Category: People

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Drawing People Sketchbook Pages Watercolor

The Horn Players

The Horn Players

Ink & Watercolor in Moleskine sketchbook
Composed from memory, a quick scribble on a sticky note and a small photo (see below)
(To enlarge, click images, select All Sizes)

When I was taking a lunchtime walk on Wednesday, I saw this guy playing his sax on the corner. A mom and little boy stopped in front of him and the mom pulled a little toy plastic horn out of her bag. She handed it to her son and encouraged him to play too. The boy was fascinated by the sax player, who sadly showed no interest in the boy and just kept on playing. I didn’t have time to take a photo or sketch so tried to take a mental snapshot. As soon as I got back to the office I grabbed the first pen and paper I could find and tried to draw what I’d seen on this purple sticky note.

Hornplayers 1st scribble

The next day I was out walking again and the horn player was back on the corner so I took this quick photo from across the street.

Horn Player photo

Tonight I finally had a chance to draw the scene in my sketchbook, using my mental snapshot of the scene, my sticky note scribble and the photo (which was really helpful since I didn’t really know what saxophones looked like enough to try to draw it).

Does it bother you that the sax player is more realistic and the mom and boy are more cartoonish since they’re drawn from memory?

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Animals Drawing Dreams People Sketchbook Pages

From my AM/PM Sketchbook

Art show update: Thanks everyone for all your good wishes. The opening was so much fun! All my best friends, family and local art buddies came, including a (formerly virtual) friend from the Everyday Matters art blogging group. Some people brought friends and neighbors, and there were a few unknown faces too. From all reports everyone had a good time, and there were quite a few “small world” connections between people who I had no idea knew each other. The show will come down March 31.

Every day I write and draw something in my AM/PM sketchbook, usually from memory — in the morning an image from my dreams and in the evening something I’ve seen during the day. This is an assortment from the past week in my Handbook Journal Co. notebook drawn with an Expresso pen which I don’t like much but for some reason am using for all these drawings.

AMPM-Geese

PM (Tonight): Walking around the lake by work today at lunch the geese were acting crazy, honking at each other and wiggling their heads and flapping their wings while the pigeons and seagulls looked on. I saw some seagulls with festive polka-dotted tails.

AMPM-sleepy-kitty

PM: Kitties are already asleep and I should be too.

AMPM-trash

AM: View out the window (at a distance)

AMPM-dream-roseAMPM-Donald

AM: A silly work dream and another dream about Donald Trump (watched the very bad Apprentice LA that night).

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People Puerto Vallarta Sketchbook Pages Watercolor

Puerto Vallarta Corn Snacks

PV-Corn-seller

Ink and watercolor in large Moleskine watercolor notebook
To enlarge click image, select All Sizes

I wish I could have actually done this sketch in person along the Malecon waterfront in Puerto Vallarta but there was no time alloted for outdoor sketching in my workshop. I noticed several different people selling both corn on the cob and corn kernels in plastic cups that they barbecue on site (the corn not the cups).

I wanted to do a small watercolor in my sketchbook since my painting time lately has been spent working with oil paints and acrylics. When I went to look through my Puerto Vallarta photos for something to paint I discovered most of them were missing. I’d done some nifty photo organizing the other day, sorting everything, trying to back up onto DVDs (but it kept eating the DVDs so I gave up and copied files from my PC to my laptop). Somehow I’d deleted half of the folders I’d sorted, thinking I was deleting extra copies from my laptop. Without going into lots more detail about how this stupidity occured, I’ll just say that I went through all the steps of the grieving process: anger, denial, bargaining etc., through to acceptance and then oh so gratefully, found a folder on my laptop that had the files!!

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Art theory Cartoon art Other Art Blogs I Read People Sketchbook Pages

Cezanne in Provence

Cezanne in Provence

Ink in Handbook Journal notebook
To enlarge, click image, select All Sizes

Today I was tired after all the prep and then the party at last night’s opening for my show (which was great fun by all accounts). This morning I tried drawing little sketches of everyone who attended the opening in my AM/PM journal. It was hard to remember the details of people’s faces, though surprisingly easier for the people I’d just met than the ones I’ve known most of my life.

It occurred to me that if I tried to superimpose in my imagination a caricaturish outline on the faces and features of people I see, it might make it easier to draw them and might also be a good way to start to see and understand the essential components of each face that make it different from every other face.

So tonight while I was watching a documentary I’d TiVo’d a couple weeks ago — “Cezanne in Provence” — I saw the guy on the top left, Curator Philip Conisbee, and discovered I was doing exactly that — I could see the imaginary lines superimposed on his image that I wanted to draw. So I paused the program, grabbed my journal, and drew him. Then I did the same for other people I saw in the documentary, Cezanne, Monet, Cezanne’s grandson Philippe and art historian Nina Kallmyer (sorry for beard Nina, I went a bit too far with the shading).

