This isn’t the painting I made at Sunday’s plein air location in a funky old marina in Crockett, beside the Carquinez Bridge. I was mad at that painting so I did this one to get even. I worked from a photo I took on the Bay Trail near my house to give myself a chance to paint in easier circumstances (no wasps buzzing around my hands, no trains going by every half an hour only 10 feet away, no cars rumbling overhead, no sweaty heat, and light that doesn’t move).
Feeling a little more confident after that, I tried to fix up the painting I’d done under the bridge (where the only shade could be found on that hot day). What made me mad about the painting was primarily that I didn’t come close to meeting the goal I’d set for myself that day: to SIMPLIFY and also that it is just a stupid composition. The view was tricky as everything was in direct afternoon sun except the foreground which was in shade.
I will keep working on the goal of simplifying in my oil paintings, as I’ve had a major breakthrough in my understanding about why it’s important, which I’ll write about in my next post.
