Front Porch Sitters
Funny little motorcycle/car hybrids
More motorcycle cars
Bimbo bread. Hope it doesn’t have the same meaning in Spanish!
Emergency response vehicles. Ink and watercolor, 7×5 in
A propane double tanker truck lost control and turned over at a freeway entrance/exit near my home around 3:00 in the morning. The emergency response teams evacuated people from nearby homes and businesses, including a nursery school, and then cordoned off two blocks on either side of the freeway. Oddly, they allowed traffic to continue flowing on the overpass right above the truck.
I didn’t realize any of this was going on until I tried to drive somewhere and couldn’t get on the freeway. I figured out another route, did my errands, and when I got home walked down to the scene with my sketchbook, paints and stool.
When I finished my sketch and headed home at 5:00 p.m. the fleet of emergency vehicles (including police, fire, utilities, and the Red Cross) and the small army of responders were just beginning to leave. Some of the evacuated residents were sitting on the curb, still waiting to be allowed back home. Fortunately nobody was hurt and the propane tanker didn’t leak. I’m so glad I live outside the evacuation area; I don’t know where I would have gone at 3:00 in the morning!
Jack London Cabin and Wolf Statue, ink and watercolor, 10×7 in
Despite the transit strike, intrepid Urban Sketchers braved the traffic for Sketchcrawl 41 at Jack London Square. We enjoyed fantastic sunny, warm weather, blues bands and a classic car show.
I started by sketching (above) Jack London’s sod-roofed cabin above (moved to Oakland from the Klondike where it was discovered), Heinolds’ Last Stand (where Jack London started writing The Sea Wolf and Call of the Wild), and the bronze statue of a wolf.
1936 Auburn Supercharged, Jack London Car Show, ink and watercolor, 5×7 in
The classic car show was the best I’ve ever seen, with cars from Model A’s to Camaros and everything in between, spread out along the waterfront for blocks. This one had hydraulics that let it sit right on the ground when parked and then pop up for driving. It was hard to choose which one to sketch until I spotted a bench in the shade, right in front of this one.
Bethesda Fountain Angel, ink and watercolor, 7.5 x 5.5 in
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Walking back to Central Park on Sunday, Micaela and I stopped at The Dakota, a spectacular architectural landmark where Beatle John Lennon was killed and Yoko Ono still lives. The building was so well-guarded we were afraid to stop and draw.
But later, while sketching Bethesda Fountain (above), I looked up and saw Yoko Ono walking by a few feet away, on the arm of a tall, distinguished gentleman, apparently on her way home to the Dakota. Micaela didn’t see her and maybe didn’t believe me…you might not either…but I do.
Here are some images from nearby the Bethesda Fountain in Central Park:
Bethesda Fountain
Tunnel by Bethesda Fountain in Central Park
Wall carvings near Bethesda Fountain
Carol had shown us the tunnel by the fountain and pointed out the restrooms that are the best (or at least have the most stalls) in the park. Inside the tunnel we stopped to watch and listen to this amazing performance:
After our Central Park visit Micaela wanted to sketch another Upper West Side architectural landmark, The Ansonia. We sat in the Giuseppe Verdi Square where she had a view of the building and I sketched the monument (below).
Guiseppe Verdi Statue, NY, ink and watercolor, 7.5 x 5.5 in
As you can see from my comments on the sketch, I got really lost when it came to the sizes of the other figures on the monument. The guy in front looked like a baker to me but according to Wikipedia, the monument “depicts Verdi flanked by four of his most popular characters: Falstaff, Leonora, Aida, and Otello.” So I guess my chubby little baker is actually Falstaff in costume.
That’s a live pigeon on Verdi’s foot, not part of the statue. I wonder if statue sculptors ever think about the pigeons that will eventually sit on their subjects?
NY Public Library Lion and Whole Foods Heads, ink and watercolor, 5.5 x 7.5 in
Soon it was time to meet Micaela’s daughter for dinner in Union Square. Along the way the bus stopped at the NYC Public Library so we hopped off to sketch the lions and then hopped back on the next bus.
We sat in the café upstairs at Whole Foods Union Square to wait for Juliette, where I had an odd experience. I was sketching a guy (second from the right above) and got his face totally wrong: no likeness at all. He left and another man sat down in his place. The new guy had the exact face I’d just drawn: perfect likeness. All I had to do was add hair because the first guy was bald.
After a late dinner in an Italian restaurant, we returned home to our cozy apartment.
The next morning, my last one in NYC, we went back to the Metropolitan Museum where we visited the “Balthus: Cats and Girls” exhibition. My favorite part of the show were the 40 small ink drawings he made when he was 11 of his adventures with his cat Mitsou. His mentor, the poet Rainer Maria Rilke, who at the time was his mother’s lover, wrote the preface and got the little book, Mitsou, published.
Balthus and his cat Missou
Balthus searches for Missou who has gone missing
Then we explored the rest of the second floor, “European Paintings from 1250 to 1800.” It was exciting to see the Dutch and Flemish paintings since I’d spent my summer studying Flemish painting technique. But the biggest thrill of all was rediscovering Rembrandt portraits. Despite period clothing, the people in the paintings, even Rembrandt in his self-portrait below, looked so contemporary and authentic, like people you might see on the street.
Rembrandt self-portrait (detail)
After a week of visiting museums and seeing modern art that while ground-breaking when it created, often seems intentionally unskillfully rendered, it was so inspiring to see work full of passion and beautifully painted.
Then it was back to the apartment to pack and my trip home. A much more confident transit rider than when I arrived, I took the subway to Penn Station, transferred to the Long Island Railroad, then caught the Airtrain which was partially shut down for repairs, and then a shuttle bus to JFK. My Jet Blue flight home was very comfortable and went smoothly, so much better than the Southwest nightmare flight to New York.
Jana Bouc, Artist 
