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Treasure Island Marina, SF Bay, Plein Air

Treasure Island Marina, SF Bay
Oil on 9 x 12″ canvas board
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My plein air group painted on Treasure Island this morning, a former military base and site of the 1939 World’s Fair in the San Francisco Bay. There were some amazing views of the SF skyline, the Bay Bridge, and Port of Oakland but it was very foggy and windy (as usual for the bay) when we arrived so I chose to paint in a more sheltered location in the marina.

Here’s the scene when I arrived:
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And here’s a quick snapshot I caught of the sailboat in the foreground as it glided past me:
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These are the sketches I did when I arrived, trying to decide on the view and focal point.
At first I was going to do the SF skyline but after sketching it realized it didn’t interest me; the shape of the dip along the skyline of trees on the hill did.
Treasure Island thumbnails

I did some things right on this painting, after taking to heart the good advice from my wonderful oil painting mentor Nel (whose wonderful Everyday Paintings deservedly sell Every Day — I own two), from Katherine Tyrell‘s post about plein air painting, and from the comments here on my last plein air attempt.

This time I didn’t chase the light (changing the painting every time the light changed). Instead, I noted when I started that the light wasn’t interesting–too foggy–but guessed it would probably clear up at some point. So I decided to block in the masses–the big shapes of the hills, sky and water and as soon as the sun came out I would then add the light effects, which worked fine. I also remembered that boats are flat on the bottom because the water line is flat and level. I also liked the the way I did the tree tops against the sky.

A couple things I didn’t quite get right: I forgot that everything looks darker and duller when you bring it indoors–it looked so pretty in the bright sun but is actually a little too dark. Also last time I swore I wouldn’t “fix” things in the studio, but I hadn’t had time to finish the boats so I worked on them, which was fine,. But then I “touched up” the hills and lost some of the glowing edges I had originally.

It might not be great art, but at least I didn’t feel like I had no idea what I was doing, as I had a month or two ago.

Advice, critique, comments are welcomed!

14 replies on “Treasure Island Marina, SF Bay, Plein Air”

The colors in this paintings are so beautifully calming – I felt myself relax as I looked at it. The photos don’t come close to capturing as much atmosphere as your painting!

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The light is fantastic! It has a really wonderful feel to it. I thought it was a little dark too (as if there is a shadow over the water) but having read your comments I can see it how it must have been and how those colours must have shone – but having said that, I do think it has captured beautifully that feeling of being out in the sea air with the breeze on your face! It has more life and movement than the scene in the photos!

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I’m with Casey – it’s a very relaxing scene. I love your little thumbnail sketches – and I’m so glad the advice about not trying to follow the light worked out for you.

My only other comment at this stage is to remember landscapes can be in “portrait” format too! 🙂 I wonder what you might have made of the scene if you’d done it in that format.

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FABULOUS, Jana! Color, composition — what makes the sailboat so especially wonderful is that bit of white on the top edge of the sail — it just makes it glow!!! Love the bit of bright blue too …!

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Hi Jana,
Thanks for the nice comment on my blog. Well, it was more like 2 hours and 15 minutes… I know, that’s still fast. I used to do pastel portraits from sittings in one hour for my living, so I got really quick at getting a likeness, but I’m newer to oil and still have to hold my breath and paint like crazy. Usually I work from photos, so it’s a real pleasure to work from life. I’m setting up a new studio here at my home and have put in a portrait platform so I’ll have that pleasure more often. Anyway, thanks for visiting my blog. Now I’m going to look around yours!
Susan

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It is super to see the prelim sketches and the way you composed the painting. I still have to get to base one with still life 😀 i can see there’s a long way to go…….

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That one is quite different from your other work, Jana. I love the depth of the shore foliage and the saturation of colour. I often have your experience of colour in reverse. When I take a painting outside for the first time to photograph I’m amazed at how much brighter the colours are.

PS I, too, have opted out of the meme thing.

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I love the collection of blues and greens in this.
You sure are getting alot of work done. You are a hard working artist! The seaweed pickles sound great. Nice painting too!

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