Ink drawing with watercolor in Canson 7×10 watercolor sketchbook
To enlarge, click image, select All Sizes
I left the workshop to go sketch outside behind the classroom, sitting on a little brick wall along a road with trucks and taxis constantly parading past. This dry fountain was going to be torn down soon as it’s in one of the ubiquitous construction areas.
(More from my workshop with Judy Morris in Puerto Vallarta last week).
COLOR CHORDS:
This is important to me because I can get so involved in rendering exactly what I see that I forget to take artistic license to create a more pleasing color scheme rather than painting whatever colors are present. A color chord is like a chord in music–a selection of color notes that harmonize or are exciting together.
- Most paintings accepted into the American Watercolor Society annual show have a limited palette
- Avoid too many colors or abrasive color combinations by making a “color chord” plan before painting
- Use a LIMITED PALETTE with any combination of the 3 primaries (a yellow including yellow ochre, a red and a blue); a complementary color scheme (2 colors opposite each other on the color wheel) or an analagous color scheme (neighboring colors on the color wheel); orยท 1 color and sepia OR
- Use a BORROWED COLOR SCHEME: Collect samples of from good photos, postcards, or other paintings color schemes you like and keep them in a folder. Select a color scheme from these samples to select a color chord for your painting.

17 replies on “Color Chords”
Oh my goodness Jana, these colors are gorgeous!! Thanks again for sharing this important info.
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Jana, this is breathtaking. This alone was worth the trip.
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good advice! I’ll keep it in mind. The light in this is really effective.
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Gorgeous, vibrant, clean colors in this dry fountain!! Wow, it’s really amazing. What wonderful tips – I especially like the collectingfiling images containing appealing color combinations. Thank you so much!!!
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Oh, I get it! The thought never crossed my mind — I’m copying this out and writing it into my Moleskine … and pasting it into the front of my watercolor notebook … and maybe onto the lid of my palette …
๐ The fountain is magnificent, too, and a great illustration of the lesson!
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Jana – beautiful sketch/painting, and the “color chord” info was great to read. I especially like the idea of “borrowed” cholor chords.
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This one is a great example for working colors. Great!
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Gorgeous! What colors did you use in this sketch? It’s divine.
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Thanks everyone. Martha, the colors I used were Quinacridone Rose, Dioxazine Purple, Yellow Ochre and Cerrulean Blue. These were in my tiny WN Field Kit.
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Oh wow, that purple is amazing. ๐
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Love the colors in this and am enjoying reading your notes. It sounds like a worthwhile workshop and a great trip. Thanks for sharing it!
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Thanks for all your note sharing. Some of us forget … your ink and watercolor work is so fresh looking. I’m looking forward to more of your notes. So on a scale of 1-10 how did you rate your workshop experience?
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OH WOW!!! Jana this is absolutley wonderful. the colours, the shadow, the whole picture – just wonderful.
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Good tips. Re: the ‘borrowed’ color scheme … when Cathy Quiel demonstrated last year for the NWS she said she loved to go through Vogue and other fashion mags for the innovative color palettes they used in their ads. I thought that was a pretty good suggestion!
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Karen, Thanks for the excellent suggestion. Judy suggested postcards but magazines are a great idea since they’re abundantly available.
Nancy, it’s hard for me to rate the workshop since there were so many factors. The teacher and the organizer both played a part, as did how I respond to being part of a group and my own expectactions and needs that weren’t a great match for the reality of the workshop. Also I’ve learned my lesson about putting criticism in print on the web.
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super colour here
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WAY behind in reading but the Puerto Vallarta stuff has been great…i do have to say this is my fav picture though…the purple is just wonderful…need i say more?
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