Santa Cruz Beach from Bluff, in & watercolor, 5×7″
I attended a weekend retreat in Santa Cruz, held in a remodeled former convent still operated by nuns. I stayed there once before in the 90s, when it was still an operating convent. Then I had a tiny room with a single bed, a cross on the wall and a bathroom down the hall. This time I had my own bath and a nice big bed and the nuns were wearing Bermuda shorts, t-shirts and flip-flops.
Santa Cruz Wetsuits, ink & watercolor, 5×7″
The retreat center is located on a bluff above the ocean, with stairs leading down to the beach. The weather was sunny but windy. The ocean is cold in Northern California so surfers always wear wetsuits. They’re not easy to put on so the guys in the sketch helped each other get into them. When I went through scuba certification many years ago, the hardest part of the whole program was getting into the darn wetsuits.
They closed down the old Bay Bridge over the long Labor Day weekend to disconnect it and open the new Bay Bridge that took twenty years to plan and build. After breakfast in Emeryville on Monday morning, we walked to Ikea, which is near the start of the bridge, and climbed up to their rooftop parking structure to get a look at the two bridges, which were both still closed.
It’s kind of weird seeing them piggy-backed together like that. We could see where the old bridge had been cut off and barricaded which brought back memories of the big earthquake in 1989 that broke the bridge, leaving a car dangling. I was home sick with the flu when that happened, and remember lying in bed feverish, watching the video of the bridge breaking, the car sliding off, over and over.
The new bridge opened to traffic Monday evening. On Tuesday they opened the bike and pedestrian lanes. You can only walk from the East Bay side to the central tower now, since they have to tear down the old bridge before they can complete the bike/pedestrian lanes all the way to San Francisco.
I’m plan to walk the 5-mile round trip soon, and sketch from the bridge. For this one I had to work from a photo because my breakfast buddy didn’t want to wait while I sketched, especially since we still had a long walk back to our car at the Doyle Street Cafe.
I didn’t realize until I saw these two pictures together, that it was easy to tell that I painted one in summer (above) and the other in the spring (below), just by their color palette, even though they were both painted on warm, sunny days. I started the painting above plein air, but only got halfway done before it was time for the group critique. I finished it from memory and a photo but didn’t touch areas I already loved, like the yummy turquoise color in the background.
Briones Park (above) is gorgeous, but dogs are allowed off-leash there so the grasses along this beginning stretch of the trail are littered with stinky dog poo, thanks to irresponsible dog owners. But like bugs, wind and weather, smells are part of the plein air experience too.
Castle Rock Park and Mt. Diablo, Spring, 8×10″
I painted this watercolor view of Mt. Diablo in my 8×10 Moleskine. I didn’t have time to set up for oils because although we’d planned a day at Borges Ranch we learned on arrival that a 4-H club had reserved the area and we had to leave. The ranger suggested we go to Castle Rock Park down the road.
I parked at the Borges entrance for a while, catching others as they arrived and directing them to Castle Rock. Finally I left a big note on a brown paper bag taped to the Borges entrance sign, hoping latecomers would see it and know where to find us.
After the drive to Castle Rock and a hike to the top of a hill I only had time for a watercolor sketch. The bright yellow-green grassy field was beautifully spotted with lavender wild flowers. In the summer everything would be pretty much the same color of golden brown. This time it didn’t smell like dog poo; it was the pungent odor of the cows that graze there that accompanied the view.
My plein air group had a lovely day painting at the Lyford House in Tiburon. Since we had a workshop leader doing a demo that day I brought my sketchbook instead of plein air gear, knowing I wouldn’t have time to do a full painting.
I focused mostly on the drawing, trying to capture this very complicated Victorian home. The Lyford House was built in 1876 as the main residence of a nearby dairy farm. It was barged over to its present site, an Audubon Sanctuary, in 1957 after conservationists saved it from being torn down.
The site is surrounded by some of the most expensive real estate in the country, with an average price of $3.5 million but with many homes for sale in the $18 million to $35 million range. I wish I could have visited the lavish Mediterranean-style villa next door that I was spying on through the bushes.
Lake Chalet (and Plumbing) on Lake Merritt, Oakland. Ink & watercolor, 5×7.5″
Lake Chalet was originally built over 100 years ago as a high-pressure salt water pumping station for the Oakland Fire Department. In 1913, two wings were added to serve as boathouses. In 2009 the building was transformed into a lively restaurant and bar with outdoor seating on the docks behind it on the lake.
What attracted me to draw this scene wasn’t the lovely building; it was the multiple plumbing features on the grass that slopes down to the restaurant from the sidewalk where I sat to draw. And of course the antique street lights that circle the lake.
Milk Carton at Picante, ink & watercolor, 5×5″
I struggled trying to draw these two milk cartons so issued a challenge to the other sketchers at my table to draw them too. We all had different views of the cartons set in the middle of the table so it was fun to see the variety of approaches and points of view.
