I’ve spent the past few months studying Munsell color notation and color mixing with Paul Foxton. My goal was to learn to discern value and color more accurately and to be able to efficiently mix those colors in paint. I’ve posted some of my course studies below. The above painting was done outside of the course, and doesn’t represent what is taught in the course. It is just a fun little alla prima still life, done before taking down my shadow box and lighting set up used in the course. I learned so many important things in the class. I think the number one thing I learned is how much lower chroma (aka less saturation/vibrant) most things are. Most things, including people, are much less colorful than I thought. Also, regardless of race, we humans are all low chroma orange (or as Munsell would have it, Yellow-Red). Read More
I’ve been enjoying using my new jumbo iPad Pro 12.9 and Apple Pencil with the Procreate App to sketch interesting characters on TV shows I watch. It’s fun getting back to drawing faces, especially when the actors are emoting. It’s fun and addictive experimenting with what the app has to offer and trying to learn about all the different brushes and features.
Above from Broadchurch — not quite a likeness and lots wrong with the drawing but had to stop sketching and watch the rest of the episode! ( (it’s back for Season 3 on BBC America). All of these sketches are done in Procreate, with Apple Pencil and jumbo IPad Pro. This one used a combination of airbrush and technical pen. The other two below mostly used the 6B pencil. Read More
I painted this a couple of months ago and I’m finally getting around to posting it. I was focusing on composition and just having some fun with color. and shapes. The gray/black stair-step shape in the back is styrofoam packing material. Below are the steps in the process of the painting.
This was a quick little painting from life that happened spontaneously one afternoon when my tenant came out to my studio and presented me with some freesias in a vitamin bottle.
It might have been a more interesting painting if I’d a) included the lettering on the bottle and b) taken time to do a preliminary thumbnail sketch so that the flowers weren’t almost touching the top of the panel. I was interested in looking at white in shadow and gray in light and shadow and the colors found in both from the warmish light and flower reflections.