I also jotted down some of the quotes by and about Cezanne: “He is a true artist but has far too many doubts about himself.” “He liked to be free and alone when he was painting.” “He was a hermit.” Cezanne said, “The pleasure must be found in the painting” when dismissing with disdain the importance of showing and success. “Vollard displayed 150 of Cezanne’s paintings (that he’d bought from the art supply store where artists traded their paintings for art supplies) and Cezanne didn’t come to the show. He stayed home painting.”

While I fantasized about painting today, I never did get in the studio other than to tidy up a bit. I think Cezanne might have been right. Preparing for a show sure diverts time and energy from painting!

Categories
People Puerto Vallarta Sketchbook Pages Watercolor

Elotes: Puerto Vallarta Street Vendors

Elotes 2

Ink & Watercolor in large Moleskine watercolor notebook
(To enlarge, click images, select All Sizes)

On our trip into town this friendly gentleman (reproduced here twice from two different photos) was standing in the hot sun selling hot corn. He gave me a big smile and held up his sign…not exactly a candid, natural photo, but P.V. was rather like that. People were very friendly and kind, but very much oriented towards the tourist. I wish I would have planned for time to travel away from the well-beaten path after my workshop.

I changed the colors from the photo to use a warm, analagous palette (colors near each other on the color wheel). In the photo the umbrellas were multi-colored and the wall was a royal blue. But in a small sketch like this I thought it would be too busy with all those colors and wanted a hot feeling instead of a rainbow.

After I scanned the original version below, I decided it needed a dark doorway to break up the long wall and give some contrast and focus to the front-facing man. Which do you think works better?

Elotes - Street Vendors
(To enlarge, click image, select All sizes)

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Art theory Drawing Other Art Blogs I Read People Sketchbook Pages Subway drawings

Sketches & Picasso Exhibit

BART19

BART Rider – Ink in small Moleskine sketchbook

(To Enlarge, click Images, select All Sizes)

Peets

Peets Coffee water display – Ink in small Moleskine sketchbook

SFMOMA

Woman in the SFMOMA Cafe (loved her thick grey hair in a huge clasp)
Ink in small Moleskine sketchbook

BART17

Just before the earthquake Friday: BART Rider with Orchid just before the trains stopped. Ink in small Moleskine sketchbook

Friday, Susie and I met at the SF Museum of Modern Art on the opening day of Picasso and American Art. It was very interesting seeing Picasso’s groundbreaking paintings and the way American artists picked up his ideas and explored them in their own paintings. I think my favorites were the Willem de Kooning paintings; the first was quite derivative but you could see the development over the half dozen or so paintings spanning a couple of decades how his work progressed and matured into his own strong and unique voice.

More than anything, what I got from this show was the importance of an artist’s unique voice. I’ve been pondering what makes something “art” vs. decorative, pretty, marketable pictures; or what makes an artist a “real” artist. This exhibit helped me to understand that it’s not just technique, talent, or skill (all important things) — it’s also the expression of the artist’s unique view and personality that is essential. An artist doesn’t have to invent a new “ism” or create a whole new way of working like the impressionists, cubists, expressionists, etc. But a recognizable, unique and authentic voice or perspective that is courageously or confidently expressed (even if it’s ugly) seems like it might be the key.

Do you agree? Do you have an opinion of what makes an artist a “real” artist or art “real” art or do you think the whole question is irrelevant?

ADDENDUM: I must point out that my questioning this is all this in terms of my own place in the world: I’ve been painting and drawing and identifying myself as an artist for 30 years but there’s always that question in the back of my mind….that voice that says, “If you were a real artist you would…[fill in the blank].” I don’t meant to imply judgment on anyone else’s choice of style or work. Please see my comment in response to Katharine‘s comment for more.

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Drawing Dreams Life in general People Sketchbook Pages

AM PM Sketchbook

2-20-07

Espresso pen, Handbook Journal

A woman from Scotland wrote to me and said she’d come upon my blog my accident and that I’d inspired her to start adding drawings to her daily journal. Her email inspired me to start a new sketchbook project that I’ve really been enjoying. Each morning before I get out of bed I write a few sentences about my dreams, the weather and/or how I’m feeling that morning and do a quick little drawing. Then in the evening I do another brief entry about the day or something I’m grateful for and draw something of the day. These are drawings from memory or imagination so they’re pretty goofy, not at all realistic.

Before drawing in it, I dated each page in the sketchbook in advance. It’s a square Handbook Journal Co. sketchbook that I didn’t like too much for watercolor so now I have a good use for it.

The drawing on the left is supposedly me (I don’t really look that terrible, even in the morning) and Busby doing his silly morning snuggle where he sticks his head below my ear and kneads his paws on my neck, purring madly and half choking me. I drew it while he was doing that, holding up a little mirror. The one on the right I drew tonight after a lovely Thai dinner with my dear painting group friends as we celebrated Judith’s birthday (she’s supposedly blowing out a candle stuck in a big blob of coconut ice cream surrounded by chunks of fried bananas). If you think these are funky drawings, you should (or shouldn’t) see the hilarious cars, bus and boats I drew yesterday!

