

I ran a red light right in front of a police car on my way to painting class on Monday. If that wasn’t bad enough, I didn’t even realize I’d done it.
I even thought to myself as I drove past the police car that was waiting for the light to change, how nice it is that police don’t look at women like me suspiciously the way they might at young men in loud cars.
Seconds later I heard the siren, saw the flashing red lights, and pulled over. The cute, young officer was shaking his head, it was so ridiculous. He couldn’t believe what I’d done and, trying to make sense of it, asked if I was distracted, was looking at a light further ahead, etc.
About the paintings
Camille offered an extra afternoon session Monday so that we could do both a morning study as usual, and a late afternoon study of approximately the same scene to capture the difference in light. I simplified the buildings, trees and landscape to abstract shapes or puzzle pieces, so that I could focus on the colors and light effects.
In the morning the foreground and midground was mostly in shadow while the distance was in open sun and the sky appeared a weak yellowish to slightly pink color. In the afternoon everything was front lit with a very warm light.
It was a long day and after Camille made some adjustments to my afternoon study and gave suggestions for doing more, I realized I was too tired to paint any longer. I lay down on the grass in the park and spent the last half hour of class sketching a palm tree on my back (I mean I was on my back in the grass; it’s hard enough drawing palm trees, let alone sketching one on my own back!).
It had been too long since I laid in the grass on a summer day in the shade of a tree looking up at the sky. I need to do more of that and less rushing around distracted!