Ink in Handbook Journal notebook
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Today I was tired after all the prep and then the party at last night’s opening for my show (which was great fun by all accounts). This morning I tried drawing little sketches of everyone who attended the opening in my AM/PM journal. It was hard to remember the details of people’s faces, though surprisingly easier for the people I’d just met than the ones I’ve known most of my life.
It occurred to me that if I tried to superimpose in my imagination a caricaturish outline on the faces and features of people I see, it might make it easier to draw them and might also be a good way to start to see and understand the essential components of each face that make it different from every other face.
So tonight while I was watching a documentary I’d TiVo’d a couple weeks ago — “Cezanne in Provence” — I saw the guy on the top left, Curator Philip Conisbee, and discovered I was doing exactly that — I could see the imaginary lines superimposed on his image that I wanted to draw. So I paused the program, grabbed my journal, and drew him. Then I did the same for other people I saw in the documentary, Cezanne, Monet, Cezanne’s grandson Philippe and art historian Nina Kallmyer (sorry for beard Nina, I went a bit too far with the shading).
I also jotted down some of the quotes by and about Cezanne: “He is a true artist but has far too many doubts about himself.” “He liked to be free and alone when he was painting.” “He was a hermit.” Cezanne said, “The pleasure must be found in the painting” when dismissing with disdain the importance of showing and success. “Vollard displayed 150 of Cezanne’s paintings (that he’d bought from the art supply store where artists traded their paintings for art supplies) and Cezanne didn’t come to the show. He stayed home painting.”
While I fantasized about painting today, I never did get in the studio other than to tidy up a bit. I think Cezanne might have been right. Preparing for a show sure diverts time and energy from painting!