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Art theory Other Art Blogs I Read People Sketchbook Pages Watercolor

Focus!

PV-Beach

Ink and watercolor in Canson 7×10 Watercolor Sketchbook
To enlarge, click image, select All Sizes
I liked the Canson paper, it’s strong and very forgiving and heavily surface-sized — better than the Moleskine notebook — but not too thrilled with the colors I used in the sketch above in trying to use at least something the teacher suggested.

Puerto Vallarta Breakfast

Breakfast View – Ink and watercolor in small watercolor Moleskine
(to enlarge, click image, select All Sizes)

Breakfast at the workshop was at the open air buffet restaurant in our hotel, right on the beach, which was a lovely way to start the day, even if it was only half an hour after sunrise.

While I was drawing this a waiter came over to watch. I asked if he painted and he said he loved to draw but was unable to buy decent paint locally and mail order was impossible because Mexico charges 3 times the cost of the supplies in tariffs. He told me he draws pictures and then his 4 year old son colors them with crayons. He looked so admiringly at my little painting kit, amazed at what could be had in the U.S. I asked the class if they’d be willing to donate some paints for him and the teacher gave me her entire palette full of paint and three brushes. Other students gave watercolor paper and blocks. He was so grateful and everyone was really happy to have been able to help a fellow aspiring artist. I still feel happy remembering his sweet smile.

Tonight I spent the evening tonight typing up my pages of notes from the workshop. Here is one of most important thing I learned, which should be obvious but never really clicked for me before:

FOCAL POINT

I am often entranced by all the details in a subject and my paintings can suffer from lack of focal point or strong values. Forcing myself to chose a focal point BEFORE starting a sketch or painting and concentrating on values in that area at least, is going to make a huge difference in my approach and to the success of the painting.

  • A juror or curator for a show looks at each slide no more than 3 seconds and MUST BE ABLE TO SEE THE FOCAL POINT IMMEDIATELY. There should be the most contrast in that area (dark/light contrast or strong color contrast).
  • Before starting a drawing or painting, think about what interests you and attracts you to the subject and determine the focal point.
  • Put a painting in progress on the mantle and walk by it in the evening as the room gets dark to see if the focus is apparent
  • Hold the painting up to a mirror 10 feet away to look for problems with the drawing or painting, especially in portraits
  • Get the values right: Make a “Claude” mirror by spray-painting black the back of a sheet of plexiglass. It will reflect the image in values with the color neutralized. Or view the painting through red or gray film to show values without color.
  • She recommends as the best book on design in painting: “Probing the Hidden Order” by Marie McDonald Roberts.
  • Best spot in a painting for focal point is above horizon to the right because we read from right and up (this is the same spot as the “Divine Proportion” or “Golden Mean.”
  • To study focal points, very quickly go through a magazine putting red dots on the first thing you notice, then go back and study why your eyes went there. Usually contrast in value or color.

Next time I’ll post what I learned about Color Chords.

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People Sketchbook Pages

Figure Drawing

figure7-2.jpg
Pentel Brush Pen and water in 6×8″ sketchbook – 20 minute pose

As you can see we had quite a large model tonight. She was excellent at posing but when you faced her back it was like drawing a landscape with a big mountain in the middle. So I grabbed a small notebook that I could easily carry around to the other side of the room along with my brush pen and waterbrush. I drew with the brush pen and used the waterbrush to bleed the ink out for shading. Then the next pose I went back to my table and big sketchbook.
Figure9

Pencil in 14×17″ sketchbook – 10 minute pose
figure8.jpg

Pencil and Pentel Brush Pen with water in 14×17″ sketchbook – 20 minute pose

It was a good night at figure drawing after an annoying afternoon working on the postcards for my show in March. I learned a lot of stuff I wasn’t really interested in learning but they’re done and finally ordered.

Tonight they had the overhead lights on instead of the directional ones because they needed to replace the bulbs in the spot lights. It was nice having enough light and there were still some decent shadows.

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People Sketchbook Pages Subway drawings

Meeting and Subway Sketches

Meeting People 3

Two craggy old guys sitting in front of me at the California Watercolor Association meeting tonight. The guy didn’t really have writing on his neck but it was a good spot to take down notes on upcoming watercolor shows to enter. It was an interesting meeting: Golden Acrylics had a representative demonstrating and teaching about the use of their paints and mediums with a free goody bag for everyone at the end of the meeting.

Meeting People 2

Two lovely young ladies at a meeting at work today (though my drawing doesn’t do them justice). The meeting was to envision where our organization will be in 2012 (five years) and where we’ll be–if still there, in what role, or doing something else. It’s great to get the support to pursue our own dreams as well as to help build and contribute to our organization whose mission is to improve literacy and learning for adolescents.

BART16

Two commuters and two babies on BART.

All are ink in Moleskine sketchbook.