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Landscape Oil Painting Outdoors/Landscape Painting Plein Air Sketchbook Pages

Painting & Problem Begin with P

Alameda-Boat

Oil on panel, 12×9″
Click to see Larger

Yesterday I went out painting in Alameda with my plein air group. The view was delightful, the people were warm and friendly (both the group and the natives), the weather was nearly perfect and the city had actually blocked off a lane on the bridge (for construction–not for us) which gave us a perfect area to paint.

And I had nothing but problems. I’ve been reading several different books on oil painting and they all contradict each other. So I went out to paint with my head full of different approaches and with a goal to stop hoarding paint and put a lot on the canvas. Needless to say, the painting was a mess. After two hours I packed it up and watched a more experienced oil painter at work. I immediately saw where I’d gone wrong and decided that after the critique I’d go back out to the bridge and start over. But my feet hurt and I was hungry and the wind had really picked up so I decided to take a photo and paint at home using my first painting and a photo as a reference. One more problem…I’d forgotten my camera so had to use my cell phone’s crummy camera.

Here’s the photo which tinted the sky purple (which it wasn’t):

Alameda-Boat-photo

I painted after dinner until I was too tired to go on and then woke up at 6:30 and started painting in my pajamas to finish it. I’m declaring it done now because it’s time to get dressed and go out painting with my friend Susie and start another painting that will hopefully go better.

Here’s my initial value scale/composition thumbnails done with Copic Markers in a Raffine Sketchbook:
Alameda-boats

And here’s my initial mess of a painting:
Alameda-Boat1

UPDATE: Susie just got here and gave me a great critique on my painting. She’s an excellent landscape painter and the first thing she pointed out is that BOAT BOTTOMS ARE NEVER ROUND because the water is level and goes across the bottom of the boat. DUH! It’s amazing how the brain will contradict what’s in plain sight! Also she correctly showed me how the slips should have more space between them for the boats to go in. I knew that and lost that watery area at some point. On to the next painting….

19 replies on “Painting & Problem Begin with P”

Jana, I like this one too. It looks like the first one got a little muddy. I’ve found that’s easy to do when painting out. Round bottom or not, I think this is a nice one.

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It’s amazing isn’t it what fresh eyes can see that we can’t!!! And oh how frustrating it must be…. and yet, Jana … I agree .. the top photo especially is delightful and filled with such wonderful color and light …!!!

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Jana,
You are doing wonderful with your paintings. And to share them with us even the ones that mess up is a gift to us because we learn right along with you.
I have never tackled oils but someday I just might.

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Great to hear about your plein air outing with your new group. I also liked hearing about when you stopped painting and went to watch the experienced oil painter at work. I too like to watch others work … it gives you time ot think where you went wrong and what you’ll do differently next time.

Nice that you have Susie who will give you an honest critique.

Sounds like a perfect day … looking forward to many more of your outings.

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jana. thank you for sharing. you are brave.
I like the first painting. It is more from the heart. That is what art should be. Too much thinking, makes the painting go bad.
Personally, I hate painting plein air. To me, it’s a french phrase for “bad landscape painting”. I adore working in my studio. Kudos for you for braving the wind.

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Thanks everyone! I really appreciate the comments and the encouragement!

Dee, I’m enjoying the challenge of working outdoors, but within limits…I like my cozy studio too. The final product isn’t as important as the process itself. It’s so much fun, and such a puzzle to work out–from condensing the scene, simplifying, composing a design, getting the colors and values down right the first time, all while (hopefully) enjoying the sites and sounds and other sensory pleasures of nature. I think that the practice will lead to improved work in the studio. I love learning and variety, so the more the better!

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Jana, thanks for stopping by my blog. I wrote a response to you there but thought I would come back here and respond also. I think perspective and what you think you see as apposed to what you really see is interesting. I understand what your friend is saying but if you are looking at a boat from the front you would see a ‘v’ cutting back because the front of the boat comes to a point. What I should have done is created more shade where the boat meets the water and up the boats front to the point. The back of most boats are flat so then it would be flat meeting the water. This could make for an interesting conversation. Thanks for posting.

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Jana
I am too chicken to paint in a public venue like that (err other than in class)!.

What I really loved that you went back and started over when you felt you needed to have a fresh approach.

The second painting is marvelous! I would be hard pressed to even approach what you did with your first painting (my landscape ability is abysmal).
C.

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I almost feel like a stranger…missed out on so many posts. You have done great plein air paintings and I really enjoy your boat scenes. both of these latest one are wonderful I think. The first one you did I like for its spontaneity and fresh apporach, it has a charm and appeal that only that very first painting can bring about. The second is just as beautiful and here I appreciate your thought and care, composition, detail, you put into it. they are both great in their own right!
Just a quick thank you at the same time here for your birthday wishes…wonderful to feel so special!
ronell

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Jana, yes, Susie is right about space and boat bottoms, it is funny how our minds work…now, what I do like is that way you’ve done the water…you’ve captured the sheen and movement perfectly…

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Hi Jana,
glad to see you’re jumping into painting outside with oils. You asked a question on my blog about my painting set-up. My gear all fits in a large backpack, so I can go hiking with it. I’ve got a picture on my flickr page:
Painting Gear
I use a palette from Open Box M mounted on a tripod. The picture doesn’t show it, but I also have a small panel carrier that fits in the back pack and holds 2-4 panels.

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Painting and problem may begin with P, but so do Perseverence and Passion. and when you put the four P’s together you get a great Painter, and that’s you!

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Susan, You sure know me well! Perseverence and Passion is right on and very much me!

Kris, Thanks so much for the picture. I just checked and my pochade box fits in my backpack too. I’m going to try that for more “offroad” painting.

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