Watercolor and Ink on 9×12 Arches watercolor paper
(To enlarge, click image, select “All Sizes”)
I did this plein air painting on Monday afternoon at Blake Gardens. I got there 90 minutes before closing with a plan to paint the redwoods and creek area (just behind this little pagoda fountain). Unfortunately, landscape architecture students from U.C. Berkeley (the gardens belong to the University) had been allowed to do “art installations” and the creek had been covered with large white posterboards with yellow tape stuck here and there. (Is this art?) I had to quickly pick a spot to paint so settled for this fountain that was brightly lit on the edges by the setting sun at first. I painted without much drawing and then added the ink, using a non-permanent Pentel ink brush pen. I softened and bled the ink with a little water here and there.
Tonight my painting group met at the California Watercolor Association’s National Show held in downtown San Francisco’s Academy of Art gallery. There were a few stunning pieces, but the majority were disappointing. Someone was smoking cigarettes near the door and the gallery smelled horribly of cigarettes and was hot and stuffy so we headed over to the San Francisco Museum of Modern Art three blocks away for a delicious dinner in the cafe and a visit to some “real” art (What makes something “real art?”).
I enjoyed seeing some Matisse paintings and sculpture on display that he made in the period I’m now reading about in the two volume, 1200 page biography, The Unknown Matisse and Matisse the Master. Then we saw an absolutely thrilling show of enormous sculptural paintings by German artist Anselm Kiefer. The scale, perspective, brilliance and 3-dimensionality of the work was breathtaking.
While we dined and looked at art we had many thought-provoking conversations about art, artists, showing, painting, and teaching. I’d love to share them with you but I’m falling asleep standing up (my computer is on a standing-height work table) so it will have to wait.


