Pomegranate, Persimmons and a Brick

Pomegranate, Persimmons, Brick, Oil on Arches Oil Paper, 10x10"

Pomegranate, Persimmons, Brick, Oil on Arches Oil Paper, 10×10″

(SOLD) This painting went through so many changes. I started it before I got the awful cold that kept me out of the studio for over a week. I lost my focus while painting the cloth draped in the background and at the end of the day scraped off the afternoon’s work. When I came back the next day, my foam core shadow box had collapsed and was on the floor along with the drapery and the LED light that I’d perched atop on a piece of plexiglass. Fortunately the brick held steady as did the fruit.

That accident gave me the opportunity to try a different background. I removed the white paper I’d been using to cover the black walls of the shadow box and painted the now darker background. I had fun painting the persimmons and the brick and I think I did a good job understanding them; the pom not so much. It  should have a more geometric, boxy shape, not be so rounded.

Below are the stages in trying to get this thing painted, along with the set up as it changed. Click on an image to see full picture, scroll over images to read captions.

(SOLD)
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Bits and Pieces (while falling to pieces with a cold)

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Sunflower and Pomegranate Studies, oil, 5×10″

After I did these two studies on one piece of Arches Oil Paper focusing on values (started with transparent earth color underpainting), I caught a nasty head cold. I feel super lousy and haven’t had the energy to paint but I’ve done a couple sketches, below.

Pomegranate and persimmons on a brick. 2B pencil in 8x10 moleskine.

Pomegranate and persimmons on a brick. 2B pencil in 8×10 moleskine.

Drawing helped take my mind off my sneezing and nose running like a river.

FarhooD S via Sktchy app. graphite, 11x8

FarhooD S via Sktchy app. graphite, 11×8″

I think I made his hand too small. Here’s his photo on Sktchy:

Less Struggle, More Sunflowers

Sunflowers #4, Oil on Arches Oil Paper, 12x9"

Sunflowers #4, Oil on Arches Oil Paper, 12×9″

I’m still trying to figure out sunflowers. I hate to quit before I’ve succeeded so decided to give it another try, continuing from the four attempts in my last post. Off I  went in search of fresh sunflowers. After striking out at the first two shops, I decided that if they didn’t have any in the next store I would put an end to the sunflower project. But freedom was not yet mine; they had sunflowers.

Below are a couple steps in the process. This time I didn’t spend as long sketching or blocking in and I made a point of starting with darker tones which I think helped. I get fooled by the concept of “yellow” and have trouble really seeing how dark yellow can be in the shadows.


And believe it or not, I’ve started yet another sunflower painting that will be the last one for a while. I’m desperate to get back to portraits and a still life I have in mind.

Struggling with Sunflowers Again

Sunflowers #1-A; oil on Arches Oil Paper, 17

Sunflowers #1-A; oil on Arches Oil Paper, 17″x10″

Sunflower Attempt #1 (Above) This one quickly went off the rails, the flowers got scraped off and then not repainted because the actual flowers had keeled over and I had nothing to work with.

Sunflower Attempt #1-B (Below)

There are some interesting things about this composition but I was still working too large (about 16×11″) and by the time I started painting after getting it sketched and blocked in it was too late in the day and the next day the flowers were falling over. The brown scarf Read More

Figs on a Grey Plate

Figs on a Grey Plate, oil on Arches Oil Paper, 9x11"

Figs on a Grey Plate, oil on Arches Oil Paper, 9×11″

My fig tree is supplying me with figs that are delicious to look at and to eat. I’m working on simplifying my paintings, aiming from strong values and composition, and trying to stop at “good enough for jazz.” This is so much more fun than trying for perfection and ending up with overworked instead. This painting is available on DailyPaintworks here.

Below are the steps in the progress of this painting and below that some bonus fig Read More

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