Drawing Rocks Practice on Sculpture at Oakland Museum, ink & watercolor, 5x7x5″
After a workshop on drawing rocks (part of John Muir Laws’ Bay Area Nature Journal Club) Susan and I walked down to the Oakland Museum’s sculpture garden, looking for rocks to practice on. The only rock-like object we could find was this clay sculpture. It’s so helpful to practice new concepts before they slip from my mind, as most things do these days.
Rosie the Riveter Museum (left) and Craneway Pavillion (right), ink & watercolor & National Park rubber stamp, 8×10″
When my plein air group met at the Rosie the Riveter Museum alongside Craneway Pavilion (a former auto factory where “Rosie’s” riveted during WWII) on the San Francisco Bay in Richmond, everyone else painted the bay view on the other side of these buildings.
But as soon as I drove into the parking lot, this industrial backside grabbed me. From the row of street lights to the giant smokestack and thousands of windows, I was sold. I set up, sketched and painted in the parking lot. Then I toured the museum. My mother, RivaLee was a “Rosie” and worked in an airplane factory in L.A. where she was known as “Riv the Riveter.”
Singer Sewing Machine circa early 1900s, ink & watercolor & gold pen
I don’t know what happened to my sense of perspective when I sketched this early 1900s Singer sewing machine in a warehouse full of antique industrial equipment. It was very heavy, almost impossible for me to move, so I guarantee it wasn’t lifting off the table or sliding downhill like it looks in my sketch.
As I drew I was struck by the beautiful decoration and the rounded shapes that seemed to echo the curves of the women who used them. What a lovely tool it is compared to the sterile, boxy, plastic computerized sewing machines of today.
John Muir Home and Orchard, ink, watercolor & gouache, 8×10″
After I filled the jumbo Moleskine watercolor journal I discovered I forgot to post several pages. From March! So here are a few of those sketches from early spring. Above and below are the John Muir home, with a bit of the fruit tree orchards and redwoods on the property. I sketched and painted these on site, with a little gouache added to the fruit tree blossoms at home.
John Muir Landscape, ink, watercolor & gouache, 10×8″Spring at Blake Gardens, watercolor, 10×8″
Above is another spring sketch, painted directly with watercolor, of magnolia trees and the pretty little flowers planted around the tree.
View from Oakland Museum Sculpture Garden, ink & watercolor, 8×10″
After my monthly workshop at the Oakland Museum, with John Muir Laws and his Bay Area Nature Journal Club, I stayed to sketch in the beautiful sculpture garden. There are lovely trees and plantings, colorful sculptures and interesting urban views. The building with the flag atop it is the County Courthouse on the next block.
I also visited the fabulous “Summoning Ghosts: The Art of Hung Lui exhibit.” The show features several rooms of her very large paintings plus early sketchbooks and painting studies completed in China before she came to the U.S. in 1984. The film of her painting with luscious juicy paint (and her signature drips) made me want to run to the studio and pick up a brush.
I was excited to sketch Berkeley’s 100-year-old Teddy Bear Fountain again. We found the perfect viewpoint, I sat down on the carved stone bench, pulled out my pen, opened my bag and discovered I’d forgotten my sketchbook! DUH! Fortunately Cristina had a 9×12 watercolor block with her and she let me use it.
When I sketched the fountain before I wasn’t happy with the results so I decided to start with pencil on the complicated scene this time. There was an odd optical illusion; it appeared that the water was only falling behind the fountain so that’s how I painted it. I also intentionally shrunk the width of the base of the fountain.
The sun was setting when I finished drawing so I added paint at home. Please check out Cristina’s comprehensive sketch of the scene and Cathy’s previous sketch that is now featured on Berkeley Library cards. Below is the photo I took before I started drawing.
Mother Earth on Earth Day in Healdsburg, ink & watercolor, 6.5×4″
Our sketch group traveled up to the wine country for a sketchcrawl in Healdsburg. We discovered an Earth Day festival setting up in the town square, complete with Mother Earth, above. Covered in flowers and pink and green gauzy fabric, she gave a talk about saving the earth, played her ukulele and sang a few children’s songs.
Healdsburg Home, Formerly a 7th Day Adventist Church Camp, ink & watercolor5.5″x6″
While we sketched this house a block from town square, the owner came out and told us it was built in 1887 by the 7th Day Adventists as a church camp. They still have the original kitchen except for the stove, which they updated to a 1940s model. He apologized we’d missed the flowering of the wisteria vine across the front of the porch.
Gazebo in Healdsburg Town Square, ink & watercolor, 5.5″ x 6.5″
A variety of speakers lectured and bands performed under the gazebo in the beautiful Healdsburg town square. When the speakers got too strident or the bands too screechy, I walked a couple blocks away to find something else to draw.
As the temperature rose into the 80s I found a shady spot under a tree and drew the Bear Republic Brewing Company’s outdoor patio. Later we sat under those umbrellas and had our lunch. We shared journals with the other sketchcrawlers and at 4 :00 we headed back home.
Below are the full pages as they appear in my Moleskine A4 size journal (about 9×12″ per page).
Healdsburg, left page in Moleskine 9×12″ watercolor journalHealdsburg Right Hand Page in Moleksine A4
You can see the pictures from some of the other sketchers on our Urban Sketchers blog.
Jana Bouc, Artist 